本文選題：江西省話劇團　切入點：忠臣良將　出處：《影劇新作》2016年03期

【摘要】：正在當(dāng)前藝術(shù)舞臺有兩種風(fēng)潮得到社會現(xiàn)實的有力助推,一是傳統(tǒng)文化元素被強力地激活;二是作為傳統(tǒng)文化代表的歷史英雄被重新塑造。這其中,不少作品簡單地充當(dāng)了意識形態(tài)的傳聲筒——這種遺憾我們經(jīng)常會體驗到。然而,江西省話劇院推出的《遙遠(yuǎn)的鄉(xiāng)土》卻顯然是一個可喜的收獲,這是一部具有文化熱度的史詩性力作,是一部從中華文化坐標(biāo)中探尋偉大母親文化價值和文化方位的厚重之作。近年來,不少塑造忠臣良將的戲在舞
[Abstract]:On the current art stage, there are two kinds of trends that are being pushed forward by the social reality. One is that the elements of traditional culture are strongly activated; the other is that the historical hero, who is the representative of traditional culture, has been reshaped. Among these, Many of the works simply act as ideological communicators-a regret that we often experience. However, the release of the faraway country by the Jiangxi Provincial Theater is clearly a gratifying achievement. This is a historical poetical masterpiece with cultural heat, and a masterpiece to explore the cultural value and cultural orientation of a great mother from the coordinates of Chinese culture. In recent years, quite a number of plays that have shaped loyal ministers have been dancing
【作者單位】： 北京大學(xué);
【分類號】：J824

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本文編號：1670309