本文選題：蒲劇　切入點：張慶奎　出處：《山西師范大學(xué)》2012年碩士論文

【摘要】：張慶奎作為蒲劇表演藝術(shù)家，是與王秀蘭、閻逢春、楊虎山、筱月來齊名的蒲劇五大名演員，曾憑借《三家店》一劇，獲得優(yōu)秀演員獎，先后于1957年、1977年分別當(dāng)選為山西省戲劇家協(xié)會理事、山西省政協(xié)委員。蒲劇是產(chǎn)生較早的梆子聲腔劇種之一，在其自身的歷史發(fā)展過程中，積累了豐厚的戲劇文化底蘊和豐富的舞臺表演經(jīng)驗，張慶奎在繼承蒲劇傳統(tǒng)的基礎(chǔ)上，行腔運調(diào)不拘泥于古法，又借鑒其他演員的長處和兄弟劇種的唱腔，善于學(xué)習(xí)，，敢于創(chuàng)新。最終形成了獨具特色的高亢激越、韻味無窮的聲腔與遒勁豪放、氣勢渾厚的做派，成為蒲劇的代表人物之一。張慶奎七歲入蒲劇科班，抗日戰(zhàn)爭時期曾流亡陜西，家學(xué)淵源，先天條件再加上后天的努力，十三歲便贏得了“十三紅”的美譽，至新中國成立時，已積累了豐富的演出經(jīng)驗，成為蒲劇須生行當(dāng)?shù)慕艹鲅輪T。在建國后，他積極響應(yīng)黨和國家的號召，參與蒲劇傳統(tǒng)劇目的改編和蒲劇現(xiàn)代戲的編演，為蒲劇能與時俱進(jìn)的發(fā)展尋找新的途徑和方法。從藝五十余年，張慶奎幾乎把生命中的大部分時間都用在了戲曲表演上，幾十年如一日的練習(xí)蒲劇表演的基本功，又精于巧思，在功架、身段方面創(chuàng)造了許多拿手絕活，豐富了蒲劇的表演技巧與手段，是獨具一格的張派藝術(shù)創(chuàng)始人。他總結(jié)自己舞臺經(jīng)驗撰寫成文，以備后輩學(xué)藝之用，同時不遺余力、一招一式的培養(yǎng)年輕演員，對蒲劇藝術(shù)的發(fā)展作出了重要貢獻(xiàn)。 本論文旨在論述和評價張慶奎及其表演藝術(shù)，對其唱腔藝術(shù)和身段表演進(jìn)行歸納、總結(jié)，突出其對蒲劇藝術(shù)的繼承和發(fā)展，全文共分四章。第一章分四節(jié)，對張慶奎的藝術(shù)人生給予較詳盡的敘述，雖非評傳，但基本寫盡了他學(xué)藝、演戲、育徒的一生經(jīng)歷。第二三四章中，既有對張慶奎代表劇目及其表演的分析，也有對其表演風(fēng)格和唱腔、道白以及功架藝術(shù)表演經(jīng)驗的概括，以此彰顯他的表演特色。同時試圖將張慶奎表演藝術(shù)上升到理論的高度，以戲曲美學(xué)來觀照其表演，意在對張慶奎在蒲劇表演藝術(shù)方面的貢獻(xiàn)給以適當(dāng)?shù)臍v史定位。
[Abstract]:Zhang Qingkui, as a performing artist of Po Opera, is one of the five most famous performers of the Pu Opera, who is known as Wang Xiulan, Yan Fengchun, Yang Hushan, and Xiao Yue. He once won the excellent Actor Award for a play called "Sanjiadian".Successively in 1957, 1977 respectively elected Shanxi dramatist association director, Shanxi Province CPPCC member.Pu Opera is one of the earliest forms of Bangzi Opera. In its own historical development, it has accumulated rich drama culture and rich stage performance experience. Zhang Qingkui inherited the tradition of Pu Opera.Line tune is not stuck to the ancient style, but also learn from the strengths of other actors and brotherly choir, good at learning, dare to innovate.Finally formed the unique hyperactivity, the charm of the infinite voice and bold bold, vigorous style, become one of the representative characters of Puju.At the age of seven, Zhang Qingkui joined the Puju branch class. During the War of Resistance against Japan, he went into exile in Shaanxi Province, with family origins, innate conditions and efforts made the day after tomorrow. At the age of 13, he won the reputation of "Thirteen Red". By the time of the founding of New China, he had accumulated rich performance experience.To become an outstanding actor in the life of Po Opera.After the founding of the people's Republic of China, he actively responded to the call of the Party and the country and participated in the adaptation of the traditional repertoire of the Puju Opera and the compilation and performance of the Modern Drama of the Puju Opera.From more than 50 years of art, Zhang Qingkui has spent most of his life on opera performances. After decades of practicing the basic skills of the performance of Po Opera, he is also good at thinking skillfully, and has created a lot of special skills in the aspects of merit and style.It enriches the performing skills and means of Po Opera, and is a unique founder of Zhang School of Art.He summed up his stage experience to write for future generations to learn the art, while sparing no effort to train young actors, to the development of the art of Puju made an important contribution.The purpose of this paper is to discuss and evaluate Zhang Qingkui and his performing arts, to sum up and summarize his singing art and body performance, and to highlight his inheritance and development to the art of Puju Opera, which is divided into four chapters.The first chapter is divided into four sections, giving a more detailed description of Zhang Qingkui's artistic life.In Chapter 234, there is an analysis of Zhang Qingkui's representative repertoire and his performance, as well as a summary of his performance style and singing, Taoism and Gongjia's artistic performance experience, so as to show his performance characteristics.At the same time, the author tries to raise Zhang Qingkui's performing art to the theoretical level and to view his performance in the light of opera aesthetics, in order to give an appropriate historical orientation to Zhang Qingkui's contribution to the performing art of Pu Opera.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

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