本文關(guān)鍵詞： 形象塑造 木蘭詩篇 戲劇 音樂　出處：《西南大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：“在歌劇內(nèi)容構(gòu)成諸要素中,形象具有獨特的地位和價值。歌劇形象系列的有機構(gòu)成,乃是歌劇內(nèi)容諸元中舉足輕重的因素�！彼匀绻胍晒⒏鑴≈械娜宋镄蜗蟊硌莸轿�,就要將作品內(nèi)容、作者創(chuàng)作背景等基礎(chǔ)內(nèi)容了解清楚,還需要分析好作品人物形象的戲劇形象和音樂形象。本文旨在通過大型情景交響音樂劇《木蘭詩篇》中“木蘭”角色的人物形象塑造分析,達(dá)到由譜面的一度創(chuàng)作到表演二度創(chuàng)作的升華的目的。 本文結(jié)構(gòu)大致分為五部分： 第一部分：序言部分。主要介紹此音樂劇的研究目的和意義,研究現(xiàn)狀分析、寫作方法及切入點。 在介紹《木蘭詩篇》的基礎(chǔ)上,通過音樂和戲劇兩方面對“木蘭”角色的深入分析,力求對于以后進行聲樂表演“木蘭”角色的同學(xué)老師們提供有借鑒意義的資料。 第二部分：第一章,《木蘭詩篇》概述。介紹它的創(chuàng)作背景、劇情結(jié)構(gòu)和音樂特征等問題。 音樂劇《木蘭詩篇》以明朗生動的情節(jié)安排、簡潔優(yōu)美的語言,將劇中活生生的人物形象塑造得有聲有色,使人完全融入到劇情的發(fā)展之中。 第三部分：第二章,分析《木蘭詩篇》中“木蘭”角色的性格和戲劇形象。 木蘭是一個平平凡凡的女子,為了父親保家衛(wèi)國的愿望,無奈之下替父從軍,體現(xiàn)了她孝敬父母；來到軍營奮勇當(dāng)先、與戰(zhàn)友親如兄弟,體現(xiàn)了她熱愛祖國、平易近人；戰(zhàn)斗中為喜愛的人劉爽擋劍,體現(xiàn)了她淳樸的愛情觀；戰(zhàn)爭勝利選擇回歸家園,體現(xiàn)了她淡泊名利；與劉爽喜結(jié)連理后仍在回想死去的戰(zhàn)友,體現(xiàn)了她熱愛和平的樸素愿望。 第四部分：第三章,以彭麗媛演唱的“木蘭”角色版本對木蘭形象進行分析,分別從演唱方面和表演方面進行探討。 整部音樂劇在序曲時就已經(jīng)由合唱演唱了《木蘭花》,那是對木蘭的一個整體性描述,而此時由木蘭自己演唱這首曲子,也體現(xiàn)了木蘭在戰(zhàn)場生活中的基本結(jié)束,回歸到了本性生活中。 第五部分：結(jié)語部分：通過對《木蘭詩篇》中“木蘭”角色的分析,得出人物形象塑造的是歌劇內(nèi)容諸元素中重要的內(nèi)容,在此基礎(chǔ)上的二度創(chuàng)作為我們以后的演唱提供幫助。
[Abstract]:"among the elements of opera content composition, the image has a unique position and value. The organic composition of opera image series is an important factor in the opera content elements." so if you want to successfully perform the characters in the opera, It is necessary to understand clearly the content of the work, the background of the author's creation, and so on. It is also necessary to analyze the dramatic and musical images of the characters in the works. To achieve the purpose of sublimation from once creation of spectrum to second creation of performance. The structure of this paper is divided into five parts:. The first part: the preface. It mainly introduces the purpose and significance of the musical, the analysis of the present situation, the writing method and the breakthrough point. Based on the introduction of Mulan Psalm, this paper analyzes the role of Mulan from the aspects of music and drama, and tries to provide reference materials for the students who perform the role of Mulan in vocal music. The second part: chapter one, "Mulan Psalm". It introduces the background, plot structure and musical features of Mulan. The musical "Mulan Psalm" with bright and vivid plot arrangement, concise and beautiful language, the living characters of the play are created in a sound color, so that people fully into the development of the plot. Chapter two analyzes the characters and dramatic images of Mulan in Psalm Mulan. Mulan is a mediocre woman, for his father's desire to defend the country, but under the father joined the army, reflecting her filial piety; Liu Shuang blocked the sword for her beloved person in the battle, which reflected her simple view of love; the victorious choice of returning home in the war reflected her indifference to fame and wealth; and after marrying Liu Shuang, he still recalled her dead comrades in arms and reflected her simple desire to love peace. Part 4th: the third chapter analyzes the image of Mulan by the character version of "Mulan" sung by Peng Liyuan, respectively from the aspects of singing and performance. "Magnolia" was already sung by the chorus during the prelude to the entire musical, which is a holistic description of Mulan. At this time, Mulan himself sang this song, which also reflects the basic end of Mulan's life on the battlefield. To return to the nature of life. Part 5th: conclusion: by analyzing the characters of Mulan in Mulan Psalm, it is concluded that the characters are the important elements of the opera. On this basis the second creation for our later singing to provide help.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J822

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 隋煒;歌劇《木蘭詩篇》的民族化創(chuàng)作研究[D];華東師范大學(xué);2012年

2 王麗萍;情景交響歌劇《木蘭詩篇》中木蘭角色解讀[D];西北師范大學(xué);2012年

3 楊t，

本文編號：1552184