本文選題：晉劇史　切入點(diǎn)：晉劇劇目　出處：《山西師范大學(xué)》2017年博士論文　論文類型：學(xué)位論文

【摘要】：晉劇是中國(guó)北方戲曲中具有特色的代表性劇種之一,它的歷史悠久、劇目豐富、音樂獨(dú)特、表演技藝高超,已被列為國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)。為了更好地保護(hù)晉劇藝術(shù)遺產(chǎn),使之能夠作持續(xù)性發(fā)展,近年來晉劇受到社會(huì)各界更多的關(guān)注,戲曲界學(xué)者對(duì)之進(jìn)行了大量的研究工作,主要集中于戲劇文本研究,表演藝術(shù)家研究、戲曲音樂研究等選題。出于各種原因,晉劇藝術(shù)全面而系統(tǒng)的理論性研究成果至今未見。晉劇藝術(shù)是一種舞臺(tái)表演藝術(shù),由于歷史原因,古代與近代史料奇缺,散見于一些有關(guān)的回憶錄、藝術(shù)雜談等文章中,至于當(dāng)今晉劇的戲劇改革,特別是晉劇樂隊(duì)音樂的現(xiàn)代化發(fā)展,學(xué)術(shù)界還未來得及總結(jié)。為了彌補(bǔ)晉劇藝術(shù)研究中這些缺失點(diǎn),本文以晉劇藝術(shù)研究為題,試對(duì)之進(jìn)行系統(tǒng)而全面的研究,以期對(duì)晉劇藝術(shù)遺產(chǎn)的保護(hù)工作貢獻(xiàn)一份力量。本文設(shè)晉劇的產(chǎn)生、傳播、班社、劇目、音樂、表演、音樂創(chuàng)新等七個(gè)章節(jié),對(duì)晉劇藝術(shù)進(jìn)行系統(tǒng)研究。每個(gè)章節(jié)中特別針對(duì)前人未涉及的問題做了深入挖掘,以補(bǔ)缺失。如晉劇為何能夠在舊時(shí)交通極不發(fā)達(dá)的情況下遠(yuǎn)播外省,為何在晉商衰落以后能夠繼續(xù)留在冀蒙陜?nèi)〉牟糠值貐^(qū)并開花結(jié)果?而在其它地區(qū)卻隨晉商一起銷聲匿跡?對(duì)這些疑問學(xué)界尚未進(jìn)行深入思考,本文在探索晉劇傳播省外的動(dòng)因時(shí)發(fā)現(xiàn),晉劇在冀蒙陜落戶地區(qū)均為北方“晉語區(qū)”。這些新“晉語區(qū)”的形成與明清時(shí)期的山西移民有直接關(guān)系,相近的習(xí)俗與方言正是晉劇能夠在這些地區(qū)扎根的根本原因。本文通過大量史料分析理清了晉語區(qū)的形成與晉劇落戶這三省的聯(lián)系。長(zhǎng)期以來,對(duì)于晉劇班社的經(jīng)濟(jì)來源少有學(xué)者進(jìn)行探索,一方面是囿于史料的缺乏,另一方面則是學(xué)界對(duì)班社的經(jīng)濟(jì)狀況長(zhǎng)期不重視造成的,以戲謀生的職業(yè)戲班資金來源是怎樣的呢?本文從廟臺(tái)廣場(chǎng)演出、會(huì)館演出、園館演出、堂會(huì)演出四個(gè)方面進(jìn)行了探索,對(duì)班社經(jīng)濟(jì)來源方面的研究進(jìn)行了補(bǔ)充。關(guān)于晉劇劇目研究,至今仍沒有具體的統(tǒng)計(jì)數(shù)字。此前山西省戲曲研究所曾進(jìn)行過兩次劇目(本)的整理,李謙光先生于2015年也曾做了晉劇劇目的收集整理工作。但這三次劇目統(tǒng)計(jì)均以劇情的發(fā)生年代作為分類標(biāo)準(zhǔn),這樣分類難以了解晉劇各發(fā)展時(shí)期曾上演過的劇目類型,因此為探索劇目與晉劇發(fā)展演變之間的規(guī)律帶來困難。要解決這一問題,最嚴(yán)謹(jǐn)?shù)刈龇礊閷?duì)舞臺(tái)題壁中有關(guān)班社、劇目、上演年代等記載進(jìn)行統(tǒng)計(jì),通過對(duì)各時(shí)期劇目題材、內(nèi)容的分析摸索晉劇的發(fā)展規(guī)律。但舞臺(tái)題壁史料極度缺乏,收集困難,本文收集了近40個(gè)舞臺(tái)題壁,大量劇目的來源則通過王永年老藝人口述、劉巨才先生執(zhí)筆的《晉劇百年史話》以及各地方志、戲曲志的記載。本文對(duì)近三十年來晉劇舞臺(tái)上上演的劇目,包括新編傳統(tǒng)戲、改編傳統(tǒng)戲、現(xiàn)代戲等進(jìn)行了統(tǒng)計(jì)分析,這項(xiàng)工作是對(duì)以往三次劇目統(tǒng)計(jì)的補(bǔ)充。為了更透徹地了解劇目與各劇種之間的關(guān)系,本文對(duì)600多出劇目進(jìn)行了移植劇目、共有劇目、生僻劇目、昆曲、小戲(稍戲)、晉劇獨(dú)有劇目、折子戲7個(gè)類別的分類,進(jìn)一步摸索了晉劇劇目的來源與演變。對(duì)于晉劇音樂的研究,前人多從傳統(tǒng)晉劇的唱腔、樂器演奏等方面進(jìn)行分析,對(duì)于近三十年來的晉劇現(xiàn)代樂隊(duì)編制和樂隊(duì)創(chuàng)作研究未曾涉及。本文自晉劇傳統(tǒng)音樂設(shè)計(jì)到當(dāng)代音樂創(chuàng)作的發(fā)展演變進(jìn)行了大量譜例分析,具體闡述了晉劇傳統(tǒng)音樂設(shè)計(jì)與當(dāng)代樂隊(duì)創(chuàng)作在形態(tài)、結(jié)構(gòu)上的改革與創(chuàng)新。本文的寫作建立于大量的考察采訪工作之上,為了達(dá)到研究的真實(shí)性,即便是已有的史料也需要做進(jìn)一步的核實(shí),通過考察采訪工作筆者得到了許多珍貴的第一手口述史料,在大量的研究工作基礎(chǔ)上,形成了本文寫作的基本框架。本文在研究中運(yùn)用了文獻(xiàn)學(xué)、漢語方言學(xué)、田野考察、統(tǒng)計(jì)學(xué)、戲曲圖像學(xué)等方法以增強(qiáng)論文寫作的客觀性與科學(xué)性。
[Abstract]:Jinju is one of the representative characteristics of Chinese North opera opera, it has a long history, rich repertoire, unique music, brilliant performance, has been listed as a national intangible cultural heritage. In order to better protect the Jinju art heritage, so as to make sustainable development in recent years, Jinju from all walks of life more attention, drama scholars have done a lot of work, mainly in the drama text research, research topics of performing artists, opera music and so on. For various reasons, Jinju art comprehensive and systematic theoretical research results so far. Jinju art is a kind of performing art, due to historical reasons, the ancient with the modern historical data are scarce, in some related topics such as memoirs, art paper, as the Jinju drama reform, especially the development of modern Jinju orchestra music academic circles. Has not yet concluded. In order to compensate for these missing points Jinju art of study, this paper tries to study Jinju art as the topic, the research systematically and comprehensively, with protection of art heritage in order to Jinju a force. This Jinju production, communication, social classes, repertoire, music, performances, music innovation in the seven chapters, systematic study of Jinju art. Each chapter in our predecessors did not involve the problems deeply mining, to fill the missing. Such as why can