本文選題：他者凝視　切入點(diǎn)：粵劇粵曲　出處：《人文地理》2015年02期 　論文類(lèi)型：期刊論文

【摘要】：人文地理學(xué)領(lǐng)域鮮有關(guān)注"飲茶聽(tīng)粵曲"這一獨(dú)特的音樂(lè)文化景觀,鑒于此,本文以百年茶樓——榮華樓的曲藝茶座為例,采取深度訪(fǎng)談及參與式觀察、定性描述方法,用"凝視"理論探討在他者與我者、"看"與"被看"的互動(dòng)中,榮華樓曲藝茶座其空間功能的塑造及轉(zhuǎn)變、其社會(huì)關(guān)系的建構(gòu)及意義。結(jié)果表明:1對(duì)茶樓關(guān)注的焦點(diǎn)隨時(shí)間發(fā)生轉(zhuǎn)移促使經(jīng)營(yíng)者思考如何改造展演空間的功能達(dá)到維持經(jīng)營(yíng)的目的,致使粵劇粵曲展演空間原有功能被分割;2"凝視"是一種展演反思的作用力;3粵劇粵曲展演空間發(fā)揮著維系社會(huì)某一特定群體文化體系的功能。
[Abstract]:In the field of human geography, there is little attention to the unique musical and cultural landscape of "drinking tea and listening to Cantonese music". In view of this, this paper takes the Quyi tea house of 100-year tea house-Rong Hua building as an example, adopts in-depth interviews and participatory observation, and describes qualitatively. With the theory of "gaze", this paper explores the shaping and transformation of the spatial function of Rong Hua's Quyi Tea House in the interaction between others and me, between "seeing" and "being seen". The result shows that the focus of attention to the teahouse changes with time, which urges the operator to think about how to transform the function of exhibition space to maintain the operation. As a result, the original function of Cantonese opera performance space has been divided into two parts: "gaze" is a kind of force of exhibition and reflection. 3. Guangdong opera exhibition space plays a role in maintaining a certain social cultural system.
【作者單位】： 華南師范大學(xué)地理科學(xué)學(xué)院;華南師范大學(xué)文化產(chǎn)業(yè)與文化地理研究中心;
【基金】：國(guó)家自然科學(xué)基金項(xiàng)目(41271178,40971096)
【分類(lèi)號(hào)】：J825

【參考文獻(xiàn)】

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本文編號(hào)：1595723