本文關(guān)鍵詞： 文廟祭禮 戲曲碑刻 傳統(tǒng)劇場(chǎng) 禮樂(lè)制度　出處：《戲劇(中央戲劇學(xué)院學(xué)報(bào))》2017年04期 　論文類型：期刊論文

【摘要】：文廟修建、祭祀必定要在官方的管控之下進(jìn)行,這與其他廟宇相比存在明顯不同。但是田野考察中陵川南召文廟的發(fā)現(xiàn)讓人產(chǎn)生諸多疑惑,其建筑格局明顯不合文廟規(guī)制,甚至廟內(nèi)還建有戲樓供祭祀獻(xiàn)戲之用,這與文廟祭祀必用"雅樂(lè)"的禮制迥然不同。本文將以南召文廟個(gè)案考述切入研究,以期能揭示現(xiàn)象背后的內(nèi)因,并為民間劇場(chǎng)史、演出史研究提供一些案例。
[Abstract]:The temple construction and sacrifice must be carried out under the official control , which is obviously different from the other temples . However , the discovery of the Nanzhao Temple in Lingchuan in the middle of the field is quite different from other temples . However , the construction pattern of the temple is obviously different from the temple regulation , and even in the temple , there is a drama building for sacrificial offering . This article will make a study of the case study of ZhaoWenmiao in the south , with a view to revealing the inner cause behind the phenomenon , and providing some cases for the history of folk theater and the study of the performance history .

【作者單位】： 山西師范大學(xué)戲劇與影視學(xué)院;山西師范大學(xué)傳媒學(xué)院;
【基金】：全國(guó)哲學(xué)社會(huì)科學(xué)規(guī)劃辦公室“中國(guó)戲曲碑刻的收集整理與研究”(項(xiàng)目編號(hào):13BZSO17) 山西省人文社科基地項(xiàng)目“山西戲曲碑刻集成”(項(xiàng)目編號(hào):2013317)的階段性成果
【分類號(hào)】：J809.2;K872
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本文編號(hào)：1512120