the old Jinju transportation under the condition of its provinces, why the decline will continue to stay in the later parts of Hebei and Shanxi provinces and Mongolia blossom? And in other regions but with the merchants together disappeared? These questions of scholars has not yet in-depth thinking, found in exploring the motivation of this spread outside Jinju, Shaanxi Mongolia settled in Tianjin Jin Ju For the northern region were "Jin area". There is a direct relationship between the formation of the new "Jin Qu in the Ming and Qing Dynasties Shanxi immigration, customs and dialect similar is the root cause of Jinju in these areas to take root. In this paper, through a large number of historical data analysis to clarify the formation of the Jin dialect and Shanxi provinces. It plays in for a long time, Jinju class club economic sources less explored scholars, one is lack of historical data, on the other hand, scholars of the social class's economic situation has been ignored for a long time due to a drama troupe, occupation source of funds is? This paper from Taiwan temple square performance hall show, garden hall performances, meeting show four aspects, on social class economic sources were added. About Shansi opera is still not on specific statistics. After Shanxi province drama research The conducted two productions (this) order, Mr. Li Qianguang in 2015 has made the Shansi opera collection work. But the three statistics were to occur in the repertoire of the plot as a classification standard, so it is difficult to understand the drama genre classification of Jinju in different development period has been staged, so difficult to to explore the repertoire with the evolution rule of Jinju. To solve this problem, the most rigorous approach is on the stage of the repertoire of class society, age, staged records statistics, period by the analysis of the content of the play theme, explore the development regularity of Jinju. But the stage wall historical extreme lack of collection this paper collected nearly 40 difficulties, a stage wall, a lot of drama from Wang Yongnian through the old artist oral, Mr. Liu Jucai to write "a hundred years history of Jinju > and local chronicles, records of the opera. On the stage of Jinju nearly thirty years of Traditional Opera repertoire, including a new adaptation of traditional drama, modern drama, and conducted a statistical analysis, this work is complementary to the previous three statistical repertoire. In order to better understand the relationship between drama and drama, this paper transplant repertoire of the more than 600 repertoire. There are rare operas, plays, opera, opera (a play), Jinju unique repertoire, excerpts from the 7 categories of classification, to further explore the sources and evolution of the Shansi opera for Jinju music, from the previous traditional Jinju sing cavity, musical instruments and other aspects of the analysis, for the past thirty years the modern orchestra and band Jinju creation research not involved. From the traditional design to the development of contemporary music as music creation evolution made a lot of examples analysis, elaborated the Jinju traditional music design and contemporary band Writing in the form, the reform and innovation of the structure. This paper based on lots of investigation and interview work, in order to truly achieve the research, even if the existing historical data also need further verification, through the investigation of the interview to get a lot of valuable first-hand oral history, in a large number of basic research work on the formation of the basic framework of the article. This paper studies the use of literature, Chinese dialectology, field investigation, statistics, and other methods to learn opera image to enhance the objectivity and scientific writing.

【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2017
【分類號(hào)】：J825

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本文編號(hào)：1610784