論吉?jiǎng)〉牡赜蛭幕厣?/H1>
發(fā)布時(shí)間：2018-03-09 19:18
本文選題：吉?jiǎng)?/strong> 切入點(diǎn)：二人轉(zhuǎn) 出處：《東北師范大學(xué)》2017年碩士論文 論文類型：學(xué)位論文
【摘要】：吉?jiǎng)∈歉灿跂|北民族民間藝術(shù)的吉林省地方劇種,以二人轉(zhuǎn)為母體,融合東北民族民間音樂,自上而下發(fā)展而成。吉?jiǎng)≌Q生至今僅有58年,是很年輕的新劇種,吉?jiǎng)?chuàng)建之初的目的,是為發(fā)展成為能夠代表吉林省特色的、弘揚(yáng)吉林省地方文化的代表性劇種。可以說(shuō)吉?jiǎng)∈窃邳h和人民政府領(lǐng)導(dǎo)與關(guān)懷下誕生的社會(huì)主義時(shí)代新劇種,它擁有迅速走向現(xiàn)代化的得天獨(dú)厚的條件:誕生地點(diǎn)是城市而并非農(nóng)村,這是誕生于農(nóng)村經(jīng)過(guò)緩慢發(fā)展才進(jìn)入城市的劇種無(wú)法比擬的優(yōu)越條件;吉?jiǎng)〗ㄔO(shè)指導(dǎo)思想明確,內(nèi)容上和藝術(shù)上都鮮明地體現(xiàn)出社會(huì)主義時(shí)代的精神風(fēng)貌。吉?jiǎng)〉陌l(fā)展一直圍繞十六字方針“不離基地,采擷眾華,融合提煉,自成一家”,東北民族民間藝術(shù)可謂是吉?jiǎng)〉摹盎亍?本文旨在從吉?jiǎng)∫魳繁倔w與吉?jiǎng)〉纳姝h(huán)境研究切入,追溯吉?jiǎng)〉纳鏄討B(tài)及其形成與發(fā)展歷程,同時(shí)對(duì)東北民族民間音樂及文化在吉?jiǎng)≈械膽?yīng)用進(jìn)行分析,從而探索出吉?jiǎng)∫魳返牡赜蛭幕厣�。本文共分為四個(gè)部分,第一部分從地域環(huán)境、文化環(huán)境以及本體來(lái)源三個(gè)方面介紹吉?jiǎng)〉纳鏄討B(tài);第二部分概述吉?jiǎng)〉男纬膳c發(fā)展,從吉?jiǎng)〉恼Q生到吉?jiǎng)〉闹鸩酵晟?再到困境之中求發(fā)展以及吉?jiǎng)〉恼衽d與發(fā)展;第三部分深入探析東北民族民間音樂及東北的民俗文化是如何應(yīng)用在吉?jiǎng)‘?dāng)中的;第四部分結(jié)論總結(jié)吉?jiǎng)∫魳返牡赜蛭幕厣?br/>[Abstract]:Ji opera is a kind of local drama rooted in the folk art of Northeast nationalities in Jilin Province. It combines folk music from top to bottom and develops from top to bottom. It is a very young new kind of drama. At the beginning of its founding, the purpose of Ji Opera was to develop into a representative drama that could represent the characteristics of Jilin Province and carry forward the local culture of Jilin Province. It can be said that Ji Opera is a new type of drama of the socialist era born under the leadership and concern of the party and the people's government. It has a unique condition for rapid modernization: it was born in a city rather than in a rural area, which is a superior condition that was born in the countryside after slow development before entering the city; the guiding ideology of the construction of the Chinese opera is clear. Both in content and in art, the spirit of the socialist era is clearly reflected. The development of the Ji Opera has always revolved around the policy of "16 characters", "never leave the base, gather all the splendor, merge and refine," The folk art of Northeast China is the "base" of Ji opera. This paper aims to trace the existence and formation and development of Ji opera from the perspective of music Noumenon of Ji opera and the living environment of Ji opera. At the same time, the author analyzes the application of folk music and culture in Jixi dramas in order to explore the regional cultural characteristics of the music. This paper is divided into four parts, the first part is from the regional environment, The second part summarizes the formation and development of Ji opera, from the birth of Ji opera to the gradual improvement of Ji opera, and then to seeking development in the predicament, and to the revitalization and development of Ji opera. The third part deeply analyzes how the folk music of Northeast China and the folk culture of Northeast China are applied in Jiju Opera. Part 4th concludes the regional cultural characteristics of the music of Jiju Opera.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J825
【參考文獻(xiàn)】
相關(guān)期刊論文 前6條
1 金士友;曹華;;戲曲音樂研究范式的突破[J];戲劇文學(xué);2015年10期
2 李道國(guó);;戲曲音樂創(chuàng)作模式探索[J];戲劇之家;2014年08期
3 金士友;;關(guān)于吉?jiǎng)〗ㄔO(shè)與發(fā)展的思考[J];戲劇文學(xué);2014年04期
4 梁銘越;有關(guān)民族管弦樂與音樂文化識(shí)別論之反思[J];音樂藝術(shù)(上海音樂學(xué)院學(xué)報(bào));2002年04期
5 王肯;吉?jiǎng)〉镊攘J];中外文化交流;1993年02期
6 王肯;李文華;;從二人轉(zhuǎn)到吉?jiǎng)J];社會(huì)科學(xué)戰(zhàn)線;1980年01期
，
本文編號(hào)：1589892
本文鏈接：http://sikaile.net/wenyilunwen/xijuwudaolunwen/1589892.html
