本文選題：馬金鳳　切入點：美學(xué)　出處：《河北師范大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：馬金鳳被稱為豫劇五大名旦之一,她在豫劇的發(fā)展過程中占據(jù)著重要地位。本文從對馬金鳳演藝事業(yè)做系統(tǒng)的梳理出發(fā),從美學(xué)的角度分析馬金鳳持久魅力的原因,試圖尋找更為科學(xué)的豫劇演唱方法,以促進我國戲曲聲樂藝術(shù)的健康全面發(fā)展。文章共分五部分。 第一部分為緒論,介紹本文的研究緣起、研究意義、研究現(xiàn)狀、文章框架、研究思路、研究方法等內(nèi)容。馬金鳳在豫劇的發(fā)展過程中占據(jù)著重要地位,但在這一領(lǐng)域還缺少專項研究,還存在一定的空白。本文從美學(xué)的角度分析馬金鳳持久魅力的原因,試圖對豫劇的未來健康全面發(fā)展提供思路。 第一章為馬金鳳演藝歷程。以歷史的順序把馬金鳳的演藝歷程分為四個時期:初期學(xué)習(xí)河北梆子經(jīng)歷;解放前學(xué)習(xí)豫劇過程轉(zhuǎn)益多師;解放初期到文革期間的豫劇演唱;新時期寶刀不老。早年的家貧導(dǎo)致馬金鳳很小就練功唱戲并以此謀生,后來偶然的機會學(xué)豫劇,從此就唱了一輩子。馬金鳳向張芳金、管玉田、司風(fēng)英學(xué)習(xí)祥符調(diào)唱法;又學(xué)習(xí)豫東調(diào);又向燕長庚、翟燕身學(xué)習(xí)豫西調(diào),馬金鳳在繼承前輩藝術(shù)的同時,在唱腔上又兼收并蓄,大膽改革唱腔,吸取豫東調(diào)、豫西調(diào)之長,并融會貫通之,推動了豫劇發(fā)展。解放后,馬金鳳把傳統(tǒng)劇目《老征東》加以全面整理改變,無論從其唱詞、念白、還是動作服飾上都進行革新,這就成了《穆桂英掛帥》。后來到上海演出,竟然一炮打紅。新的歷史時期,馬金鳳一直活躍在豫劇舞臺上。她還創(chuàng)辦學(xué)校、廣收弟子、扶持青年演員,至今“馬派”藝術(shù)廣為流傳于社會。 第二章為馬金鳳演唱美學(xué),包括馬金鳳對豫劇美的演繹;馬金鳳豫劇唱腔音樂探微;馬金鳳豫劇行腔分析;馬金鳳豫劇演唱中的咬字;馬金鳳豫劇演唱韻味分析。戲曲藝術(shù)綜合了舞蹈、歌唱等因素,但是戲曲藝術(shù)絕對不是這些因素的簡單拼湊。戲曲唱腔不但追求字正腔圓,而且還要注意演唱口形的優(yōu)美,舞臺上戲曲演員的表演在聽覺、視覺上都要同時符合美學(xué)要求。馬金鳳在多年的演出實踐中,結(jié)合自身的優(yōu)勢,博采眾長,嫻熟運用豫劇唱腔的美學(xué)規(guī)律,又根據(jù)社會發(fā)展的需要,力求新穎,推陳出新,創(chuàng)作出許多令人耳目一新的豫劇唱腔。馬金鳳是一位極有豫劇表演天賦的著名演員,加上兒時的刻苦訓(xùn)練,使得其在豫劇的演唱中能夠把自己的人生感悟與劇中人物的身份完美的結(jié)合起來。馬金鳳假聲翻高的音域非常寬廣,動人心魄又魅力無窮,假聲的運用不僅沒有影響嗓音的正常發(fā)揮,反而有助于演唱抑揚頓挫旋律的產(chǎn)生,其豫劇唱腔“韻味”十足的保障是“字正腔圓”。她的演唱,最吸引人的就是善于展現(xiàn)曲折多變的腔調(diào),真情的流露也提升了馬金鳳唱腔的韻味。 第三章為馬金鳳表演藝術(shù)的革新之美。馬金鳳作為一個派別的創(chuàng)始人物,自然有著更多對戲曲表演藝術(shù)的創(chuàng)新與發(fā)展之功。包括對劇本的改編、對化妝等原始道具的改革、對表演技法的繼承與革新、對音樂的改造等等方面,或者可以說馬派豫劇表演的方方面面都在繼承的基礎(chǔ)上有巨大的發(fā)展,這也是馬派藝術(shù)永葆青春的原因。除了在唱腔中表現(xiàn)出的民族之美,在舞臺上的每一個眼神,每一個動作都能體現(xiàn)出美,也就是在演出的每一分每一秒,演員都在努力展現(xiàn)美。馬金鳳與人合作,把傳統(tǒng)《老征東》劇本改編為《穆桂英掛帥》,使前者無論從故事內(nèi)容,演出時間,還是唱腔上都面目全新。從此,《穆桂英掛帥》成為馬金鳳及馬派代表劇目,歷久不衰,深受戲迷盛贊。對當(dāng)代題材的豫劇的發(fā)展也付出了艱辛的努力,如其對《情系小浪底》、《母親》、《李雙雙》、《紅嫂》、《打牌坊》等付出大量心血。在馬老的辛勤付出下,這些優(yōu)秀的豫劇表演藝術(shù)家脫穎而出,馬派弟子雖情況不同,年齡不一,但個個唱功非凡,技藝超群。在他們身上再現(xiàn)了馬金鳳的清脆明亮、秀麗華貴,使得馬派藝術(shù)發(fā)揚光大,經(jīng)久不衰。 最后為結(jié)論,我們認為馬金鳳的生活經(jīng)歷對她的豫劇表演事業(yè)是一個很大的促進。除此之外,個人對豫劇表演的認真負責(zé)態(tài)度,以及馬老一顆不老之心保證了七十多年的演藝生涯始終伴隨著創(chuàng)新精神,這些都是馬老獲得種種美譽的必不可少因素。
[Abstract]:Ma Jinfeng is known as one of the five famous opera, she plays an important role in the process of the development of Henan opera. This paper from the systematic review of Ma Jinfeng's career of Ma Jinfeng enduring reason analysis from the angle of aesthetics, trying to find a more scientific singing method of the opera, in order to promote the health of China's Opera vocal art comprehensive development. This article is divided into five parts.
The first part is the introduction, introduces the research origin, research significance, research status, research ideas, the framework and research methods. Ma Jinfeng plays an important role in the process of the development of Henan opera, but also the lack of special research in this field, there is still a blank. This paper analyses the reasons for enduring from Ma Jinfeng the angle of aesthetics, tries to Henan's future health comprehensive development to provide ideas.
The first chapter is Ma Jinfeng's acting process. With the historical order of the career of Ma Jinfeng is divided into four periods: the early learning experience before the liberation of Hebei Bangzi; learning process on the opera; during the liberation to the Cultural Revolution opera singing; new period. Early home leads to poor A good sword remains always sharp. Ma Jinfeng is very small in practice and to make a living, then the chance to learn from the opera, singing a lifetime. Ma Jinfeng to Zhang Fangjin, Yutian, our learning Fengying Xiangfu tune singing and learning; and to the East tune; Yan Chang, Zhai Yan learning Yuxi tone Ma Jinfeng inherited the predecessors, art at the same time, in the melody and eclectic, bold reform of singing, drawing Henan, Yuxi tone long, and together, to promote the development of the opera. After the liberation, Ma Jinfeng put the traditional repertoire "old East levy comprehensive consolidation > change, whether from the lyrics, spoken, or action The dress are innovative, and this became the "Mu Guiying command. Later to perform in Shanghai, even a red gun. The new historical period, Ma Jinfeng has been active in the opera stage. She is also the founder of the school, more apprentices, supporting young actor, since the Ma school art spread to the society.
