本文關(guān)鍵詞： 中華戲劇與影視 傳播 東南亞 新問題 新視域　出處：《戲劇文學(xué)》2014年08期 　論文類型：期刊論文

【摘要】：研究21世紀(jì)中華戲劇與影視東南亞傳播議題,我們不應(yīng)站在萬邦來賀的中央之國的立場去看待東南亞,也不應(yīng)將具體情況區(qū)別很大的東南亞各國看作是一個整體性的政治經(jīng)濟聯(lián)盟,而應(yīng)采取代表全球化立場、平等性姿態(tài)、區(qū)別性態(tài)度的東南亞研究模式。同時,弘揚中華意識,以"中華戲劇與影視"取代"華語戲劇"、"華文戲劇"、"華人戲劇"、"華語影視"、"華人影視"等指涉性窄的概念,包容那些真金白銀般珍貴的跨文化傳播個案和類型,這是學(xué)界應(yīng)該認(rèn)真考慮的重要問題。還有,堅持大戲劇觀念,用發(fā)展的眼光看待發(fā)展的戲劇,把具有戲劇基本要素的影視劇看成戲劇的發(fā)展變化形態(tài),這也是值得提倡的實事求是、與時俱進的研究態(tài)度和立場。
[Abstract]:To study the issue of communication between Chinese drama and film and television in Southeast Asia in 21th century, we should not look at Southeast Asia from the standpoint of the Central State of China. Nor should the countries of Southeast Asia, which have very different specific circumstances, be regarded as a political and economic union as a whole. Rather, they should adopt a research model of Southeast Asia that represents the stand of globalization, an attitude of equality, and a differentiated attitude. At the same time, the Chinese consciousness should be promoted. To replace "Chinese drama", "Chinese drama", "Chinese drama", "Chinese drama", "Chinese film and television" with "Chinese drama", "Chinese film and television" and so on, referring to the concept of narrow sexual implications, and to include those cases and types of cross-cultural communication that are as precious as real gold and silver. This is an important issue that should be seriously considered by the academic community. Moreover, we should adhere to the concept of grand drama, look at the development of drama from the perspective of development, and regard film and television drama with the basic elements of drama as the development and change form of drama. This is also worth advocating seeking truth from facts and keeping pace with the times of the research attitude and stand.
【作者單位】： 廈門大學(xué)人文學(xué)院;廣西財經(jīng)學(xué)院文化傳播學(xué)院;
【基金】：廣西哲學(xué)社會科學(xué)規(guī)劃2013年度研究課題“新媒體影響下的中國文學(xué)東南亞傳播現(xiàn)狀及路徑研究”(立項編號:13BXW006)階段性研究成果
【分類號】：J805;J905

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本文編號：1549810