本文選題：東北大鼓　切入點：文化根源　出處：《山西大學》2010年碩士論文

【摘要】： 東北大鼓廣泛流行于遼寧、吉林、黑龍江三省,是中國眾多大鼓曲種和流派中重要的分支之一。它起源于沈陽,曾一度盛行于吉林、遼寧、黑龍江以及北京、天津、內蒙古、河南、河北等地區(qū),最初有奉天大鼓、奉派大鼓、奉調大鼓、遼寧大鼓之稱,后通稱為東北大鼓。它有一套完整的唱腔,并陸續(xù)吸收京劇、京韻大鼓和東北民歌的聲腔,在長期的傳唱過程中,形成了獨具特色的藝術流派,至今已有300年的歷史。本文通過對大量文獻基礎資料的仔細研究和對東北學者、藝人的走訪調查,第一次系統(tǒng)地分析了東北大鼓產生的文化內涵,對其正式定名之前所涉及的淵源關系及形成原因進行了考證論述,目的在于闡釋清楚東北大鼓形成的真正原因之所在。本文分為五個部分：引言概述了中國鼓詞以及東北大鼓大致的發(fā)展脈絡；第一章介紹了東北大鼓產生的文化根源,分析地區(qū)原生文化以及明代說唱詞話對東北大鼓產生的影響；第二章利用對比分析的方法詳細闡釋了子弟書文化對東北大鼓形成帶來的重要影響；第三章分析了時代背景下移民文化帶給東北大鼓的影響；第四章利用例證結合的方法分析了新型傳播手段對東北大鼓走向成熟的重要影響；第五章主要分析考證東北大鼓的正式定名時間以及文化內涵之所在。文章旨在弄清東北大鼓形成的真正原因,以期對中國俗文學的重要分支“中國鼓詞”提供眾多的新史料和具有學術價值、歷史意義的前期成果。對于今天作為非物質文化遺產之一的東北大鼓的文化傳承和進一步發(fā)展都具有重要的學術價值和實際借鑒意義。保護和守望這片過去的精神家園,不是為了留住歷史,留住文化,更不是為了回到過去,而是為了明天文化的創(chuàng)新,文化的自覺,民族的振奮,這也是本論文撰寫的另一個目的。
[Abstract]:Northeast drum is widely popular in Liaoning, Jilin and Heilongjiang provinces, is one of the important branches of many types and Chinese drum genre. It originated in Shenyang, once prevalent in Jilin, Liaoning, Heilongjiang, Beijing, Tianjin, Inner Mongolia, Henan, Hebei and other regions, the initial Mukden drum, sent the drums, fengdiao drum. Liaoning Dagu said, after known as the Northeast drum. It has a complete set of singing, and gradually absorbed the Peking Opera, Jingyuntaigu and northeast folk tune, sung in the long process of the formation of a unique genre of art, has been 300 years of history. Through careful study of a large number of literature data and on the Northeast scholars, artists visited the survey, the first systematic analysis of the Northeast drum have cultural connotation, origin and shape prior to its official naming involved into the causes of the textual discussion. Is the real reason to clearly explain the formation of the Northeast drum of. This paper is divided into five parts: the introduction provides an overview of the development and China Guci northeast drum general; the first chapter introduces the cultural roots of the Northeast drum from the analysis area of native culture and the Ming Dynasty that influence on Northeast drum sing poetry; the second chapter elaborate the important impact of Zidishu culture on the Northeast drum using the method of comparative analysis; the third chapter analyzes the influence of the Northeast drum Bring immigration culture background; the fourth chapter of the thesis uses examples to analyze the important influence of new means of communication to maturity of the Northeast drum; the fifth chapter mainly analyzes the textual research of the Northeast drum formally named time as well as the cultural connotation of the real reason. The paper aims to clarify the formation of the Northeast drum, in order to Chinese popular literary As an important branch of the "learning China Guci" provides a large number of new historical data and academic value, historical significance. The preliminary results for today as one of the intangible cultural heritage cultural heritage in Northeast drum and further development have important academic value and practical significance. The protection and watch this piece of the past spiritual home, not in order to keep the historical culture, retain, not to return to the past, but for tomorrow's culture of innovation, cultural consciousness, inspiring the nation, another which is the purpose of writing this paper.

【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J826

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