本文關(guān)鍵詞：歌劇人物“田玉梅”的形象塑造及演唱分析　出處：《山東師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 歌劇《黨的女兒》 田玉梅 形象塑造 演唱分析 地位

【摘要】：歌劇《黨的女兒》誕生于1991年，是由劇作家閻肅、賀東久編劇，王祖皆、張卓婭等作曲，田立為等舞美設(shè)計(jì)，蘇陀、張海倫、汪俊導(dǎo)演的六幕大型民族歌劇。該劇根據(jù)我國(guó)六十年代長(zhǎng)篇小說(shuō)《黨費(fèi)》及同名電影劇本改編創(chuàng)作而成，由中國(guó)人民解放軍總政治部歌劇團(tuán)于1991年在北京首演并獲得了巨大的成功，是建國(guó)六十年來(lái)中國(guó)當(dāng)代歌劇領(lǐng)域具有里程碑意義的作品。歌劇《黨的女兒》主要描述了我地下黨組織革命者同國(guó)民黨及叛徒之間英勇不屈、復(fù)雜激烈的斗爭(zhēng)。該劇以田玉梅為主線，以區(qū)委書(shū)記馬家輝叛變?yōu)閷?dǎo)火索，成功塑造了一位為鏟除叛徒掩護(hù)戰(zhàn)友臨危不懼、堅(jiān)貞不屈、舍生取義、視死如歸、可歌可泣的女共產(chǎn)黨員的光輝形象。謳歌了以田玉梅為代表的革命英雄為反抗國(guó)民黨血腥統(tǒng)治，實(shí)現(xiàn)人民解放事業(yè)的不朽的革命精神和崇高的思想品質(zhì)。 2001年，在舉國(guó)祝賀中國(guó)共產(chǎn)黨80華誕之際，《黨的女兒》經(jīng)重排后在上海、北京等地公演。2009年，為隆重慶賀建國(guó)60周年、紀(jì)念建黨88周年，總政歌劇團(tuán)復(fù)排民族歌劇《黨的女兒》，在國(guó)家大劇院連演并當(dāng)選為國(guó)際歌劇節(jié)壓軸劇目。2011年，作為慶祝中國(guó)共產(chǎn)黨90歲華誕的文化藝術(shù)獻(xiàn)禮作品，總政歌劇團(tuán)聯(lián)合北京市演出有限責(zé)任公司主辦“中國(guó)人民解放軍總政治部歌劇團(tuán)首屆·中國(guó)歌劇演出季”，推出歌劇《黨的女兒》20周年紀(jì)念版，在上海、北京、山東等地巡回上演，獲得良好反響。 本文從歌劇《黨的女兒》的戲和人物出發(fā)，在論文的結(jié)構(gòu)安排上，分四章進(jìn)行論述： 第一章歌劇《黨的女兒》概述，主要介紹歌劇《黨的女兒》的詞曲作者、劇情梗概以及具有民族化品格的創(chuàng)作風(fēng)格；第二章“田玉梅”人物形象塑造，主要從戲劇形象、音樂(lè)形象兩個(gè)方面來(lái)探究田玉梅人物形象的塑造；第三章“田玉梅”主要唱段的演唱處理，本章著重分析了四個(gè)唱段《血里火里又還魂》、《生死和黨心相連》、《孩子啊，我的小心肝》和《萬(wàn)里春色滿家園》，從音樂(lè)、演唱、情感和風(fēng)格把握等方面對(duì)田玉梅進(jìn)行了更為細(xì)致的探究；第四章歌劇《黨的女兒》在中國(guó)民族歌劇發(fā)展道路上所處的位置，，主要從歌劇《黨的女兒》對(duì)中國(guó)民族歌劇發(fā)展的貢獻(xiàn)和影響及歌劇《黨的女兒》的重要啟示兩個(gè)方面來(lái)反映該劇在中國(guó)民族歌劇發(fā)展道路上所處的地位，進(jìn)一步闡明歌劇《黨的女兒》飲譽(yù)大江南北的藝術(shù)魅力。文章最后的結(jié)語(yǔ)部分是對(duì)該論文全部?jī)?nèi)容的簡(jiǎn)短總結(jié)。
[Abstract]:Opera "the daughter of the Party" was born in 1991. It was composed by playwrights Yan Su, He Dongjiu, Wang Zujie, and Tian Liwei, as well as dance design by Su Tuo and Helen Zhang. Wang Jun's six-act large-scale national opera. The play is based on the Chinese novel "Party fee" in 60s and the screenplay of the film of the same name. The opera troupe of the General political Department of the Chinese people's Liberation Army premiered in Beijing on 1991 and achieved great success. Opera "the daughter of the Party" mainly describes the heroic and unyielding relationship between the revolutionaries of our underground Party organization and the Kuomintang and the traitor. The drama takes Tian Yumei as the main line and Ma Jiahui, the secretary of the district party committee, as the fuse, successfully shaping a soldier who can protect his comrades from danger for the eradication of traitors. Eulogizes the revolutionary hero represented by Tian Yumei as a revolt against the bloody rule of the Kuomintang and realizes the immortal revolutionary spirit and lofty ideological quality of the cause of people's liberation. On 2001, on the occasion of the 80th birthday of the Communist Party of China, the "daughter of the Party" was staged in Shanghai, Beijing and other places after a rearrangement. 2009 was a grand celebration of the 60th anniversary of the founding of the people's Republic of China. In commemoration of the 88th anniversary of the founding of the party, the general political opera troupe arranged the national opera "daughter of the party" again. It acted in the national grand theatre and was elected as the grand finale of the international opera festival. 2011. A cultural and artistic tribute to celebrate the 90th birthday of the Communist Party of China. The General political Opera Troupe, in conjunction with Beijing performance Co., Ltd, sponsored "the first Chinese Opera performance season of the General political Department of the Chinese people's Liberation Army" and launched the 20th Anniversary Edition of the Opera "daughter of the Party" in Shanghai. Beijing, Shandong and other places on tour, got a good response. Based on the drama and characters of the opera "daughter of the Party", this paper discusses the structure of the thesis in four chapters: The first chapter is an overview of the opera "daughter of the Party", mainly introduces the opera "daughter of the Party" of the songwriter, the plot outline and a national character of the creation style; The second chapter, "Tian Yumei" character image shaping, mainly from the drama image, music image two aspects to explore the portrayal of Tian Yumei character image; The third chapter "Tian Yumei" the main singing processing, this chapter focuses on the analysis of the four verses in the blood fire and return to the soul "," Life and death and the party heart linked "", "Children". My little heart > and "ten thousand li spring color full home", from the music, singing, emotion and style grasps to the Tian Yumei to carry on the more detailed inquiry; Chapter 4th Opera "daughter of the Party" in the development of Chinese national opera in the position of the road. It mainly reflects the position of opera in the development of Chinese national opera from two aspects: the contribution and influence of opera "daughter of the party" to the development of Chinese national opera and the important enlightenment of opera "daughter of the party". The last part of the article is a brief summary of the whole content of the article.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J822

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 郭秋燕;談中國(guó)歌劇演唱的多元化現(xiàn)象[D];山東師范大學(xué);2013年

本文編號(hào)：1423776