The second chapter is Ma Jinfeng singing aesthetics, including the beauty of Ma Jinfeng opera opera singing the music of deduction; Ma Jinfeng; analysis of Ma Jinfeng Opera Opera Concert in the cavity; Ma Jinfeng articulation; analysis of Ma Jinfeng opera singing opera charm. Comprehensive art of dance, singing and other factors, but these factors is definitely not the opera art of opera singing not only simple patchwork. The pursuit of pronunciation, but also pay attention to the lip of the stage singing beautiful opera actor performances in the auditory, visual must also meet the aesthetic requirements. Ma Jinfeng performed in the years of practice, combined with their own advantages, skillful use of aesthetic rules learn widely from others'strong points, opera singing, and according to the needs of social development, and strive to be innovative, innovation create a lot of opera singing find everything fresh and new. Ma Jinfeng is an extremely talented actor with opera performances, and childhood The hard training, making it to the sentiment of life and the characters of their identity in the perfect combination of the opera singing in falsetto. Ma Jinfeng turned high range is very broad, and strike a deep chord infinite charm, not only did not affect the use of falsetto voice in normal play, but help singing melody cadence, the opera singing "flavor" full protection is "good". Her singing, the most attractive is the good show changing tone, to reveal the truth but also to enhance the charm of Ma Jinfeng singing.
The third chapter is the innovation of Ma Jinfeng's performing arts beauty. Ma Jinfeng as a group founder, has a natural of the drama innovation and development work. Including adaptation of the script, to reform the original make-up props, inheritance and innovation of performance techniques, transformation of the music and so on. Or you can say that the Ma school of Henan opera performance in all aspects of a great development on the basis of inheritance, which is why Ma art of eternal youth. In addition to the performance in singing the national beauty, every look on the stage, every action can reflect the beauty, that is in the performance of every second, the actors are trying to show beauty. Ma Jinfeng Co, the traditional "old East syndrome > > < script in command of Mu Guiying, the former from the story, show time, or singing are new features. From then on," Mu Guiying command Ma Jinfeng and Ma became > represented repertoire, long lasting, by the fans praised. The development of contemporary theme of the opera has made arduous efforts, as it is for the < > > < Xiaolangdi Dam, mother Li Shuangshuang, < >, < < > > which, playing Paul etc. to pay a lot of effort. In the old hard pay, these excellent opera performing artist Ma sent his talent shows itself, although the situation is different, age is not a, but all of them singing extraordinary, skilful in them. Ma Jinfeng's reproduction is crisp and bright, beautiful and luxurious, making the horse art flourish, enduring.
The last part is the conclusion, we think that Ma Jinfeng's life experience of her opera acting career is a great promotion. In addition, her serious and responsible attitude and performance, old horse a young heart to ensure that the more than 70 year career is always accompanied by the spirit of innovation, these are the essential factors of the old Ma all sorts of reputation.

【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J825

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相關(guān)期刊論文 前1條

1 宋照敏;馬金鳳唱腔藝術(shù)初探[J];音樂研究;2005年03期

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本文編號：1609814