隨《玄奘西行》觀“一帶一路”音樂文化
發(fā)布時(shí)間:2018-04-06 23:04
本文選題:西行 切入點(diǎn):音樂文化 出處:《藝術(shù)評(píng)論》2017年08期
【摘要】:正繼《印象國(guó)樂》《又見國(guó)樂》等一系列音樂劇場(chǎng)在國(guó)內(nèi)外上演并博得廣泛贊譽(yù)之后,2017年7月上旬,中央民族樂團(tuán)又推出了由該團(tuán)常任駐團(tuán)作曲家姜瑩作曲、編劇、總導(dǎo)演的新作《玄奘西行》,稱之為"世界首部大型民族器樂劇",力圖為觀眾奉獻(xiàn)感性豐富、寓意深刻的"一帶一路民族音樂巡禮"。顯然,這個(gè)作品應(yīng)和了國(guó)家"一帶一路"戰(zhàn)略。重
[Abstract]:After a series of musical theatres, such as "impression of the Nation" and "see the National Music", were staged at home and abroad and won wide acclaim, in early July 2017, the Central National Orchestra produced a composition by Jiang Ying, a composer of the group's permanent regiment.Xuanzang's new work, Xuanzang westward, is called "the world's first large-scale national instrumental play", trying to offer the audience rich sensibility and profound implication of "Belt and Road National Music Patrol".Obviously, this work is in line with the national "Belt and Road" strategy.Weight
【作者單位】: 中央音樂學(xué)院;
【分類號(hào)】:J827
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