本文選題：新媒體環(huán)境　切入點(diǎn)：傳播現(xiàn)狀　出處：《戲劇文學(xué)》2014年06期 　論文類型：期刊論文

【摘要】：正越劇誕生于浙江嵊縣,最初只是一種民間說唱。1917年當(dāng)時(shí)還被稱為"小歌班"的越劇第一次來到上海演出,雖然以失敗告終,但從此與上海結(jié)下了不解之緣。上世紀(jì)40年代,隨著"孤島時(shí)期"眾多女班的蜂擁入滬,越劇在上海進(jìn)行了一系列改革,逐漸嶄露頭角,甚至一舉超越京劇,成為上海市民最喜愛的劇種。在這一過程中,女子越劇對當(dāng)時(shí)上海都市媒介環(huán)境的主動適應(yīng)和積極融入,曾經(jīng)起到過很大的推動和促進(jìn)作用。民國時(shí)期上海是全國的出版中心。三、四十年代僅上海出版的越
[Abstract]:Zheng Yue Opera was born in Shengxian County, Zhejiang Province. It was originally just a folk rap. In 1917, it was also known as "Little Song Class" when it first came to Shanghai to perform. Although it ended in failure, it became inseparable from Shanghai. In -60s, With the influx of many female classes into Shanghai during the "isolated Island period," the Vietnamese Opera has made a series of reforms in Shanghai, gradually emerging and even surpassing Peking Opera at once to become the favorite kind of drama among the people of Shanghai. The active adaptation and active integration of women's Yue opera to shanghai's urban media environment at that time had played a very important role in promoting and promoting it. During the period of the republic of china, shanghai was the publishing center of the whole country. Third, in 40s, shanghai only published in shanghai
【作者單位】： 上海大學(xué)影視學(xué)院;
【基金】：上海市教育委員會科研創(chuàng)新項(xiàng)目“傳統(tǒng)文化資源的傳承與文化認(rèn)同的促進(jìn):新媒體環(huán)境下的戲曲傳播”(項(xiàng)目編號:09YS74)階段性成果之一
【分類號】：J825

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊燕;韓s，

本文編號：1563237