本文選題：黃梅戲　切入點(diǎn)：花腔小戲　出處：《江西師范大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 黃梅戲是當(dāng)今我國五大劇種之一,其內(nèi)容包括花腔小戲和主調(diào)平詞兩大體系。這兩大體系共同構(gòu)成了黃梅戲的藝術(shù)內(nèi)涵和藝術(shù)特征,其中,花腔小戲因?yàn)槠洫?dú)具的藝術(shù)風(fēng)格特點(diǎn)和歷史淵源,在黃梅戲這一劇種中有著重要的地位。 本文從花腔小戲的歷史淵源、音樂本體以及它對(duì)形成黃梅戲這一劇種的貢獻(xiàn)進(jìn)行了研究。通過對(duì)其音樂本體的研究和歷史線索的分析,概括并引申出花腔小戲的藝術(shù)特征。 筆者試圖通過這一選題,對(duì)花腔小戲自身的音樂形態(tài)特點(diǎn)的整體性和其作為黃梅戲這一劇種的部分性進(jìn)行合理定位,對(duì)其在發(fā)展中的衍變和藝術(shù)“轉(zhuǎn)嫁”上的個(gè)性特征力爭(zhēng)做到清晰的闡述,最終對(duì)花腔小戲的藝術(shù)價(jià)值和地位進(jìn)行總結(jié)。
[Abstract]:Huangmei Opera is one of the five kinds of plays in our country today. Its contents include two systems of Hua-cai opera and the main leveling words. These two systems together constitute the artistic connotation and artistic characteristics of Huangmei Opera, among which, Because of its unique artistic style and historical origin, Huaxuan opera plays an important role in Huangmei Opera. This paper studies the historical origin, music ontology and its contribution to the formation of Huangmei Opera. Through the research of its music ontology and the analysis of historical clues, it generalizes and generalizes the artistic characteristics of Hua-Xuan Xiao Opera. Through this topic, the author tries to make a reasonable position on the integrity of the characteristics of the music form of the small opera with a flower cavity and its part as a kind of Huangmei opera. This paper tries to make a clear exposition of its evolution in development and the personality characteristics of art "transference", and finally sums up the artistic value and position of Hua-cai opera.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J617.5

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 何成進(jìn);潘輝;;安徽非物質(zhì)文化遺產(chǎn)個(gè)案研究——以黃梅戲等為例[J];現(xiàn)代商貿(mào)工業(yè);2011年15期

相關(guān)碩士學(xué)位論文 前1條

1 史宋丹;黃梅戲男腔研究[D];武漢音樂學(xué)院;2012年

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本文編號(hào)：1566478