以《彌賽亞》為例分析亨德爾英文清唱?jiǎng)〉膭?chuàng)作特點(diǎn)和貢獻(xiàn)
發(fā)布時(shí)間:2018-03-03 21:37
本文選題:英國(guó) 切入點(diǎn):亨德爾 出處:《陜西師范大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:亨德爾的英文清唱?jiǎng)?chuàng)作手法獨(dú)特而富于戲劇化,注重人物角色的刻畫和塑造,將音樂與舞臺(tái)表演完美地融為一體,具有強(qiáng)烈的藝術(shù)的感染力。作品中帶有強(qiáng)烈的巴洛克時(shí)代的音樂特色,再加上亨德爾在英國(guó)多年的生活與創(chuàng)作對(duì)其作品產(chǎn)生的巨大影響,最終形成了獨(dú)特的戲劇魅力。然而,在國(guó)內(nèi)由于語言及資料方面的限制,亨德爾的英文清唱?jiǎng)]有得到廣泛的學(xué)習(xí)和挖掘。有幸選擇此課題是由于我在亨德爾的故鄉(xiāng)英國(guó)留學(xué)兩年多。在一些文獻(xiàn)資料、作品演唱以及現(xiàn)場(chǎng)音樂會(huì)方面都有所收集和學(xué)習(xí)。 在我積累寫作素材和影頻資料的同時(shí),主要采用了文獻(xiàn)法、觀察法和訪談法等研究方法對(duì)一切對(duì)文章有價(jià)值的內(nèi)容進(jìn)行了搜集、羅列,大膽地展開分析和論述。在研究和積累的過程中,收集到了作曲家在英國(guó)的生活經(jīng)歷,并對(duì)其英文作品進(jìn)行分析,總結(jié)出亨德爾英文清唱?jiǎng)〉膭?chuàng)作風(fēng)格及貢獻(xiàn),希望能為亨德爾英文清唱?jiǎng)〉淖髌费芯刻峁┯行У膸椭鸵娊狻?全文共分為三個(gè)章節(jié): 第一章:簡(jiǎn)述亨德爾赴英國(guó)前的音樂經(jīng)歷 立足于去英國(guó)之前亨德爾的個(gè)人生活和音樂經(jīng)歷;剖析當(dāng)時(shí)英國(guó)政治經(jīng)濟(jì)發(fā)展下的音樂文化形勢(shì)及清唱?jiǎng)‘?dāng)時(shí)在英國(guó)的發(fā)展?fàn)顟B(tài);總結(jié)亨德爾加入英國(guó)國(guó)籍的原因。 第二章:亨德爾在英國(guó)生活影響下清唱?jiǎng)?chuàng)作風(fēng)格特點(diǎn) 分析亨德爾在英國(guó)的生活與創(chuàng)作經(jīng)歷,并從這一角度出發(fā)闡述這些經(jīng)歷影響下而形成的英文清唱?jiǎng)∽髌返娘L(fēng)格特點(diǎn)。同時(shí)以亨德爾最具典型的英文清唱?jiǎng)∽髌愤M(jìn)行剖析總結(jié)。 第三章:亨德爾清唱?jiǎng)?duì)英國(guó)音樂的巨大貢獻(xiàn) 亨德爾一生中作品豐富廣闊,影響力深遠(yuǎn)。他在多年的摸索與研究中創(chuàng)立并推動(dòng)了清唱?jiǎng)〉陌l(fā)展與壯大。它獨(dú)特的創(chuàng)作思想和方法成為后代作曲家的光榮典范與榜樣,為英國(guó)清唱?jiǎng)∈聵I(yè)做出了巨大貢獻(xiàn)。期望此文章能夠?yàn)楹嗟聽栍⑽那宄獎(jiǎng)∨c的研究與教學(xué)提供有效的幫助。
[Abstract]:Handel's English oratorio creation technique is unique and rich in drama, paying attention to the portrayal and shaping of characters, which perfectly blends music with stage performance. Has a strong artistic appeal. The work has a strong Baroque era of music characteristics, coupled with Handel's many years of life and creation in England had a great impact on his work, eventually formed a unique dramatic charm. In China, due to language and material constraints, Handel's English oratorio has not been extensively studied and excavated. I have been lucky to choose this subject because I have been studying in Handel's hometown for more than two years. Singing and live concerts are collected and studied. While I was accumulating writing material and shadow frequency data, I mainly used the methods of literature, observation and interview to collect all the valuable contents of the article. In the course of the research and accumulation, we collected the composer's life experience in England, analyzed his English works, and summed up the writing style and contribution of Handel's English oratorio. Hope to provide effective help and insight for the research of Handel's English oratorio. The full text is divided into three chapters:. Chapter one: brief introduction of Handel's musical experience before he went to Britain. Based on his personal life and musical experience before going to England, this paper analyzes the music and culture situation under the development of British politics and economy and the development of oratorio at that time, and summarizes the reasons why Handel became a British citizen. Chapter two: the characteristics of Handel's Oratorio Writing style under the influence of British Life. This paper analyzes Hendell's life and creation experience in England, and from this angle expounds the style and characteristics of the English oratorio works formed by these experiences. At the same time, it analyzes and summarizes Handel's most typical English oratorio works. Chapter three: the great contribution of Handel oratorio to English music. In his many years of exploration and research, Handel created and promoted the development and expansion of oratorio. His unique creative ideas and methods became the glorious models and role models for future generations of composers. Great contribution has been made to the cause of oratorio in Britain. It is hoped that this article will provide effective help for the research and teaching of Handel's English oratorio.
【學(xué)位授予單位】:陜西師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J617.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 唐力生;論亨德爾《彌賽亞》選曲及其清唱?jiǎng)★L(fēng)格與表現(xiàn)[J];重慶大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2002年05期
,本文編號(hào):1562791
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