“鐵板銅琶”的美學(xué)源流沒有中斷——論話劇《中華士兵》的舞臺藝術(shù)
發(fā)布時(shí)間:2018-04-04 18:39
本文選題:鐵板銅琶 切入點(diǎn):國家話劇院 出處:《藝術(shù)評論》2015年10期
【摘要】:正由中國國家話劇院查明哲導(dǎo)演的話劇《中華士兵》(編劇:馮俐)為中國當(dāng)代話劇舞臺注入了一種久違的豪邁之氣和陽剛之美。在2015年紀(jì)念世界反法西斯戰(zhàn)爭勝利的歷史回望中,該戲表現(xiàn)了中華民族抗日戰(zhàn)爭中一段可歌可泣的歷史,聚焦于1939年著名的"中條山保衛(wèi)戰(zhàn)"中八百名不足20歲的"陜西冷娃",先后以血肉之軀抵擋瘋狂的日寇,在彈盡糧絕后集體躍入黃河的真實(shí)故事,表現(xiàn)了三秦大地的兒女"若為奴,毋寧死"的錚錚鐵骨,同時(shí)也為中華民族
[Abstract]:The play "the Chinese Soldier" directed by the Chinese National Drama Theater, ChaMingzhe (screenwriter: Feng Li), infuses the stage of contemporary Chinese drama with a long-lost sense of heroism and masculinity.In a historical look back at the 2015 commemoration of the victory of the world's anti-fascist war, the play represents a period of singing and sobbing history in the anti-Japanese war of the Chinese nation.Focusing on the famous "Zhongtiao Mountain Defense War" in 1939, 800 "Shaanxi Lengwa", who were under 20 years old, successively fought off the crazy Japanese invaders with flesh and blood, and then collectively jumped into the Yellow River after running out of ammunition.It shows the clank of the sons and daughters of the three Qin Dynasty, "if they are slaves, or they prefer to die", but also for the Chinese nation.
【作者單位】: 北京大學(xué)藝術(shù)學(xué)院;
【分類號】:J824
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