本文選題：河南越調(diào)　切入點(diǎn)：體制特征　出處：《河南大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：河南越調(diào)本名“越調(diào)”，因主奏樂器為“四弦”，個(gè)別地方也叫“四股弦”�！昂幽显秸{(diào)”是20世紀(jì)40年代以來，為區(qū)別于湖北越調(diào)的稱謂。其距今至少有300年以上的歷史，是河南的三大地方劇種之一，2006年被列入第一批國家級非物質(zhì)文化遺產(chǎn)名錄。本文梳理了河南越調(diào)的劇種淵源及發(fā)展歷程，歸納總結(jié)了其體制特征，并在此基礎(chǔ)上以其傳統(tǒng)劇目作為研究對象，通過對其劇本形態(tài)、劇目來源的探討，發(fā)掘其中所蘊(yùn)含的濃郁的社會文化內(nèi)涵和審美特質(zhì)，尋找地方劇種在全球化背景下生存發(fā)展的有效途徑，希望可以對河南越調(diào)的保護(hù)與傳承起到積極的促進(jìn)作用。 全文分為緒論、正文、結(jié)語三大部分。 緒論部分論述了本論題的研究現(xiàn)狀、材料來源及研究視角、思路與方法。 正文分五部分來展開論述。 第一章：河南越調(diào)源流述略。首先通過對大量文獻(xiàn)資料及專家學(xué)者觀點(diǎn)的整理，闡述河南越調(diào)的劇種淵源；其次，在搜集整理文獻(xiàn)資料的基礎(chǔ)上，對河南越調(diào)的歷史沿革、發(fā)展流變進(jìn)行梳理，勾勒出其發(fā)展演變的大致脈絡(luò)。 第二章：河南越調(diào)的體制特征。該部分從聲腔體系、伴奏樂器和腳色行當(dāng)三個(gè)方面對河南越調(diào)的藝術(shù)特征進(jìn)行了系統(tǒng)整理。 第三章：河南越調(diào)傳統(tǒng)劇目分類及來源。通過傳統(tǒng)的“正裝戲”與“外裝戲”的劃分標(biāo)準(zhǔn)對傳統(tǒng)劇目進(jìn)行分類，并在二者藝術(shù)特征的對比中探討傳統(tǒng)劇目劇本的變革；同時(shí)對河南越調(diào)傳統(tǒng)劇目的來源進(jìn)行探索性的考證和梳理，以期全方位認(rèn)識傳統(tǒng)劇目的文本形態(tài)。 第四章：河南越調(diào)傳統(tǒng)劇目的思想內(nèi)涵。該部分按照題材類別將河南越調(diào)傳統(tǒng)劇目分為社會歷史劇、愛情倫理劇和宗教鬼神劇三類，并選取其中的典型劇目進(jìn)行剖析，從而展現(xiàn)出其背后所蘊(yùn)含的審美意蘊(yùn)及文化特征。 第五章：河南越調(diào)傳統(tǒng)劇目的文本特色。結(jié)合上一部分對劇目的研究探討，該部分主要從“劇目創(chuàng)作的程式運(yùn)用”、“表現(xiàn)形式的通俗詼諧”和“平民意識的彰顯”三方面來闡釋河南越調(diào)傳統(tǒng)劇目的文本特色。 余論部分，在總結(jié)全文的基礎(chǔ)上，肯定河南越調(diào)的社會文化及民俗價(jià)值，并對當(dāng)前其劇目的創(chuàng)作和改革進(jìn)行探討，，希望它在當(dāng)前多元文化背景下能與時(shí)俱進(jìn)，煥發(fā)出新的生機(jī)。
[Abstract]:Henan Yuediao book "the tune", because the main instrument for the "four strings", some local governments are also called "four strands of string." "Henan Yuediao" since 1940s, as distinguished from Hubei Yuediao title. It was at least 300 years of history, Henan is one of the three major local operas, 2006 was included in the first batch of national intangible cultural heritage. This paper reviews the origin and development process of Henan Yuediao opera, summarizes the characteristics of the system, and on the basis of the traditional repertoire as the research object, through the form of the script, to explore the source of the repertoire, to explore the rich social and cultural implication the connotation and aesthetic characteristics, to find effective ways of survival and development of local opera in the context of globalization, the hope can to protect and inherit Henan Yuediao has played a positive role in promoting.
The full text is divided into the introduction, the main body and the conclusion of three parts.
The introduction part discusses the research status of this topic, the source of materials and the perspective of research, ideas and methods.
The text is divided into five parts to discuss.
The first chapter: the origin of Henan Yuediao. First, through a large number of documents and experts ideas, elaborated the origin of Henan Yuediao opera; secondly, based on the data collected on the history of Henan Yuediao, development of carding, draw the outline of the general context of development and evolution.
The second chapter: the characteristics of the system. The part from Henan Yuediao vocal systems, artistic features of Henan Yuediao three aspects of musical accompaniment and role of business in a systematic order.
The third chapter: the origin and classification of Henan Yuediao traditional repertoire. By dividing the traditional standards of "Formal Opera" and "exterior play" of the traditional repertoire of classification, and to explore the traditional repertoire as well as changes in the contrast art characteristics of the two; at the same time to explore the research and review of Henan Yuediao traditional drama source in order, comprehensive understanding of the traditional repertoire of text form.
The fourth chapter: Henan Yuediao traditional repertoire of ideological content. This part in accordance with the theme of traditional operas of Henan Yuediao categories will be divided into social and historical drama, love drama and religious supernatural drama class three, and some representative plays are analyzed, which show the aesthetic significance and cultural characteristics of the behind.
The fifth chapter: Henan Yuediao traditional repertoire of text features. Combined with a part of the drama study, this part mainly from "program using" creative repertoire, "manifestations of popular humor" and "three aspects highlight" civilian consciousness to explain Henan Yuediao traditional repertoire of text features.
On the last part, on the basis of summing up, certainly Henan Yuediao social culture and folk value, and to explore the drama creation and the reform, hope it can keep pace with the times in the multicultural background, new vitality.

【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

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本文編號：1575830