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康保二人臺的藝術(shù)特征

發(fā)布時間:2018-03-11 06:02

  本文選題:康保二人臺 切入點:藝術(shù)特征 出處:《河北師范大學(xué)》2010年碩士論文 論文類型:學(xué)位論文


【摘要】: 康保二人臺產(chǎn)生于河北省張家口壩上地區(qū),距今有上百年的歷史,是這一地區(qū)的稀有劇種。康保二人臺本屬東路二人臺,是將民間音樂、舞蹈、曲藝、戲曲多種藝術(shù)元素融為一體的綜合藝術(shù)?当6伺_的形成,凝聚著人們走西口的歷史情緣,是與人民群眾生活息息相關(guān)的蒙漢民族文化藝術(shù)結(jié)晶。流傳百余年來,該劇種積淀了深厚的文化底蘊,深受廣大群眾的喜愛。 本文從康保二人臺的產(chǎn)生、音樂特征、念白特征、舞蹈特征等方面對康保二人臺獨具魅力的藝術(shù)表演特征進(jìn)行研究,從中探索康保二人臺在發(fā)展過程中的表演及傳承經(jīng)驗。對康保二人臺的發(fā)展尚存不足之處以及未來的發(fā)展趨勢提出個人見解。本文圍繞著康保二人臺的藝術(shù)特征進(jìn)行研究,下分五個分論點: 第一、康保二人臺的劇目特征。從其“小巧玲瓏”和“以小見大”的特點進(jìn)行論證。 第二、康保二人臺的音樂特征。圍繞著曲牌特征和伴奏樂器的演奏特征進(jìn)行論證。 第三、康保二人臺的唱腔特征。從各種行當(dāng)?shù)难莩靶星贿M(jìn)行具體論證。 第四、康保二人臺的念白特征。從對本地方言不同種類的運用總結(jié)其獨有的特點。 第五、康保二人臺的舞臺動作特征。根據(jù)其舞臺動作和寫意性的運用來探索康保二人臺舞臺動作特征。 結(jié)論部分對全文進(jìn)行總結(jié)并對東路二人臺的未來發(fā)展進(jìn)行展望。本文主要運用了比較研究法和例證法緊緊圍繞康保二人臺藝術(shù)魅力進(jìn)行論述,以審美為核心,進(jìn)一步挖掘康保二人臺獨特的藝術(shù)風(fēng)格和鮮明的地域特色。
[Abstract]:Born in Zhangjiakou Bashang area, Hebei Province, Kangbao two-person platform is a rare type of play in this area, with a history of more than one hundred years. It was originally a two-person station on Donglu Road. It was composed of folk music, dance, and quyi. The formation of the Kangbao two people's platform, which condenses the historical sentiment of people going to the West, is the crystallization of Mongolian and Han nationality culture and art closely related to the life of the people. It has been circulating for more than a hundred years. The play has accumulated a deep cultural heritage, deeply loved by the masses. This paper studies the unique artistic performance characteristics of Kangbao duo from the aspects of their appearance, musical features, white reading, dance features and so on. This paper explores the performance and inheritance experience of Kangbao two-person station in the development process, and puts forward personal opinions on the remaining deficiencies of the development of Kangbao two-person station, as well as the development trend in the future. This paper focuses on the artistic characteristics of Kangbao two-person station. The following are five sub-arguments:. First, the play features of Kangbao two-person station. From its "small" and "through a small part to see the whole" characteristics of the argument. Second, the musical characteristics of Kangbao two-person station. Third, the singing characteristics of Kangbao two-person station. 4th, the characteristics of Kangbao Erren station. From the use of different kinds of local dialects to sum up its unique characteristics. 5th, the stage movement characteristics of Kangbao two-person platform. According to the application of its stage movement and freehand brushwork, this paper explores the stage action characteristics of Kangbao two-person platform. The conclusion part summarizes the full text and looks forward to the future development of the East Road two-person station. This paper mainly uses the comparative research method and the illustration method to discuss closely around the artistic charm of Kangbao Errentai, with the aesthetic as the core. Further explore the unique artistic style and distinctive regional characteristics of Kangbao two-person platform.
【學(xué)位授予單位】:河北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2010
【分類號】:J825

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