本文選題：陜西　切入點：古戲樓　出處：《山西師范大學》2010年碩士論文

【摘要】：陜西是古文明的發(fā)祥地,文化底蘊深厚,戲曲源遠流長,戲曲活動亦很頻繁,但是相關文獻資料的記載卻少之又少,而對現(xiàn)存古戲樓的研究在很大程度上能彌補這一缺憾。陜西現(xiàn)存古戲樓按地域主要分布于漢江、嘉陵江、丹江沿岸、關中平原及陜北高原。陜南的古戲樓基本按沿河流分布,多會館戲樓及祭祀水神的戲樓;關中戲樓以城隍廟戲樓為主體特征,分布在各縣城的中心,正對城隍廟;陜北古戲樓留存較少,佳縣白云山廟群的真武廟戲樓和關帝廟戲樓具有代表性。本文試圖從陜南古戲樓的精巧華麗、關中古戲樓的宏大雄偉以及古戲樓的創(chuàng)建樣式、舞臺題記、戲曲碑刻等諸多方面來論證陜西戲曲的繁榮。 主要以陜西的行政區(qū)劃為標準,對漢中、安康、商洛、咸陽、渭南、西安、寶雞、榆林八個地級市的三十一個縣市的古戲樓逐個進行舉例,對目前保存完好的古戲樓進行細致描述。此外,陜西古戲樓的裝飾也是一大特色,從柱礎(鼓蹬礎、覆盆礎、)、雀替(騎馬雀替、大雀替等)、藻井(斗八藻井、圓形藻井、八卦藻井等)、斗拱、隔斷及其他裝飾六個方面進行描述。最后專門對明清時代創(chuàng)建戲樓、維修戲樓、舞臺題記與班社流動關系、文獻中的戲曲活動四個方面進行比較研究。并對陜西秦腔劇種起源、秦腔班社(雙盛班、同興班、德和班、華慶班、永順班等)進行了分析說明。 在文化日益發(fā)達的今天,古戲樓存在越來越少,它們是古代戲曲文化繁榮的見證,是研究戲曲史的活化石,因此,對陜西古戲樓的調(diào)查與研究不僅是必要的,也是非常有研究價值的。
[Abstract]:Shaanxi is the birthplace of ancient civilization, with profound cultural background, long history of opera, and frequent opera activities, but there are very few records of relevant documents, and the research on the existing ancient opera buildings can make up for this shortcoming to a great extent.The existing ancient opera buildings are mainly distributed in Hanjiang River, Jialing River, Danjiang River, Guanzhong Plain and Northern Shaanxi Plateau.The ancient opera buildings in southern Shaanxi are basically distributed along the river, with many clubs and opera towers offering sacrifices to water gods; the Guanzhong opera buildings are mainly characterized by the city god temple opera buildings, which are distributed in the center of each county town, directly opposite the city god temple; there are few ancient opera towers in northern ShaanxiJiaxian Baiyun Mountain Temple Group Zhenwu Temple Opera Tower and Guan Di Temple Opera House is representative.This paper attempts to demonstrate the prosperity of Shaanxi opera from the exquisite and magnificent ancient opera tower of southern Shaanxi, the grand grandeur of Guanzhong opera tower, the creation style of ancient opera building, stage inscription, inscription of opera inscription, etc.Mainly taking the administrative divisions of Shaanxi as the standard, the ancient opera buildings in 31 counties and cities in Hanzhong, Ankang, Shangluo, Xianyang, Weinan, Xi'an, Baoji, and Yulin were given examples one by one.A detailed description of the well-preserved ancient opera building is given.The partition and other decoration are described in six aspects.Finally, it makes a comparative study on four aspects, namely, the creation of the opera building, the maintenance of the opera building, the relationship between the stage inscription and the movement of the class and society, and the drama activities in the literature during the Ming and Qing dynasties.The origin of Shaanxi Qin Opera operas and the Qin Opera banners (Shuangsheng, Tongxing, Dehe, Hua-Qing, Yongshun, etc.) were analyzed and explained.In today's increasingly developed culture, there are fewer and fewer ancient opera towers. They are the witness of the prosperity of ancient opera culture and the living fossils of the study of opera history. Therefore, it is not only necessary to investigate and study the ancient opera towers in Shaanxi.Also has the research value very much.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J809.2

【參考文獻】

相關碩士學位論文 前1條

1 劉征;西安城隍廟建筑研究[D];西安建筑科技大學;2006年

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本文編號：1695467