本文選題：京劇　切入點：歌舞伎　出處：《戲劇藝術(shù)》2014年01期 　論文類型：期刊論文

【摘要】：中國京劇和日本歌舞伎都有著悠久的歷史,同作為東方傳統(tǒng)戲劇藝術(shù)的代表,它們在藝術(shù)表現(xiàn)形式上有著許多相近相通之處。以梅蘭芳、李光為首的中國幾代京劇人,與日本歌舞伎表演藝術(shù)家市川猿之助家族的交往和藝術(shù)交流,不僅增進(jìn)了兩國藝術(shù)家的理解和友誼,而且促進(jìn)了京劇和歌舞伎表演藝術(shù)的發(fā)展和提高,在中日戲劇交流史上寫下了彌足珍貴的一頁。
[Abstract]:Both Chinese Peking Opera and Japanese Kabuki have a long history, and as representatives of traditional Oriental dramatic art, they share many similarities in their artistic expressions. Chinese opera people of several generations, led by Mei Lanfang and Li Guang, The exchanges and artistic exchanges with the Japanese kabuki performing artist, Shikawa, not only promoted the understanding and friendship between the artists of the two countries, but also promoted the development and improvement of the performing arts of Peking Opera and Kabuki. Wrote a valuable page in the history of Sino-Japanese drama communication.
【作者單位】： 杭州師范大學(xué);
【基金】：《20世紀(jì)中日戲劇比較研究——以文明新戲與新派劇、京劇與歌舞伎的影響交流關(guān)系為中心》的階段性成果,該項目獲得2011年度日本國際交流基金資助
【分類號】：J809
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本文編號：1611360