論清代內(nèi)廷演劇的戲曲史意義
發(fā)布時間:2018-03-14 22:27
本文選題:f平署 切入點:宮廷演劇 出處:《文化遺產(chǎn)》2017年04期 論文類型:期刊論文
【摘要】:清代內(nèi)廷演劇的意義,主要不是他們?yōu)槭袌?生產(chǎn)"了什么新的產(chǎn)品,而在于他們作為社會資產(chǎn)的最大擁有者,在"演劇消費"中所起到的作用,在于他們對于整個演劇市場的存在與拓展中所承擔的功能。其意義不在于具體的創(chuàng)作與創(chuàng)新,而主要在于這種介入對于整個社會的號召性影響;始业囊慌e一動,代表一個政府的行為,對于演劇市場有著巨大的影響力。居于市場最高端的這個階層,對于演劇史的意義,便是其巨大號召力、影響力,會影響整個市場的走向。
[Abstract]:The significance of the Qing Dynasty Neiting drama is not mainly that they "produced" any new products for the market, but that they, as the largest owners of social assets, played a role in the "drama consumption". Its significance is not in the concrete creation and innovation, but mainly in the rallying influence of this kind of intervention on the whole society. Representing the behavior of a government has a great influence on the performance market. The highest level of the market, the significance of the history of the drama, is that its huge appeal, influence, will affect the entire market direction.
【作者單位】: 中山大學中國非物質(zhì)文化遺產(chǎn)研究中心;中山大學中文系;
【分類號】:J809.2
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本文編號:1613228
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