本文選題：上海市區(qū)　切入點(diǎn)：院線制　出處：《戲劇文學(xué)》2015年08期 　論文類型：期刊論文

【摘要】：正一、現(xiàn)狀話劇藝術(shù)作為文化產(chǎn)業(yè)的一個(gè)重要組成部分,直接服務(wù)于大眾。近年來,上海話劇演出市場規(guī)模不斷擴(kuò)大,社會(huì)影響力不斷加大。同時(shí),演藝集聚區(qū)與院線制的雙線運(yùn)行模式已經(jīng)在逐步形成,話劇的產(chǎn)業(yè)化進(jìn)程步伐穩(wěn)健。在話劇市場穩(wěn)步拓展的態(tài)勢下,劇場與劇目之間、劇場與觀眾之間,以及劇場與劇場之間的種種矛盾也逐步顯現(xiàn)。在對上�，F(xiàn)有部分話劇演出場所進(jìn)行實(shí)地調(diào)研之后,將劇場相關(guān)現(xiàn)況梳理如下�，F(xiàn)狀1:"演藝集聚區(qū)"穩(wěn)步發(fā)展。
[Abstract]:First, as an important part of the cultural industry, the art of drama directly serves the public. In recent years, the scale of the Shanghai drama performance market has been continuously expanded, and the social influence has been continuously increased. At the same time, The dual-line mode of performing arts gathering area and courtyard line system has been gradually formed, and the industrialization of modern drama is progressing steadily. Under the situation of steady expansion of the drama market, between theater and repertoire, between theater and audience, And the contradictions between theatre and theater also gradually appear. After the field investigation of some of the present theatrical theatrical performance sites in Shanghai, the relevant situation of theatre is sorted out as follows. 1: "Performing Arts gathering area" develops steadily.
【作者單位】： 上海藝術(shù)研究所;
【基金】：國家社科基金藝術(shù)學(xué)青年項(xiàng)目“話劇藝術(shù)產(chǎn)業(yè)化:現(xiàn)況;困境與對策調(diào)查——以長江三角洲地區(qū)為例”階段性成果,立項(xiàng)批準(zhǔn)號:14CB102
【分類號】：J824

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