本文選題：男高音唱段　切入點(diǎn)：藝術(shù)特色　出處：《上海師范大學(xué)》2017年碩士論文

【摘要】：作曲家駱季超的原創(chuàng)劇《勸君走好人生路》是一部關(guān)于青少年遠(yuǎn)離毒品,并且具有現(xiàn)實(shí)教育意義的音樂(lè)劇。其中為具有悲情色彩的男高音創(chuàng)作的唱段極具典型性,也是這部劇的特色之一;這些唱段人物形象鮮明、劇情沖突強(qiáng)烈、旋律優(yōu)美、抒情性較強(qiáng),具有獨(dú)特的藝術(shù)魅力和傳承價(jià)值,通常也是作為音樂(lè)會(huì)的理想曲目。遺憾的是,國(guó)內(nèi)無(wú)人對(duì)此劇進(jìn)行文獻(xiàn)性質(zhì)的研究,因此,筆者結(jié)合演唱實(shí)踐及作曲家本人提供的資料進(jìn)行研究,鑒于本文有一定的創(chuàng)新,并填補(bǔ)學(xué)術(shù)上的空白。在本論文的創(chuàng)作方法上,采用理論聯(lián)系實(shí)際對(duì)駱季超原創(chuàng)劇《勸君走好人生路》全劇進(jìn)行了解和學(xué)習(xí),并主要對(duì)其中三首男高音唱段《小偷小偷,我不能做》《我的拳頭是正義的劍》《我是誰(shuí)?》展開(kāi)論述。第一部分,介紹《勸君走好人生路》的創(chuàng)作背景及劇情主要內(nèi)容介紹;第二部分,對(duì)三首男高音唱段的藝術(shù)特色進(jìn)行論述,主要從創(chuàng)作手法和腳本分析展開(kāi)敘述;第三部分,從三首男高音唱段所要表現(xiàn)的人物形象、情感、樂(lè)曲分析、唱段的具體演唱來(lái)進(jìn)行分析。在本論文的創(chuàng)作思想上,筆者敢于打破常規(guī),追求創(chuàng)新,在研究駱季超原創(chuàng)劇《勸君走好人生路》中三首男高音唱段的藝術(shù)特色及演唱分析時(shí),筆者采用資料收集、采訪和演唱實(shí)踐等系統(tǒng)性的科學(xué)思維方法,對(duì)劇中三首男高音唱段進(jìn)行更為深刻全面的研究,也能使駱老師的這部作品體現(xiàn)出其藝術(shù)價(jià)值,讓更多的觀眾了解它,并且學(xué)習(xí)它。以上是本論文的主要內(nèi)容和創(chuàng)新點(diǎn),希望通過(guò)筆者的努力,不僅可以提高個(gè)人演唱實(shí)踐能力和音樂(lè)素養(yǎng),還可以對(duì)這部作品的研究起到推進(jìn)作用,貢獻(xiàn)微薄力量。
[Abstract]:Composer Luo Jichao's original play, "advising you to take a good Life", is a musical about teenagers who are far from drugs and have practical educational significance. It is also one of the features of the play; these characters have vivid images, strong plot conflicts, beautiful melodies, strong lyricism, unique artistic charm and heritage value, and are often regarded as ideal tracks for concerts. No one in China has studied the literature nature of the play. Therefore, the author has studied the singing practice and the materials provided by the composer himself, in view of the innovation of this article and the filling of the academic blank. Using theory and practice to understand and study Locke Jichao's original drama "to persuade you to take a good Life", and mainly to three tenors, "thieves, I can't do it," "my fist is the sword of justice", "who am I?" The first part introduces the background and the main content of the plot, the second part discusses the artistic characteristics of the three tenors, mainly from the creative techniques and script analysis. In the third part, the author analyzes the characters, emotion, music and singing of the three tenors. In the creative thought of this paper, the author dares to break the routine and pursue the innovation. In studying the artistic characteristics and singing analysis of the three tenors in Loco Jichao's original drama "advising you to take a good Life", the author adopts systematic scientific thinking methods, such as collecting data, interviewing and singing practice, etc. A more profound and comprehensive study of the three tenors in the play can also make Luo's work embody its artistic value, let more audiences understand it, and learn about it. These are the main contents and innovations of this paper. I hope that through the efforts of the author, not only can I improve my singing practice ability and musical literacy, but also can promote the research of this work and contribute to the modest strength.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J617.2

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本文編號(hào)：1667391