發(fā)布時(shí)間：2018-04-01 06:13

  本文選題：山東琴書(shū)　切入點(diǎn)：唱詞　出處：《安徽師范大學(xué)》2013年碩士論文

【摘要】：“字正腔圓”、“以字行腔”、“倒字”、“破句”等等都是與腔詞關(guān)系有關(guān)的而且是廣大專家、學(xué)者慣用的詞。腔詞關(guān)系歷來(lái)都受到廣大學(xué)者的關(guān)注,曲藝音樂(lè)作為一種說(shuō)唱音樂(lè),腔和詞的關(guān)系更是不容忽視。無(wú)論是對(duì)山東琴書(shū)本身來(lái)說(shuō),還是對(duì)琴書(shū)的創(chuàng)腔者、演唱者、愛(ài)好者來(lái)說(shuō),了解山東琴書(shū)的腔詞關(guān)系都是非常有必要的。文章對(duì)山東琴書(shū)的唱腔和唱詞的關(guān)系進(jìn)行分析與研究,以期能對(duì)山東琴書(shū)的演唱者、創(chuàng)腔者及其琴書(shū)自身的傳承與發(fā)展有所幫助。 文章分為四個(gè)部分即：腔詞音調(diào)之關(guān)系、腔詞節(jié)奏之關(guān)系、腔詞句式之關(guān)系、腔詞關(guān)系之引發(fā)。第一章腔詞音調(diào)之關(guān)系,分為四節(jié)即：山東琴書(shū)使用的方言特征、唱詞字調(diào)與唱腔旋律走向的關(guān)系、唱詞語(yǔ)調(diào)與唱腔旋律走向的關(guān)系、“變調(diào)”與唱腔旋律走向的關(guān)系。每一節(jié)都結(jié)合相關(guān)的譜例進(jìn)行分析。第二章腔詞節(jié)奏之關(guān)系,分為兩個(gè)小節(jié)即：唱詞輕重音與唱腔節(jié)奏強(qiáng)弱的關(guān)系、“破句”現(xiàn)象的分析與解決。第一節(jié)又分為三個(gè)部分即：唱詞習(xí)慣輕重音與唱腔節(jié)奏強(qiáng)弱、唱詞特意輕重音與唱腔節(jié)奏強(qiáng)弱、唱詞節(jié)拍重音與唱腔節(jié)奏強(qiáng)弱。其中,習(xí)慣輕重音和特意輕重音對(duì)唱腔節(jié)奏強(qiáng)弱的影響是非常重要的。第二節(jié)中對(duì)“破句”現(xiàn)象進(jìn)行舉例,并對(duì)其如何解決作出嘗試。第三章腔詞句式之關(guān)系中包括三節(jié)即：山東琴書(shū)唱詞的基本句式與變化句式、山東琴書(shū)唱腔的基本句式與變化句式、唱詞句式與唱腔句式之間的制約關(guān)系。第四章腔詞關(guān)系之引發(fā),在對(duì)山東琴書(shū)腔詞關(guān)系的處理上認(rèn)為相背的腔詞關(guān)系只要有利于作品整體效果的表達(dá)也是好的腔詞關(guān)系。 不論是戲曲還是曲藝,都講究“字正腔圓”、“以字行腔”,而非常忌諱“倒字”、“破句”現(xiàn)象的出現(xiàn)。一部?jī)?yōu)秀的作品必然會(huì)遵循作品整體效果的表達(dá),使唱腔和唱詞恰當(dāng)好處的結(jié)合在一起,相得益彰,共同服務(wù)于整個(gè)作品的內(nèi)容。山東琴書(shū)亦是如此,認(rèn)識(shí)腔詞關(guān)系規(guī)律,掌握其處理原則,會(huì)使山東琴書(shū)更具感染力,更好地傳承下去。
[Abstract]:These words are related to the relationship between colloquial words and Chinese characters and are commonly used by experts and scholars.The relationship between ci and ci has always been concerned by scholars, quyi music as a rap music, the relationship between cavity and ci can not be ignored.It is very necessary to understand the relationship between Shandong Qin book and its singer, singer and lover, not only for Shandong Qin book itself, but also for its creators, singers and enthusiasts.This paper analyzes and studies the relationship between the singing and the lyric of Shandong Qin book, hoping to be helpful to the singer, creator and its own inheritance and development of Shandong Qin book.The article is divided into four parts: the relationship between the tone of the words, the rhythm of the words, the relationship between the words and sentences, and the relationship between the words.The first chapter is divided into four sections: the dialect characteristics used in Shandong Qin book, the relationship between the tone of lyrics and the trend of melody, the relationship between the tone of lyrics and the trend of melody, and the relationship between the change of tone and the trend of melody.Each section is analyzed with relevant spectral examples.The second chapter is divided into two sections: the relationship between the heavy and heavy voice and the strong or weak rhythm of singing, and the analysis and solution of the phenomenon of "break sentence".The first section is divided into three parts: the strong and weak of the libretto and the rhythm of the choir, the intensity of the lyric and the rhythm of the singing, the rhythm of the rhythm and the rhythm of the choir.Among them, the habit of light and light tone and the impact of vocal rhythm is very important.In the second section, the phenomenon of "break sentence" is illustrated and how to solve it is tried.The third chapter consists of three sections: the basic sentence pattern and the change sentence pattern of Shandong Qin Book, the basic sentence pattern and the change sentence pattern of Shandong Qin Book, and the restriction relationship between the word pattern and the singing pattern.In the fourth chapter, the author thinks that the relationship between the two words is a good one as long as it is beneficial to the expression of the overall effect of the work.No matter opera or quyi, they all pay attention to the appearance of the phenomenon of "reciting words" and "breaking sentences".An excellent work is bound to follow the expression of the overall effect of the work, so as to combine the proper advantages of singing and lyrics, complement each other, and jointly serve the content of the whole work.The same is true of Shandong Qin books. Understanding the law of the relationship between colloquial words and handling principles will make Shandong Qin books more infectious and carry on better.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J617.9

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