本文選題：木蘭詩篇　切入點：交響音樂　出處：《歌唱藝術》2016年06期 　論文類型：期刊論文

【摘要】：正前不久,筆者在中國劇院觀看了大型情景交響音樂劇《木蘭詩篇》。雖說經常能夠在各種音樂會上聽到本劇中的著名唱段《我的愛將與你相伴終生》,且距離劇目的誕生也已有十二年,但直到今日才終于得見本劇全貌。說起來似乎遺憾,不過轉念一想,近兩年筆者相對集中地觀看了不少民族歌劇,也引發(fā)了一些思考,剛好在這段思想活躍期遇到了《木蘭詩篇》,時機也算是恰到好處,以今天的視角再來看這部多年前誕生的劇作,也許會有
[Abstract]:Not long before, The writer watched the large-scale scene symphony "Mulan Psalm" at the Chinese Theater. Although I can often hear the famous choir "my Love will stay with you all my Life" at various concerts, it has been 12 years since the production of the repertoire. But it wasn't until today that I finally got a complete picture of the play. It seemed regrettable to say, but on second thoughts, the author has watched quite a few national operas in the past two years, which has also caused some thinking. Just in this period of active thinking encountered the "Mulan Psalms", the timing is also the right time, from today's perspective to look at this play born many years ago, perhaps there will be
【作者單位】： 中國戲曲學院;
【分類號】：J617.2

【相似文獻】

相關期刊論文 前10條

1 韓東;;對歌劇《木蘭詩篇》的思考[J];藝海;2009年08期

2 何成華;;洋為中用——音樂會歌劇《木蘭詩篇》[J];劇作家;2009年04期

3 卜大煒;;有感于歌劇《木蘭詩篇》在維也納上演[J];歌劇;2008年11期

4 張瑾;;歌劇《木蘭詩篇》藝術特色與文化理念[J];藝術科技;2014年02期

5 卜大煒;;歌劇《木蘭詩篇》維也納上演感言[J];中國音樂教育;2008年12期

6 顧娜;;新世紀經典代表歌劇《木蘭詩篇》中女性角色的塑造演繹[J];北方音樂;2012年12期

7 楊t，

本文編號：1638932