本文關(guān)鍵詞： 江南地方戲 多劇種 文化資源共享　出處：《上海文化》2016年04期 　論文類型：期刊論文

【摘要】：20世紀初興盛的多種江南地方戲都匯聚上海,獲得了高度發(fā)展和極度繁榮。除了滬劇、昆劇、京劇等14種江南地方戲外,還有嶺南的粵劇、北方的梆子。其間形成了江南地方戲多劇種通用的共同智慧即共享文化資源,主要體現(xiàn)為:題材共享、音樂互通、演藝交流。江南多劇種地方戲在上海同存共榮,產(chǎn)生了極好的社會效應(yīng)和經(jīng)濟效益:為中國戲曲史和中國文化史做出了巨大的貢獻,媒體得以繁榮、市民文化生活得以豐富�；仡櫧隙鄤》N地方戲在上海共同繁榮的歷史及其經(jīng)驗與教訓(xùn),對于今天我國政府提出的"培養(yǎng)高度的文化自覺和文化自信"具有很大的現(xiàn)實意義。
[Abstract]:In 20th century, a variety of local operas in the southern part of the Yangtze River converged on Shanghai and gained a high degree of development and prosperity. In addition to 14 kinds of local operas, including Shanghai Opera, Kunqu Opera and Beijing Opera, there were also Lingnan Cantonese operas. The Bangzi in the north. During this period, the common wisdom of various kinds of local operas in the south of the Yangtze River, that is, the sharing of cultural resources, is mainly reflected in the sharing of themes, the exchange of music, and the exchange of performing arts. Many kinds of local plays in the south of the Yangtze River live together in Shanghai for common prosperity. Has produced excellent social effect and economic benefit: has made the huge contribution to the Chinese opera history and the Chinese cultural history, the media has been prosperous, The cultural life of citizens has been enriched. It is of great practical significance to review the history, experience and lessons of the common prosperity of various kinds of local operas in the south of the Yangtze River in Shanghai, which are put forward by our government today as "cultivating a high degree of cultural self-consciousness and cultural self-confidence".
【作者單位】： 上海藝術(shù)研究所;
【分類號】：J825

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