本文選題：吉?jiǎng)?/strong> 切入點(diǎn)：二人轉(zhuǎn) 出處：《東北師范大學(xué)》2017年碩士論文 論文類型：學(xué)位論文
【摘要】：吉?jiǎng)∈歉灿跂|北民族民間藝術(shù)的吉林省地方劇種,以二人轉(zhuǎn)為母體,融合東北民族民間音樂,自上而下發(fā)展而成。吉?jiǎng)≌Q生至今僅有58年,是很年輕的新劇種,吉?jiǎng)?chuàng)建之初的目的,是為發(fā)展成為能夠代表吉林省特色的、弘揚(yáng)吉林省地方文化的代表性劇種。可以說(shuō)吉?jiǎng)∈窃邳h和人民政府領(lǐng)導(dǎo)與關(guān)懷下誕生的社會(huì)主義時(shí)代新劇種,它擁有迅速走向現(xiàn)代化的得天獨(dú)厚的條件:誕生地點(diǎn)是城市而并非農(nóng)村,這是誕生于農(nóng)村經(jīng)過(guò)緩慢發(fā)展才進(jìn)入城市的劇種無(wú)法比擬的優(yōu)越條件;吉?jiǎng)〗ㄔO(shè)指導(dǎo)思想明確,內(nèi)容上和藝術(shù)上都鮮明地體現(xiàn)出社會(huì)主義時(shí)代的精神風(fēng)貌。吉?jiǎng)〉陌l(fā)展一直圍繞十六字方針“不離基地,采擷眾華,融合提煉,自成一家”,東北民族民間藝術(shù)可謂是吉?jiǎng)〉摹盎亍?本文旨在從吉?jiǎng)∫魳繁倔w與吉?jiǎng)〉纳姝h(huán)境研究切入,追溯吉?jiǎng)〉纳鏄討B(tài)及其形成與發(fā)展歷程,同時(shí)對(duì)東北民族民間音樂及文化在吉?jiǎng)≈械膽?yīng)用進(jìn)行分析,從而探索出吉?jiǎng)∫魳返牡赜蛭幕厣�。本文共分為四個(gè)部分,第一部分從地域環(huán)境、文化環(huán)境以及本體來(lái)源三個(gè)方面介紹吉?jiǎng)〉纳鏄討B(tài);第二部分概述吉?jiǎng)〉男纬膳c發(fā)展,從吉?jiǎng)〉恼Q生到吉?jiǎng)〉闹鸩酵晟?再到困境之中求發(fā)展以及吉?jiǎng)〉恼衽d與發(fā)展;第三部分深入探析東北民族民間音樂及東北的民俗文化是如何應(yīng)用在吉?jiǎng)‘?dāng)中的;第四部分結(jié)論總結(jié)吉?jiǎng)∫魳返牡赜蛭幕厣?br/>[Abstract]:Ji opera is a kind of local drama rooted in the folk art of Northeast nationalities in Jilin Province. It combines folk music from top to bottom and develops from top to bottom. It is a very young new kind of drama. At the beginning of its founding, the purpose of Ji Opera was to develop into a representative drama that could represent the characteristics of Jilin Province and carry forward the local culture of Jilin Province. It can be said that Ji Opera is a new type of drama of the socialist era born under the leadership and concern of the party and the people's government. It has a unique condition for rapid modernization: it was born in a city rather than in a rural area, which is a superior condition that was born in the countryside after slow development before entering the city; the guiding ideology of the construction of the Chinese opera is clear. Both in content and in art, the spirit of the socialist era is clearly reflected. The development of the Ji Opera has always revolved around the policy of "16 characters", "never leave the base, gather all the splendor, merge and refine," The folk art of Northeast China is the "base" of Ji opera. This paper aims to trace the existence and formation and development of Ji opera from the perspective of music Noumenon of Ji opera and the living environment of Ji opera. At the same time, the author analyzes the application of folk music and culture in Jixi dramas in order to explore the regional cultural characteristics of the music. This paper is divided into four parts, the first part is from the regional environment, The second part summarizes the formation and development of Ji opera, from the birth of Ji opera to the gradual improvement of Ji opera, and then to seeking development in the predicament, and to the revitalization and development of Ji opera. The third part deeply analyzes how the folk music of Northeast China and the folk culture of Northeast China are applied in Jiju Opera. Part 4th concludes the regional cultural characteristics of the music of Jiju Opera.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J825
【參考文獻(xiàn)】
相關(guān)期刊論文 前6條
1 金士友;曹華;;戲曲音樂研究范式的突破[J];戲劇文學(xué);2015年10期
2 李道國(guó);;戲曲音樂創(chuàng)作模式探索[J];戲劇之家;2014年08期
3 金士友;;關(guān)于吉?jiǎng)〗ㄔO(shè)與發(fā)展的思考[J];戲劇文學(xué);2014年04期
4 梁銘越;有關(guān)民族管弦樂與音樂文化識(shí)別論之反思[J];音樂藝術(shù)(上海音樂學(xué)院學(xué)報(bào));2002年04期
5 王肯;吉?jiǎng)〉镊攘J];中外文化交流;1993年02期
6 王肯;李文華;;從二人轉(zhuǎn)到吉?jiǎng)J];社會(huì)科學(xué)戰(zhàn)線;1980年01期
，本文編號(hào)：1589892
本文鏈接：http://sikaile.net/wenyilunwen/xijuwudaolunwen/1589892.html
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