本文選題：北路梆子　切入點(diǎn)：劇目創(chuàng)作　出處：《山西師范大學(xué)》2014年碩士論文

【摘要】：北路梆子是一支歷史較悠久的劇種，自產(chǎn)生至今的數(shù)百年時(shí)間里，流傳下來的傳統(tǒng)劇目有數(shù)百個(gè)，是傳統(tǒng)文化遺產(chǎn)和不可再生資源。北路梆子隨著歷史進(jìn)程幾經(jīng)治治，因人民群眾的喜愛與扶持，傳承發(fā)展到今天，新時(shí)期以來，北路梆子貫徹“百花齊放、百家爭鳴”的方針，全力推陳出新，打造屬于自己的文化精品，不遺余力的整理改編傳統(tǒng)戲、新編歷史故事戲和創(chuàng)作新編現(xiàn)代戲，將北路梆子的劇目創(chuàng)作推上了一個(gè)新的層次。 改革開放以來至今，，也可以說是北路梆子自身發(fā)展的一個(gè)新時(shí)期，無論是整理改編演出傳統(tǒng)劇目、上演新編歷史故事戲還是受人矚目的新編現(xiàn)代戲，劇目的創(chuàng)作都取得了不俗成績，不僅產(chǎn)生的劇目數(shù)量多而且部分質(zhì)量上乘，基本上滿足了北路梆子流行區(qū)域觀眾的審美需求。但是，就研究來說，還沒有一部著作是專門研究新時(shí)期以來北路梆子劇目創(chuàng)作的，由此，本論文的選題上正可彌補(bǔ)這一缺憾。 論文整體上分為緒言、正文、余言三大板塊。在每一部分中再作系統(tǒng)闡述。 緒論部分先闡述北路梆子現(xiàn)狀，指出了北路梆子隨著時(shí)代發(fā)展所面臨的困難和挑戰(zhàn)，但是縱觀北路梆子研究內(nèi)容，沒有一部著作是以新時(shí)期北路梆子劇目創(chuàng)作為研究內(nèi)容的，因此，也就指出本論文的價(jià)值核心所在。正文先是淵源發(fā)展系統(tǒng)介紹了北路梆子的演變及其歷史沿革，接著按照整理改編傳統(tǒng)戲、新編歷史故事戲和現(xiàn)代戲分為三章分別進(jìn)行概括性探究，并且對一些重點(diǎn)劇目聯(lián)系舞臺(tái)演出一一進(jìn)行了比較深入的分析和評論。余言部分歸納了北路梆子發(fā)展中存在的問題，提出自己想到問題的辦法，以對北路梆子的傳承發(fā)展盡綿薄之力。
[Abstract]:Beilu Bangzi is a kind of drama with a long history. In the hundreds of years since it was born, hundreds of traditional operas have been handed down, which are traditional cultural heritage and non-renewable resources. Thanks to the love and support of the people, the inheritance and development to today, since the new period, Beilu Bangzi has implemented the policy of "a hundred flowers blossom, a hundred schools of thought contend", and has made every effort to bring forth the new and create its own cultural boutique. The arrangement and adaptation of the traditional drama, the new historical story play and the creation of the new modern drama have pushed the repertoire of Beilu Bangzi to a new level. Since the reform and opening up to the present, it can also be said to be a new period for the development of Beilu Bangzi itself. Whether it is sorting out the traditional repertoire for performing performances, staging new historical story plays or a new modern drama that has attracted people's attention. The creation of the repertoire has made great achievements, not only producing a large number of plays and some of the best quality, which basically meets the aesthetic needs of the audiences in the popular area of Beilu Bangzi. However, as far as the research is concerned, There is not a book devoted to the Beilu Bangzi repertoire since the new period, thus, the topic of this paper can make up for this shortcoming. The thesis is divided into three parts: preface, text and conclusion. The introduction part first elaborates the present situation of Beilu Bangzi, and points out the difficulties and challenges that Beilu Bangzi faces with the development of the times. But throughout the research content of Beilu Bangzi, there is not a single book on the Beilu Bangzi repertoire in the new period. Therefore, it points out the core value of this thesis. First, the text introduces the evolution and historical evolution of Beilu Bangzi systematically, and then reorganizes and adapts the traditional drama. The new historical story play and the modern drama are divided into three chapters respectively to carry on the general research, and has carried on the comparatively thorough analysis and the commentary to some key plays connected with the stage performance one by one. In the last part, it summarizes the problems existing in the development of the Beilu Bangzi. Put forward their own way to think of the problem, in order to the development of the heritage of the North Road Bangzi to do a modest force.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J825

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