本文選題：嶺南戲曲　切入點：官場演劇　出處：《中山大學學報(社會科學版)》2017年01期 　論文類型：期刊論文

【摘要】：嶺南遠離中國的文化中心,清中葉以后嶺南戲曲才迎來發(fā)展的高峰。同治、光緒年間,浙江人杜鳳治在宦粵14年的日記中,較為清晰地記錄了晚清廣府官場宴戲及民間演劇的面貌,為我們觸摸100多年前嶺南戲曲的歷史提供了第一手文獻�！抖砒P治日記》還以官員的視角展示官府禁戲的歷史場域,重現(xiàn)各種禁戲指令出臺和執(zhí)行的始末,開顯官方與文化傳統(tǒng)、地方士紳及在華洋商等多重因素較力的隱幕。
[Abstract]:Lingnan was far away from the cultural center of China, and the Lingnan opera reached its peak after the middle Qing Dynasty. Tongzhi, a Zhejiang native du Fengzhi, was in the 14 years' diary of official Guangdong during the period of Guang Xu. It clearly records the appearance of the official banquet and folk drama of the Guangfu government in the late Qing Dynasty, and provides us with first-hand literature for touching the history of Lingnan opera more than 100 years ago. Du Fengzhi's Diary also shows the historical field of the official ban on opera from the perspective of officials. The reappearance of various proscription instructions and the implementation of the first and last, the opening of official and cultural traditions, local gentry and foreign merchants in China and other factors more powerful hidden screen.
【作者單位】： 中山大學中國非物質(zhì)文化遺產(chǎn)研究中心;中山大學文化遺產(chǎn)傳承與數(shù)字化保護協(xié)同創(chuàng)新中心;
【基金】：國家社會科學基金重點項目《新加坡藏“外江戲”劇本的搜集與研究》(14AZW009)
【分類號】：J809.2
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本文編號：1600912