發(fā)布時(shí)間：2018-04-08 22:30

  本文選題：莎樂(lè)美　切入點(diǎn)：馬斯涅　出處：《華東師范大學(xué)》2017年碩士論文

【摘要】：莎樂(lè)美是藝術(shù)發(fā)展歷史中一個(gè)重要的女性人物,她的形象自《圣經(jīng)》以來(lái)被不斷創(chuàng)作,具有豐富的人文內(nèi)涵。目前國(guó)內(nèi)對(duì)于音樂(lè)中莎樂(lè)美形象的研究?jī)H限于理查·施特勞斯的歌劇《莎樂(lè)美》,而作為第一個(gè)將莎樂(lè)美形象搬上音樂(lè)戲劇舞臺(tái)的歌劇作品——《希羅底亞德》在其形象演變的過(guò)程中也具有重要的歷史意義。因此,論文將以莎樂(lè)美的形象為研究中心,結(jié)合歷史發(fā)展的時(shí)代背景分析《圣經(jīng)》原型中的人物形象到歌劇形象的演變,從女性主義視角,探究?jī)刹扛鑴≈猩瘶?lè)美形象以及音樂(lè)的實(shí)現(xiàn)方式,并將歌劇中的莎樂(lè)美形象放置在歷史的流變中探討人物形象自身所蘊(yùn)含的文化內(nèi)涵。通過(guò)對(duì)比分析,筆者認(rèn)為,馬斯涅的歌劇雖然在音樂(lè)寫(xiě)作上不及理查·施特勞斯成功,但他塑造的莎樂(lè)美形象對(duì)19世紀(jì)后的創(chuàng)作具有一定的啟示作用,兩部歌劇在人物形象塑造的手法上也具有一定的相似性。同時(shí),出現(xiàn)在19世紀(jì)末20世紀(jì)初的兩部作品所塑造的莎樂(lè)美形象更多意義上是女性主義思潮影響下的一種藝術(shù)表現(xiàn)形式。通過(guò)對(duì)莎樂(lè)美形象流變的分析,既可以對(duì)今后的音樂(lè)創(chuàng)作提供一定的參考,同時(shí)也可以反觀整個(gè)社會(huì)歷史發(fā)展中兩性關(guān)系的發(fā)展。
[Abstract]:Salome is an important female figure in the history of art development, her image has been constantly created since the Bible, with rich humanistic connotation.At present, domestic studies on Salome images in music are limited to Richard Strauss's opera Salome, but as the first opera to bring Salome image to the stage of musical drama, the "Herodiad"Its image evolves the process also has the important historical significance.Therefore, the thesis will focus on the image of Salome and analyze the evolution of the characters from the prototype of the Bible to the image of opera from the perspective of feminism, combining with the historical development of the background of the times.This paper probes into the image of Salome in the two operas and the way to realize it, and puts the image of Salome in the historical change to explore the cultural connotation of the characters themselves.Through comparative analysis, the author thinks that although Masnell's opera is not as successful as Richard Strauss in music writing, his image of Salome has a certain enlightening effect on the creation after the 19th century.The two operas also have certain similarities in the techniques of portraying characters.At the same time, the images of Salome created by the two works which appeared in the late 19th century and the beginning of the 20th century are more of a form of artistic expression under the influence of feminist trend of thought.Through the analysis of the changes of Salome image, it can not only provide a certain reference for future music creation, but also reflect the development of gender relations in the development of the whole society and history.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J832;J617.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 余鑫;石磊;;女性主義視閾下的理查德·施特勞斯歌劇研究——以《莎樂(lè)美》和《埃萊克特拉》為研究對(duì)象[J];樂(lè)府新聲(沈陽(yáng)音樂(lè)學(xué)院學(xué)報(bào));2016年01期

2 馬崢;;歌劇《莎樂(lè)美》中主導(dǎo)動(dòng)機(jī)運(yùn)用的戲劇意義研究[J];中央音樂(lè)學(xué)院學(xué)報(bào);2015年03期

3 李曉冬;;保守與激進(jìn)的二重奏——觀理查·施特勞斯兩部歌劇的中國(guó)首演[J];人民音樂(lè);2015年01期

4 胡越菲;;朱爾·馬斯內(nèi):被忽視的歌劇天才[J];音樂(lè)愛(ài)好者;2013年02期

5 李嚴(yán)歡;;法國(guó)歌劇的復(fù)興者[J];滬港經(jīng)濟(jì);2012年11期

相關(guān)碩士學(xué)位論文 前5條

1 倪U，

本文編號(hào)：1723657