本文選題：文藝評(píng)獎(jiǎng)　切入點(diǎn)：中國(guó)藝術(shù)節(jié)　出處：《上海藝術(shù)評(píng)論》2016年06期

【摘要】：正引領(lǐng)扎實(shí)的觀演繁榮而不是制作"繁榮"建立戲劇生產(chǎn)與消費(fèi)的良性關(guān)系,這是今年第十一屆中國(guó)藝術(shù)節(jié)的一個(gè)重要的轉(zhuǎn)變。認(rèn)識(shí)藝術(shù)功利訴求之外的"非功利"的審美功能的完善,研究問題、發(fā)現(xiàn)得失、不斷超越,藝術(shù)才能不斷攀登高峰。而無論是戲劇節(jié)還是戲劇創(chuàng)作,活水之源永遠(yuǎn)在于人民群眾。第十一屆中國(guó)藝術(shù)節(jié)評(píng)獎(jiǎng)明顯少于前屆,這是貫徹中央《關(guān)于全國(guó)性文藝評(píng)獎(jiǎng)制度改革的意見》精神和中宣部《全國(guó)性文藝評(píng)獎(jiǎng)改革方案》的通知
[Abstract]:Is leading to a solid performance boom rather than "prosperity" to build a sound relationship between drama production and consumption, This is an important change in the 11th China Art Festival this year. Understanding the aesthetic function of "non-utilitarian" beyond the appeal of artistic utility, studying problems, finding gains and losses, and constantly surpassing them, Art talent is constantly climbing the peak. Whether it is drama festival or drama creation, the source of living water is always the people. The 11th China Art Festival awards are obviously less than the previous ones. This is the spirit of implementing the Central Committee's "opinions on the Reform of the National Literature and Art Evaluation system" and the circular of the Central propaganda Department on the "National Reform Plan for Literary and Art Awards"
【作者單位】： 湖南藝術(shù)研究院劇目部;
【分類號(hào)】：J805

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