本文選題：自我　切入點(diǎn)：角色　出處：《安徽大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：演員在塑造角色時,難點(diǎn)在于自我與角色的關(guān)系。首先要區(qū)分開自我與角色,必須把自我隱藏起來,才能更好的創(chuàng)造角色,思想和情緒的反映才能完全從任務(wù)出發(fā),從內(nèi)心出發(fā),這也就是表演的實(shí)質(zhì)。演員自我與要塑造的角色,既有必然聯(lián)系,又不能將二者合而為一,演員既是創(chuàng)造者,又是創(chuàng)造工具,也是創(chuàng)造的成品,可謂一身而三任。當(dāng)然,如果只有自我而沒有角色的話,便會自我展示,自我擴(kuò)張。所以,演員的內(nèi)部技巧和外部技巧既有區(qū)別又有聯(lián)系,也就是體驗與表現(xiàn)的辨證關(guān)系。本文結(jié)合自己的戲曲學(xué)習(xí)與表演經(jīng)歷,從一個表演者的角度來對角色創(chuàng)造與演員的自我關(guān)系進(jìn)行研究。得出了表演藝術(shù)的本質(zhì)是角色扮演,構(gòu)成戲劇影視藝術(shù)的所有因素都體現(xiàn)并服務(wù)于角色扮演這個本質(zhì),每個演員都必須對自己和別人的角色做出準(zhǔn)確的認(rèn)識和判斷,對角色所處時代和角色所需要的思想情感做出深刻的認(rèn)識、理解后,才能創(chuàng)造出深層、細(xì)致的舞臺屏幕形象。而演員在塑造一個角色的時候,演員與角色的關(guān)系也就是體驗與體現(xiàn)的統(tǒng)一。也就是：理解角色是體現(xiàn)、塑造角色的前提；體現(xiàn)角色是理解角色的結(jié)果。
[Abstract]:The difficulty of actors in shaping their roles lies in the relationship between themselves and characters. First of all, to distinguish between self and role, we must hide ourselves in order to better create roles, and reflect thoughts and emotions in order to set out completely from the task. Starting from the heart, this is the essence of the performance. The actor's self and the role to be shaped are both necessary links and cannot be combined into one. The actor is both the creator, the creative tool, and the finished product of creation. Of course, if you only have a self and no role, you will show yourself and expand yourself. So the actors' internal and external skills are both different and connected. That is, the dialectical relationship between experience and performance. This paper studies the relationship between role creation and actor from a performer's point of view based on his own opera learning and performance experience, and concludes that the essence of performing art is role-playing. All the elements that make up the art of drama film and television embody and serve the essence of role-playing. Each actor must make an accurate understanding and judgment of his or her role and that of others. A deep understanding of the era in which the character is in and the thoughts and emotions that the character needs can create a deep, meticulous stage screen image. While the actor is shaping a character, The relationship between actors and characters is the unity of experience and embodiment, that is, understanding the role is the premise of the embodiment and shaping the role, and the embodiment of the role is the result of the understanding of the role.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J812

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