本文選題：儺堂戲　切入點：唱腔　出處：《湖南師范大學》2010年碩士論文　論文類型：學位論文

【摘要】： 湘西鳳凰儺堂戲是一種古老而原始的祭神戲曲,是在遠古先民的原始宗教、特別是祭祖活動、原始歌舞的基礎(chǔ)上產(chǎn)生的,有中國戲劇“活化石”之稱。鳳凰儺堂戲作為獨具特色的一種民間戲曲形式,人們常常通過它表達自己的喜、怒、哀、樂,因此成為人民日常生活中的一個重要組成部分。幾十年來,研究者收集整理大量湘西地區(qū)的儺堂戲?qū)氋F資料,并從音樂民族學、從自身形態(tài)、文學和文化背景等角度進行研究,發(fā)表了大量論文和專著。 本文從鳳凰的歷史淵源、人文特征、及地理環(huán)境入手,從儺堂戲的旋律調(diào)式、節(jié)奏板式、演唱形式等方面分析和介紹鳳凰儺堂戲的音樂風格,并探討其演唱中的發(fā)聲技巧、潤腔特色以及鄉(xiāng)土風格所表現(xiàn)的獨特藝術(shù)魅力,肯定了儺堂戲在藝術(shù)和美學上的重要價值。為儺堂戲這一劇種的傳承與保護提供了理論依據(jù),為進一步深入的研究打下了基礎(chǔ)。 本文由四部分組成。第一章從鳳凰縣的人文、地理等角度對儺堂戲的形成的歷史淵源做一簡要的論述。第二章對儺堂戲的表演程式及其分類、角色、服飾、面具、布景等特征進行介紹和分析。第三章對儺堂戲唱腔的主要音樂特點及伴奏器樂部分進行分析和討論。第四章對現(xiàn)存的鳳凰儺堂戲戲班的生存狀態(tài)進行調(diào)查分析,對儺堂戲的保護和傳承進行闡釋和思考。 鳳凰儺堂戲正面臨著危機,因為文化生態(tài)已經(jīng)改變,年輕人不喜歡看這種古老的劇種。作為文化工作者,我們的主要任務(wù)是如何拯救、保護、繼承和發(fā)展儺堂戲。民族的就是世界的,為了保護我們的民族文化并促進人類文明發(fā)展,我們要走出國門,把“活化石”的魅力展示出來,與世界的先進文化進行交流。
[Abstract]:The Phoenix Nuotang Opera of Western Hunan is an ancient and primitive opera of sacrificing gods. It was created on the basis of the primitive religion of ancient ancestors, especially the activities of ancestor worship, primitive songs and dances. As a unique form of folk opera, people often express their joy, anger, sorrow and joy through it. As a result, it has become an important part of people's daily life. In the past few decades, researchers have collected and sorted out a large number of valuable information on Nuo Tang operas in western Hunan, and studied them from the perspectives of music ethnology, their own form, literature and cultural background. A large number of papers and monographs have been published. Starting with the historical origin, humanistic characteristics and geographical environment of Phoenix, this paper analyzes and introduces the musical style of Phoenix Nuotang Opera from the aspects of melody, rhythm and singing form, and probes into the vocal skills in its singing. The unique artistic charm of Runcai and local style affirmed the important artistic and aesthetic value of Nuotang Opera, provided the theoretical basis for the inheritance and protection of Nuotang Opera, and laid the foundation for further research. This paper is composed of four parts. The first chapter briefly discusses the historical origin of Nuotang Opera from the angle of culture and geography of Fenghuang County. The third chapter analyzes and discusses the main musical characteristics and accompaniment instrumental music of Nuotang opera. Chapter 4th investigates and analyzes the living state of the existing Phoenix Nuotang opera troupe. Explain and think about the protection and inheritance of Nuotang opera. Phoenix Nuotang Opera is facing a crisis, because the cultural ecology has changed, young people do not like to see this kind of ancient drama. As cultural workers, our main task is how to save and protect. In order to protect our national culture and promote the development of human civilization, we should go out of the country, show the charm of "living fossil" and communicate with the advanced culture of the world.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J825

【引證文獻】

相關(guān)碩士學位論文 前1條

1 江珂;湘西儺戲音樂的藝術(shù)審美研究[D];湖南師范大學;2012年

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本文編號：1612941