本文選題：戲劇　切入點(diǎn)：社群主義　出處：《戲劇藝術(shù)》2017年04期 　論文類型：期刊論文

【摘要】：任何戲劇作品中,都隱含著社群元素。戲劇與社群的關(guān)系,可以歸納為八種關(guān)系類型。從這八種類型出發(fā)分析,社群戲劇是社群意識(shí)最強(qiáng)烈的戲劇實(shí)踐形式,也是當(dāng)代戲劇實(shí)踐中被忽視的一條戲劇脈絡(luò)。社群戲劇的目的是以戲劇的方式促進(jìn)社群的發(fā)展,故事往往是戲劇藝術(shù)家和社群成員集體創(chuàng)作或改編而成,與社群歷史、現(xiàn)狀和發(fā)展的某一方面有關(guān),與社群高度融合。在批判新自由主義的社群主義思潮背景下,耶魯大學(xué)社會(huì)學(xué)教授提出,戲劇和社會(huì)的關(guān)系在歷史上存在著融合、分離和再融合的現(xiàn)象,只有和社會(huì)再融合的戲劇表演才有可能走向成功。與各類社群發(fā)生互動(dòng),增強(qiáng)戲劇中的社群意識(shí),中國的戲劇也許能開辟新路。
[Abstract]:The relationship between drama and community can be summed up into eight types of relations. According to the analysis of these eight types, community drama is the most powerful form of drama practice of community consciousness. The purpose of community drama is to promote the development of the community in a dramatic way, and the story is often created or adapted by dramatic artists and members of the community collectively, with the history of the community. In the context of communitarianism, which criticizes neoliberalism, Yale University sociology professor points out that the relationship between drama and society is historically integrated. The phenomenon of separation and re-integration can lead to success only when the theatrical performance is reintegrated with the society. To interact with all kinds of communities and enhance the sense of community in drama, Chinese drama may open up a new way.
【作者單位】： 上海戲劇學(xué)院戲劇文學(xué)系;
【基金】：上海哲學(xué)社會(huì)科學(xué)規(guī)劃項(xiàng)目“戲劇參與都市社區(qū)建設(shè)研究:國際經(jīng)驗(yàn)和本土實(shí)驗(yàn)”(項(xiàng)目編號(hào):2014JG012-BWY703)的階段性成果
【分類號(hào)】：J805

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