本文選題：非物質(zhì)文化遺產(chǎn)　切入點(diǎn)：泰山皮影戲　出處：《山東藝術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：非物質(zhì)文化遺產(chǎn)作為傳統(tǒng)文化的一部分,是一個(gè)民族或國家集體智慧的結(jié)晶、歷史文化底蘊(yùn)的積淀。進(jìn)入到21世紀(jì),特別是在經(jīng)濟(jì)一體化浪潮中,各國政府為了保護(hù)本國的智力勞動(dòng)成果,更加關(guān)注對(duì)智力成果的知識(shí)產(chǎn)權(quán)保護(hù),然而原本就處于弱勢地位的非物質(zhì)文化遺產(chǎn)等傳統(tǒng)知識(shí)卻被排除在知識(shí)產(chǎn)權(quán)保護(hù)之外,陷入了侵權(quán)和濫用的困境之中。我國種類繁多、類型復(fù)雜的非物質(zhì)文化遺產(chǎn)同樣面臨著或正在遭遇著來自國內(nèi)外的此種困境,因此,利用知識(shí)產(chǎn)權(quán)來保護(hù)非物質(zhì)文化遺產(chǎn)就成為了我國一項(xiàng)必要和緊迫的課題。作為優(yōu)秀非物質(zhì)文化遺產(chǎn)代表的泰山皮影戲,經(jīng)歷了挫折與復(fù)興之后,在產(chǎn)業(yè)化道路上也面臨著侵權(quán)與濫用的脅迫,因此,在以《非物質(zhì)文化遺產(chǎn)法》為代表的公法無法對(duì)泰山皮影戲的經(jīng)濟(jì)利益提供有效保護(hù)時(shí),對(duì)泰山皮影戲進(jìn)行私法保護(hù)則成為一種必然。正是在這樣的背景下,本文從法律的角度,分析了泰山皮影戲法律保護(hù)實(shí)踐現(xiàn)狀及困境,論證了泰山皮影戲知識(shí)產(chǎn)權(quán)保護(hù)的可行性,并提出了一條以著作權(quán)、商標(biāo)權(quán)、專利權(quán)為主的知識(shí)產(chǎn)權(quán)保護(hù)路徑,以期此種路徑將有利于泰山皮影戲的產(chǎn)業(yè)化發(fā)展。本文除緒言與結(jié)語外,正文共分為四部分。第一章從泰山皮影戲的起源入手,考察生存發(fā)展環(huán)境以及當(dāng)代發(fā)展,探究進(jìn)入新時(shí)期之后泰山皮影戲本體的變化,同時(shí)對(duì)泰山皮影戲的法律保護(hù)實(shí)踐現(xiàn)狀及困境進(jìn)行系統(tǒng)論述。第二章對(duì)泰山皮影戲知識(shí)產(chǎn)權(quán)保護(hù)的可行性進(jìn)行系統(tǒng)分析,分別從“藝術(shù)表達(dá)形態(tài)的獨(dú)創(chuàng)性”、“家族傳承的專有性”、“商業(yè)演出的標(biāo)志性”三方面探尋其滿足知識(shí)產(chǎn)權(quán)保護(hù)的必要條件,同時(shí)分析泰山皮影戲的市場化道路。第三章對(duì)利用知識(shí)產(chǎn)權(quán)保護(hù)泰山皮影戲過程中的薄弱環(huán)節(jié)進(jìn)行分析,闡明兩者可能會(huì)遭遇的困境。第四章分別從“著作權(quán)”、“商標(biāo)權(quán)”、“專利權(quán)”三方面探索泰山皮影戲的知識(shí)產(chǎn)權(quán)保護(hù),在確立泰山皮影戲權(quán)利主體即傳承人的情況下,明確泰山皮影戲權(quán)利客體并完善泰山皮影戲權(quán)利內(nèi)容。
[Abstract]:As a part of traditional culture, intangible cultural heritage is the crystallization of the collective wisdom of a nation or a country, and the accumulation of historical and cultural heritage. In 21th century, especially in the wave of economic integration, In order to protect their intellectual labor achievements, governments pay more attention to intellectual property protection, but traditional knowledge such as intangible cultural heritage, which is already in a weak position, is excluded from intellectual property protection. In the predicament of infringement and abuse, there are many kinds of intangible cultural heritage in our country, which are also facing or are encountering this kind of predicament from home and abroad, therefore, The use of intellectual property to protect intangible cultural heritage has become a necessary and urgent issue in our country. As a representative of the outstanding intangible cultural heritage, Taishan shadow play has experienced setbacks and rejuvenation. On the road of industrialization, it is also faced with the coercion of infringement and abuse. Therefore, when the public law represented by "Intangible Cultural Heritage Law" cannot provide effective protection for the economic interests of Taishan shadow play, It is inevitable to protect Taishan shadow play by private law. It is under this background that this paper analyzes the present situation and predicament of the legal protection practice of Taishan shadow play from the angle of law. This paper demonstrates the feasibility of the intellectual property protection of Taishan shadow play, and puts forward a path of intellectual property protection, which mainly includes copyright, trademark right and patent right. This paper is divided into four parts except the introduction and conclusion. The first chapter begins with the origin of Taishan shadow play, and investigates the living and developing environment as well as the contemporary development. After entering the new period, this paper probes into the changes of Taishan shadow play Noumenon, and at the same time systematically discusses the present situation and predicament of the legal protection of Taishan shadow play. The second chapter makes a systematic analysis on the feasibility of the Taishan shadow play intellectual property protection. From the aspects of "the originality of artistic expression form", "the exclusivity of family inheritance" and "the symbol of commercial performance", the necessary conditions for satisfying the protection of intellectual property rights are explored respectively. At the same time, it analyzes the market-oriented road of Taishan shadow play. Chapter three analyzes the weak links in the process of using intellectual property rights to protect Taishan shadow play. Chapter 4th explores the intellectual property protection of Taishan shadow play from the aspects of "copyright", "trademark right" and "patent right" respectively. Make clear the right object of Taishan shadow play and perfect the content of Taishan shadow play right.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J827

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