本文選題：業(yè)余戲劇　切入點(diǎn)：南開(kāi)新劇團(tuán)　出處：《上海戲劇學(xué)院》2009年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 本文試通過(guò)歸納與研究中國(guó)抗日戰(zhàn)爭(zhēng)之前的早期業(yè)余戲劇(下文簡(jiǎn)稱(chēng)“中國(guó)早期業(yè)余戲劇”)的同時(shí),選取以南開(kāi)新劇團(tuán)、“愛(ài)美的”戲劇運(yùn)動(dòng)、上海戲劇協(xié)社、復(fù)旦劇社、定縣農(nóng)民戲劇實(shí)驗(yàn)活動(dòng)為代表,試分析、總結(jié)出中國(guó)業(yè)余戲劇的內(nèi)涵和中國(guó)早期業(yè)余戲劇的特點(diǎn)及意義,從而為當(dāng)今中國(guó)的業(yè)余戲劇發(fā)展起到一定的借鑒作用。 本論文共分四個(gè)部分。 第一部分為前言,闡述了本論文的選題目的、研究?jī)r(jià)值及研究方法。正文部分共分三個(gè)章節(jié),分別是: 第一章首先對(duì)中國(guó)業(yè)余戲劇的背景進(jìn)行概述,從而試總結(jié)出中國(guó)業(yè)余戲劇的內(nèi)涵特點(diǎn),再通過(guò)此內(nèi)涵與今天的非商業(yè)戲劇、非專(zhuān)業(yè)戲劇、民間戲劇、教育戲劇等概念進(jìn)行辨析。 第二章通過(guò)對(duì)中國(guó)早期的業(yè)余戲劇代表:南開(kāi)新劇團(tuán)、“愛(ài)美的”戲劇運(yùn)動(dòng)、定縣農(nóng)民戲劇實(shí)驗(yàn)活動(dòng)的資料進(jìn)行歸納研究,試分析總結(jié)出“編劇方法與劇本創(chuàng)作的地位確立”、“西學(xué)東漸與本土化、民族化的初次探索”、“戲劇教育與教育戲劇的同步開(kāi)展”等特點(diǎn)。 第三章通過(guò)對(duì)中國(guó)早期的業(yè)余戲劇代表:南開(kāi)新劇團(tuán)、“愛(ài)美的”戲劇運(yùn)動(dòng)、上海戲劇協(xié)社、復(fù)旦劇社、定縣農(nóng)民戲劇實(shí)驗(yàn)活動(dòng)的資料進(jìn)行歸納研究,試分析總結(jié)出“中國(guó)早期業(yè)余戲劇孕育了中國(guó)戲劇新興化的誕生”、“中國(guó)早期業(yè)余戲劇推動(dòng)了中國(guó)戲劇現(xiàn)代化的進(jìn)程”、“中國(guó)早期業(yè)余戲劇探索了中國(guó)戲劇大眾化的道路”等意義。
[Abstract]:This paper tries to sum up and study the early amateur drama before the War of Resistance against Japan in China (hereinafter referred to as "the Chinese early Amateur Drama"), and at the same time select the south to open a new drama troupe, the drama movement of "Aimei", the Shanghai Drama Association, and the Fudan Opera Society. Based on the experimental activities of farmers' drama in Dingxian County, this paper summarizes the connotation of Chinese amateur drama and the characteristics and significance of Chinese early amateur drama, which can serve as a reference for the development of amateur drama in China today. This thesis is divided into four parts. The first part is the preface, which expounds the purpose, research value and research methods of this thesis. The main body is divided into three chapters, which are as follows:. The first chapter summarizes the background of Chinese amateur drama, and tries to summarize the connotative characteristics of Chinese amateur drama, and then through this connotation and today's non-commercial drama, non-professional drama, folk drama, Educational drama and other concepts are analyzed. The second chapter summarizes and studies the early amateur drama representatives in China: Nankai New Drama Troupe, "Aimei" drama movement, and Dingxian Farmers' Drama Experimental activities. This paper analyzes and summarizes the characteristics of "the establishment of the writing method and the writing position of the screenplay", "the first exploration of the eastward and localization of western learning, the initial exploration of nationalization", and "the simultaneous development of drama education and educational drama". Chapter three summarizes and studies the experimental activities of Chinese early amateur drama: Nankai New Drama Troupe, Aimei Drama Movement, Shanghai Drama Association, Fudan Drama Society and Dingxian Farmers' Drama Experimental activities. The author tries to summarize the significance of "Chinese early amateur drama gave birth to the burgeoning of Chinese drama", "Chinese early amateur drama promoted the process of modernization of Chinese drama", "Chinese early amateur drama explored the road of popularization of Chinese drama" and so on.
【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J809.2

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本文編號(hào)：1630411