本文選題：茂腔　切入點：青島茂膠劇團　出處：《上海音樂學(xué)院》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：茂腔是流行于山東青島、濰坊、日照等地的地方戲曲,在當(dāng)?shù)負碛袕V泛的群眾基礎(chǔ),本文的研究對象——青島茂腔劇團是國內(nèi)建團最早,發(fā)展最好的茂腔劇團之一,在當(dāng)?shù)啬酥寥珖哂泻芨叩闹?尤其是在當(dāng)今許多地方戲曲生存面臨危機的時期,青島茂腔劇團依然保持的鮮活的生命力,因此具有一定的代表性。 本文具體的研究內(nèi)容主要包含以下三個方面 一、茂腔的傳統(tǒng)基本唱腔和創(chuàng)新 唱腔音樂這一藝術(shù)手段是音樂和文字的有機集合,同時也是戲曲音樂最為核心的部分,它使唱詞文學(xué)語言成為為有更強烈的感情色彩的唱腔音樂語言。戲劇音樂進化到板腔體后,就形成了特有的一種規(guī)律。以一種基本曲調(diào)為基礎(chǔ),通過調(diào)式、旋法、速度、節(jié)奏等方面的便化,發(fā)展成為一系列不同的板式。 二、茂腔劇團的發(fā)展軌跡及每個階段茂腔音樂發(fā)展的狀況 戲曲的發(fā)展是緊隨時代發(fā)展潮流的,而不同時期劇團為適應(yīng)社會文化發(fā)展對傳統(tǒng)音樂文化進行的繼承與創(chuàng)新都具有不同的特點。歷史的經(jīng)驗也證明,一種藝術(shù)形態(tài)的生存與發(fā)展一定存在改革與創(chuàng)新。劇團通過創(chuàng)作組,使茂腔吸取其他劇種的精華,提高自身藝術(shù)價值,以及創(chuàng)作具有時代特征的新劇目,使唱腔、行當(dāng)、內(nèi)容等具有了新的活力,因此劇團的發(fā)展對于傳統(tǒng)戲曲音樂文化的發(fā)展是至關(guān)重要的。 三、對茂腔的保護與傳承 2006年茂腔成功申報國家級非物質(zhì)文化遺產(chǎn),政府出臺了一系列保護與支持政策,劇團自身也為了適應(yīng)社會的要求,進行自我完善。 本文將采用民族音樂學(xué)的理論和方法,以青島茂腔劇團為主要研究對象,針對不同時期茂腔劇團和茂腔音樂的發(fā)展?fàn)顩r進行解讀,包括音樂本體的理論研究以及地方戲曲團體為順應(yīng)當(dāng)今社會的發(fā)展而進行的改革創(chuàng)新。本文的目的是試圖從當(dāng)?shù)氐臍v史傳統(tǒng)和文化環(huán)境等方面,來淺窺青島茂腔劇團生存與發(fā)展過程中的一系列現(xiàn)象,并加以分析梳理。
[Abstract]:Maoxiang is a popular local opera in Shandong, Qingdao, Weifang, Rizhao and other places, and has a broad local mass base. The research object of this paper is Qingdao Maoxiang Opera Troupe, which is one of the earliest and best developed Maoxiang opera troupes in China. In the local and even throughout the country has a high reputation, especially in many local opera survival crisis period, Qingdao Maoxiang Opera Troupe still maintain a fresh vitality, so it has a certain representative. The specific contents of this paper mainly include the following three aspects. First, the traditional basic singing and innovation of Maoxiang. The art means of singing music is an organic collection of music and writing, and it is also the core part of traditional Chinese opera music. It makes the literary language of singing words become the language of singing music with stronger emotional color. After the dramatic music evolves into the board cavity, it forms a special law. Based on a basic tune, through mode, rotation, speed, Rhythm and other aspects of the development of a series of different board. Second, the development of Maoxiang Opera Troupe and the development of Maoxiang music in each stage. The development of opera follows the trend of development of the times, and the inheritance and innovation of traditional music culture in different periods to adapt to the development of social culture have different characteristics. There must be reform and innovation in the survival and development of an art form. Through the creative group, the troupe can absorb the essence of other kinds of plays, improve its own artistic value, and create new plays with the characteristics of the times, so that it can sing and practise. The content has new vitality, so the development of opera troupe is very important to the development of traditional opera music culture. Third, the protection and inheritance of Maoxiang. In 2006, Maoxiang successfully declared the national intangible cultural heritage, the government issued a series of protection and support policies, the troupe itself to adapt to the needs of society, self-improvement. This paper will adopt the theory and method of ethnomusicology, take Qingdao Maoxiang Opera Troupe as the main research object, and interpret the development of Maoxiang Opera Troupe and Maoxiang Music in different periods. Including the theoretical research of music ontology and the reform and innovation of local opera groups in order to adapt to the development of today's society. The purpose of this paper is to try from the local historical tradition and cultural environment, etc. To explore a series of phenomena in the process of survival and development of Qingdao Maoxiang Opera Troupe, and analyze and comb them.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J825

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本文編號：1628883