天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁(yè) > 文藝論文 > 戲劇論文 >

青島茂腔劇團(tuán)的發(fā)展與繼承研究

發(fā)布時(shí)間:2018-03-18 09:01

  本文選題:茂腔 切入點(diǎn):青島茂膠劇團(tuán) 出處:《上海音樂(lè)學(xué)院》2011年碩士論文 論文類型:學(xué)位論文


【摘要】:茂腔是流行于山東青島、濰坊、日照等地的地方戲曲,在當(dāng)?shù)負(fù)碛袕V泛的群眾基礎(chǔ),本文的研究對(duì)象——青島茂腔劇團(tuán)是國(guó)內(nèi)建團(tuán)最早,發(fā)展最好的茂腔劇團(tuán)之一,在當(dāng)?shù)啬酥寥珖?guó)具有很高的知名度,尤其是在當(dāng)今許多地方戲曲生存面臨危機(jī)的時(shí)期,青島茂腔劇團(tuán)依然保持的鮮活的生命力,因此具有一定的代表性。 本文具體的研究?jī)?nèi)容主要包含以下三個(gè)方面 一、茂腔的傳統(tǒng)基本唱腔和創(chuàng)新 唱腔音樂(lè)這一藝術(shù)手段是音樂(lè)和文字的有機(jī)集合,同時(shí)也是戲曲音樂(lè)最為核心的部分,它使唱詞文學(xué)語(yǔ)言成為為有更強(qiáng)烈的感情色彩的唱腔音樂(lè)語(yǔ)言。戲劇音樂(lè)進(jìn)化到板腔體后,就形成了特有的一種規(guī)律。以一種基本曲調(diào)為基礎(chǔ),通過(guò)調(diào)式、旋法、速度、節(jié)奏等方面的便化,發(fā)展成為一系列不同的板式。 二、茂腔劇團(tuán)的發(fā)展軌跡及每個(gè)階段茂腔音樂(lè)發(fā)展的狀況 戲曲的發(fā)展是緊隨時(shí)代發(fā)展潮流的,而不同時(shí)期劇團(tuán)為適應(yīng)社會(huì)文化發(fā)展對(duì)傳統(tǒng)音樂(lè)文化進(jìn)行的繼承與創(chuàng)新都具有不同的特點(diǎn)。歷史的經(jīng)驗(yàn)也證明,一種藝術(shù)形態(tài)的生存與發(fā)展一定存在改革與創(chuàng)新。劇團(tuán)通過(guò)創(chuàng)作組,使茂腔吸取其他劇種的精華,提高自身藝術(shù)價(jià)值,以及創(chuàng)作具有時(shí)代特征的新劇目,使唱腔、行當(dāng)、內(nèi)容等具有了新的活力,因此劇團(tuán)的發(fā)展對(duì)于傳統(tǒng)戲曲音樂(lè)文化的發(fā)展是至關(guān)重要的。 三、對(duì)茂腔的保護(hù)與傳承 2006年茂腔成功申報(bào)國(guó)家級(jí)非物質(zhì)文化遺產(chǎn),政府出臺(tái)了一系列保護(hù)與支持政策,劇團(tuán)自身也為了適應(yīng)社會(huì)的要求,進(jìn)行自我完善。 本文將采用民族音樂(lè)學(xué)的理論和方法,以青島茂腔劇團(tuán)為主要研究對(duì)象,針對(duì)不同時(shí)期茂腔劇團(tuán)和茂腔音樂(lè)的發(fā)展?fàn)顩r進(jìn)行解讀,包括音樂(lè)本體的理論研究以及地方戲曲團(tuán)體為順應(yīng)當(dāng)今社會(huì)的發(fā)展而進(jìn)行的改革創(chuàng)新。本文的目的是試圖從當(dāng)?shù)氐臍v史傳統(tǒng)和文化環(huán)境等方面,來(lái)淺窺青島茂腔劇團(tuán)生存與發(fā)展過(guò)程中的一系列現(xiàn)象,并加以分析梳理。
[Abstract]:Maoxiang is a popular local opera in Shandong, Qingdao, Weifang, Rizhao and other places, and has a broad local mass base. The research object of this paper is Qingdao Maoxiang Opera Troupe, which is one of the earliest and best developed Maoxiang opera troupes in China. In the local and even throughout the country has a high reputation, especially in many local opera survival crisis period, Qingdao Maoxiang Opera Troupe still maintain a fresh vitality, so it has a certain representative. The specific contents of this paper mainly include the following three aspects. First, the traditional basic singing and innovation of Maoxiang. The art means of singing music is an organic collection of music and writing, and it is also the core part of traditional Chinese opera music. It makes the literary language of singing words become the language of singing music with stronger emotional color. After the dramatic music evolves into the board cavity, it forms a special law. Based on a basic tune, through mode, rotation, speed, Rhythm and other aspects of the development of a series of different board. Second, the development of Maoxiang Opera Troupe and the development of Maoxiang music in each stage. The development of opera follows the trend of development of the times, and the inheritance and innovation of traditional music culture in different periods to adapt to the development of social culture have different characteristics. There must be reform and innovation in the survival and development of an art form. Through the creative group, the troupe can absorb the essence of other kinds of plays, improve its own artistic value, and create new plays with the characteristics of the times, so that it can sing and practise. The content has new vitality, so the development of opera troupe is very important to the development of traditional opera music culture. Third, the protection and inheritance of Maoxiang. In 2006, Maoxiang successfully declared the national intangible cultural heritage, the government issued a series of protection and support policies, the troupe itself to adapt to the needs of society, self-improvement. This paper will adopt the theory and method of ethnomusicology, take Qingdao Maoxiang Opera Troupe as the main research object, and interpret the development of Maoxiang Opera Troupe and Maoxiang Music in different periods. Including the theoretical research of music ontology and the reform and innovation of local opera groups in order to adapt to the development of today's society. The purpose of this paper is to try from the local historical tradition and cultural environment, etc. To explore a series of phenomena in the process of survival and development of Qingdao Maoxiang Opera Troupe, and analyze and comb them.
【學(xué)位授予單位】:上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類號(hào)】:J825

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 張京;茂腔戲與曾金鳳[J];中國(guó)戲劇;1992年09期

2 惠立群;丁氏尼姑的女兒們與茂腔的演變[J];中國(guó)戲劇;1994年05期

3 單曉杰;;茂腔的起源與發(fā)展[J];藝術(shù)探索;2006年S2期

,

本文編號(hào):1628883

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/xijuwudaolunwen/1628883.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶f776a***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com