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陵川縣南召文廟及戲曲碑刻考述

發(fā)布時間:2018-02-15 01:39

  本文關(guān)鍵詞: 文廟祭禮 戲曲碑刻 傳統(tǒng)劇場 禮樂制度 出處:《戲劇(中央戲劇學院學報)》2017年04期  論文類型:期刊論文


【摘要】:文廟修建、祭祀必定要在官方的管控之下進行,這與其他廟宇相比存在明顯不同。但是田野考察中陵川南召文廟的發(fā)現(xiàn)讓人產(chǎn)生諸多疑惑,其建筑格局明顯不合文廟規(guī)制,甚至廟內(nèi)還建有戲樓供祭祀獻戲之用,這與文廟祭祀必用"雅樂"的禮制迥然不同。本文將以南召文廟個案考述切入研究,以期能揭示現(xiàn)象背后的內(nèi)因,并為民間劇場史、演出史研究提供一些案例。
[Abstract]:The temple construction and sacrifice must be carried out under the official control , which is obviously different from the other temples . However , the discovery of the Nanzhao Temple in Lingchuan in the middle of the field is quite different from other temples . However , the construction pattern of the temple is obviously different from the temple regulation , and even in the temple , there is a drama building for sacrificial offering . This article will make a study of the case study of ZhaoWenmiao in the south , with a view to revealing the inner cause behind the phenomenon , and providing some cases for the history of folk theater and the study of the performance history .

【作者單位】: 山西師范大學戲劇與影視學院;山西師范大學傳媒學院;
【基金】:全國哲學社會科學規(guī)劃辦公室“中國戲曲碑刻的收集整理與研究”(項目編號:13BZSO17) 山西省人文社科基地項目“山西戲曲碑刻集成”(項目編號:2013317)的階段性成果
【分類號】:J809.2;K872


本文編號:1512120

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