本文關(guān)鍵詞：新古典主義文藝?yán)碚搶?duì)法國(guó)17、18世紀(jì)戲劇與繪畫(huà)的影響　出處：《南京藝術(shù)學(xué)院》2009年碩士論文　論文類型：學(xué)位論文

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【摘要】： 新古典主義是十七世紀(jì)法國(guó)主要的文藝思潮和藝術(shù)方法,對(duì)17、18世紀(jì)的歐洲產(chǎn)生了重要的影響。新古典主義文藝?yán)碚摰漠a(chǎn)生不僅有哲學(xué)基礎(chǔ),還有政治因素。新古典主義往往帶有強(qiáng)烈的倫理含義,試圖將古代羅馬的價(jià)值觀融入到大眾的生活之中。戲劇家高乃依、拉辛,畫(huà)家大衛(wèi)等人以其古典的宏大意味、簡(jiǎn)潔的形式和英雄性的主題等特點(diǎn)成為新古典主義的表達(dá)者。本文在對(duì)法國(guó)新古典主義的文藝?yán)碚撨M(jìn)行系統(tǒng)歸納與梳理之后,著重分析文藝?yán)碚撝凶钪匾睦碚撝巍硇灾髁x和“三一律”。并用圖史互證的方法,結(jié)合圖像學(xué)等知識(shí),從主題、題材、內(nèi)容和創(chuàng)作方法等方面闡釋新古典主義文藝?yán)碚搶?duì)法國(guó)17、18世紀(jì)戲劇和繪畫(huà)的影響。
[Abstract]:In 17th century, Neoclassicism was the main trend of thought and method of art in France, which had an important influence on Europe in the 18th century. The emergence of Neo-classicism theory of literature and art not only has a philosophical foundation. There are also political factors. Neo-classicism often has strong ethical implications, trying to integrate the values of ancient Rome into the life of the masses. The painter David et al., in his classical grand sense. The concise form and heroic theme have become the expression of neo-classicism. This paper summarizes and combs the literary and artistic theories of Neo-classicism in France systematically. This paper focuses on the analysis of the most important theoretical support of literary theory-rationalism and "three uniformity". With the method of cross-attestation of graph and history, combining with the knowledge of graphology and so on, the theme and subject matter are analyzed. It explains the influence of neoclassical literary theory on French 17 th century drama and painting in terms of content and creative method.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J209.565;J809.565

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 楊冰瑩;雙重轉(zhuǎn)型[D];中央美術(shù)學(xué)院;2013年

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本文編號(hào)：1428708