本文選題：曾孝谷　切入點(diǎn)：話劇　出處：《四川戲劇》2017年02期

【摘要】：曾孝谷于1906年底與李叔同在東京發(fā)起創(chuàng)建春柳社,提倡新興話劇,開(kāi)中國(guó)話劇之先河。正值文明戲發(fā)展高潮時(shí)他退學(xué)回國(guó),卻未能施展所長(zhǎng)再創(chuàng)輝煌。隨即,他回到家鄉(xiāng)成都組建“春柳劇社”,然風(fēng)氣未開(kāi),響應(yīng)者屈指可數(shù),遂以教書(shū)度日,不復(fù)登臺(tái)。貧、病、孤、傲,讓他在話劇事業(yè)上大展拳腳的時(shí)機(jī)一去不復(fù)返,從此退出世人視線。作為中國(guó)早期話劇的奠基人之一的曾孝谷鮮為人知,尤其在他歸國(guó)后還曾為話劇做出過(guò)的巨大努力更是少人問(wèn)津,這不能不說(shuō)是一個(gè)很大的遺憾。
[Abstract]:At the end of 1906, Zeng Xiaogu and Li Shutong launched the Spring Willow Society in Tokyo to promote the new drama and the opening of the Chinese drama.At the height of the development of civilized drama, he dropped out of school and returned to China, but failed to bring forth his talent to create another glory.Immediately, he returned to his hometown of Chengdu to set up the "Spring Liu Opera Society", but the atmosphere did not open, only a handful of respondents, and then live by teaching, no more stage.Poverty, illness, isolation, pride, let him play in the cause of the moment gone, from the eyes of the world.As one of the founders of early Chinese drama, Zeng Xiaogu is not well known.
【作者單位】： 中國(guó)勞動(dòng)關(guān)系學(xué)院文化傳播學(xué)院;
，

本文編號(hào)：1729768