本文關(guān)鍵詞： 《琵琶記》大討論 戲曲改革 戲曲美學(xué)特點(diǎn) 傳統(tǒng)　出處：《中國(guó)藝術(shù)研究院》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：重新評(píng)判傳統(tǒng),是整個(gè)20世紀(jì)的學(xué)術(shù)主潮。中國(guó)共產(chǎn)黨領(lǐng)導(dǎo)的戲曲改革,實(shí)質(zhì)也是對(duì)傳統(tǒng)戲曲的重新評(píng)判,其最終目的是要“傳統(tǒng)戲曲”走向“新社會(huì)”,而對(duì)產(chǎn)生在封建社會(huì)的傳統(tǒng)劇目的評(píng)價(jià),是其中的重要一環(huán)�！杜糜洝愤@樣的古典名劇,在新社會(huì)當(dāng)作何闡釋,不僅涉及古典文學(xué)—戲劇的理論研究,也直接關(guān)乎舞臺(tái)實(shí)踐。“1956年《琵琶記》討論會(huì)”是建國(guó)初期規(guī)模最大的學(xué)術(shù)會(huì)議,與會(huì)者對(duì)此劇的評(píng)判視角、所得觀點(diǎn)相差甚大。這次大討論是新中國(guó)的文藝工作者們,試圖用馬列主義文藝觀點(diǎn),對(duì)《琵琶記》之類古典名劇重新闡釋的典型個(gè)案,亦是當(dāng)時(shí)戲曲改革活動(dòng)的一個(gè)側(cè)影,構(gòu)成了當(dāng)代戲曲史上的一個(gè)重要現(xiàn)象。 于今,戲曲改革活動(dòng)已走過半個(gè)多世紀(jì),筆者透過對(duì)這個(gè)在當(dāng)代戲曲史上頗具特色的現(xiàn)象的分析,更加堅(jiān)定地認(rèn)為,回歸傳統(tǒng)戲曲的美學(xué)神韻,尊重其藝術(shù)特性,應(yīng)是戲曲未來(lái)命運(yùn)的一條康莊大道。
[Abstract]:Rejudging tradition is the main academic trend in 20th century. The reform of Chinese traditional opera led by the Communist Party of China is also a re-evaluation of traditional opera, whose ultimate purpose is to move "traditional opera" to "new society". The evaluation of the traditional plays produced in the feudal society is an important part of it. The classical plays such as Pipa are not only related to the theoretical research of classical literature and drama in the new society. It is also directly related to stage practice. "the Pipa on 1956" is the largest academic conference in the early days of the people's Republic of China. This great discussion is a typical case in which the writers and artists of the people's Republic of China tried to reinterpret classical plays such as the Pipa by using the Marxist-Leninist literary and artistic viewpoints. It was also a sideline of opera reform at that time, which constituted an important phenomenon in the history of contemporary opera. At present, opera reform activities have been more than half a century, the author through the analysis of this phenomenon in the history of contemporary drama, more firmly believe that the return to the aesthetic charm of traditional opera. Respect for its artistic characteristics, should be the future fate of opera a fine road.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J809.2

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本文編號(hào)：1475560