本文選題：歌劇　切入點：奧賽羅　出處：《東北師范大學(xué)》2011年碩士論文

【摘要】：歌劇是一種綜合的藝術(shù)形式,它誕生于16世紀(jì)末意大利的弗羅倫薩,距今已有四百多年的歷史。對于中國人來說,歌劇是個“外來品”,如何把歌劇題材“洋為中用”,歷來都是擺在中國歌劇創(chuàng)作者面前的一個考驗和挑戰(zhàn)。中國歌劇誕生于二十世紀(jì)初,進百年的時間內(nèi)以有過三次發(fā)展高潮。歐洲歌劇與中國歌劇有著不同的發(fā)展歷程和發(fā)展背景,所以在同一題材下所表現(xiàn)出來的人物也是不一樣的。 歌劇《奧賽羅》與《原野》,主題都是表現(xiàn)愛情悲劇的,但是由于兩部歌劇產(chǎn)生的背景與創(chuàng)作的環(huán)境不一樣,所以兩部歌劇的女主人公黛絲德蒙娜與金子所表現(xiàn)出來的人物性格是完全不一樣的。歌劇《奧賽羅》中的黛絲德蒙娜是一位出身高貴,美麗,溫柔,善良而單純的女性,但是在她身上同時存在著堅強和反叛的一面,在爭取自主的婚姻愛情時表現(xiàn)出了一個新時代女性敢于挑戰(zhàn)家族父權(quán)的反叛精神,而在后來面對丈夫的冤枉,侮辱甚至是殺害,黛絲德蒙娜卻表現(xiàn)的十分懦弱和手足無措。歌劇《原野》中的金子,不同于中國傳統(tǒng)的女性,她潑辣如火,又真摯似水,擁有率真坦蕩,敢愛敢恨的可愛性格,同時也擁有著“火一般的熱情”和“強悍的心”。本文除了通過具體的唱段來分析兩位主人公的人物性格,同時也通過人物性格深入的兩位主人公的審美價值。黛絲德蒙娜的審美價值在于她的完美人性,高尚和偉大,告訴我們美的實質(zhì)是什么,愛情的真諦是什么。而金子的審美價值在于具有多方面性格的年輕婦女,通過對金子的描寫,反映了當(dāng)時人們反文明的力度和限度,以及人追求人樣生活的悲慘失敗。表現(xiàn)了被壓迫被摧殘的中國農(nóng)民對美好生活的向往,更深層次的挖掘了人性的復(fù)雜性和多面性。 本文通過五個章節(jié)具體闡述了以上觀點。第一章主要闡述歐洲歌劇與中國歌劇的發(fā)展歷程及創(chuàng)作特點,第二章具體闡述歌劇《奧賽羅》與歌劇《原野》的創(chuàng)作背景和劇情梗概。第三章闡述兩部歌劇中的女主人公黛絲德蒙娜與金子的具體唱段分析,通過對具體唱段的分析來闡述兩個人物的性格特點。第四章主要闡述兩位主人公的藝術(shù)表現(xiàn)。
[Abstract]:Opera is a comprehensive art form. It was born in Florence, Italy, at the end of the 16th century and has a history of more than 400 years. For the Chinese, Opera is a "foreign product". How to use the theme of opera "in China" has always been a test and challenge for Chinese opera creators. Chinese opera was born in the early 20th century. In the last hundred years, there have been three climaxes of development. European opera and Chinese opera have different development processes and backgrounds, so the characters under the same theme are different. The themes of the opera Othello and the Plains both express the tragedy of love, but the background of the two operas and the environment in which they are created are different. So the heroine of the two operas, Daisy de Mona, is completely different from the character gold has shown. In Othello, the heroine of Othello is a woman of noble, beautiful, gentle, kind and simple birth. But there is both a strong and rebellious side in her body. She shows a new era of women who dare to challenge the patriarchal spirit of the family when they fight for their own marriage and love, and later face the injustice, insult or even murder of their husbands. Deiss de Mona, however, was very cowardly and bewildered. The gold in the opera "the Field" was different from the traditional Chinese women. She was hot and sincere, and she had a lovely personality that was frank and frank, and loved and hated. At the same time, it also has "fire like enthusiasm" and "strong heart". In addition to analyzing the characters of the two protagonists by means of specific choreography, At the same time, through the aesthetic value of the two protagonists, who are deeply rooted in the characters' character, the aesthetic value of Destmona lies in her perfect humanity, nobility and greatness, telling us what the essence of beauty is. What is the true meaning of love? and the aesthetic value of gold lies in young women with various personalities. Through the description of gold, it reflects the strength and limit of people's anti-civilization at that time. And the tragic failure of people in pursuit of human life. It shows the yearning of the oppressed and destroyed Chinese peasants for a better life, and further excavates the complexity and multi-facets of human nature. This paper elaborates the above viewpoints through five chapters. The first chapter mainly expounds the development process and creative characteristics of European opera and Chinese opera. The second chapter elaborates the background and the plot outline of the opera Othello and the opera the Field. The third chapter elaborates the analysis of the heroine Destmona and gold in the two operas. The fourth chapter mainly expounds the artistic expression of the two protagonists.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J832

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