本文關(guān)鍵詞：對民間戲曲橫岐調(diào)的調(diào)查與研究　出處：《河北大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 發(fā)展歷史 藝術(shù)特征 功能與價值 傳承與保護

【摘要】：橫岐調(diào),屬于弦索系統(tǒng)的羅羅腔,是板腔與曲牌的混合體,目前流行于河北省涿州市橫岐村,是歷史比較悠久的漢族民間小劇種。橫岐調(diào)劇目眾多,唱腔獨特,具有濃郁的民間風(fēng)韻與地域風(fēng)情。2006年,橫岐調(diào)因其獨特的特色以及藝術(shù)魅力,被列入河北省第一批省級非物質(zhì)文化遺產(chǎn)名錄,同時獲得了更多的關(guān)注。本文將從非遺的角度來分析研究民間戲曲橫岐調(diào)。文章主要分為四個部分。第一部分是對非物質(zhì)文化遺產(chǎn)下橫岐調(diào)的發(fā)展歷史與生存環(huán)境進行簡略的梳理,其中包括對橫岐調(diào)的歷史源流、發(fā)展歷程、流傳區(qū)域的介紹與概述。第二部分是橫岐調(diào)的藝術(shù)特征進行論述,筆者將從文學(xué)體裁特征、音樂形態(tài)特征和表演特征三個方面來進行論述;其中文學(xué)體裁特征包括劇本題材和戲文詞格的研究;音樂形態(tài)特征則主要從唱腔特征、調(diào)式與音階特征、唱腔旋法特征、板式與節(jié)奏特征四個方面來進行論述;橫岐調(diào)的表演特征則著重從演出習(xí)俗、不同行當?shù)难莩厣�、臉譜面具與服飾等舞臺道具、文場伴奏及樂器使用情況、武場伴奏及樂器使用情況、文武場的座次排列等六個方面來進行詳細的闡述。第三部分則是作為省物質(zhì)文化遺產(chǎn)的橫岐調(diào)的價值與社會功能闡述,其中主要從價值與社會功能兩個方面來論述。價值主要體現(xiàn)在歷史文化價值、地域性價值、藝術(shù)價值三個方面,而社會功能則體現(xiàn)在娛樂功能、教育功能、情感宣泄功能、文化引導(dǎo)功能、和文化承載功能等五個方面。第四部分是橫岐調(diào)作為非物質(zhì)文化遺產(chǎn)在當今社會的發(fā)展狀況,筆者將分析橫岐調(diào)傳承遇到的問題、在變化發(fā)展中求生存的橫岐調(diào)以及地方政策對橫岐調(diào)的積極作用。其中橫岐調(diào)傳承存在的問題將從語言、劇目、人才和宣傳四個方面進行論述;在變化發(fā)展中求生存的橫岐調(diào)則從傳統(tǒng)劇目的擴充、新劇目的探索、劇團的管理三個方面進行論述。最后將對文章進行全面總結(jié)。
[Abstract]:Hengqi, which belongs to the Luo Luo cavity of chord cable system, is the mixture of board cavity and qu card. It is popular in Hengqi village, Zhuozhou city, Hebei province at present, and is a relatively long history of Han folk drama. In 2006, due to its unique characteristics and artistic charm, Yokodiao was listed as the first batch of provincial intangible cultural heritage list in Hebei Province. At the same time, more attention has been paid to it. This paper will analyze and study the transverse dissonance of folk opera from the point of view of non-heritage. The article is divided into four parts. The first part is about the development history and survival environment of Yokodissonism under the intangible cultural heritage. The situation is briefly combed. The second part is about the artistic characteristics of Yokodissonism, the author will discuss the characteristics of literary genre. The music form characteristic and the performance characteristic three aspects to carry on the elaboration; The characteristics of literary genre include the study of the theme of the play and the style of the play. The characteristics of music form are mainly discussed from four aspects: the characteristic of singing, the feature of tone and scale, the feature of singing rotation, the feature of board and rhythm. The performance features of transverse dissonance focus on performing customs, singing characteristics of different professions, stage props such as facial masks and costumes, accompaniment and the use of musical instruments, martial arts accompaniment and the use of musical instruments. The third part is about the value and social function of the cross-adjustment as the material and cultural heritage of the province. Value is mainly reflected in three aspects: historical and cultural value, regional value and artistic value, while social function is reflected in entertainment function and educational function. Emotional catharsis function, cultural guidance function, and cultural bearing function. 4th part is the development of the intangible cultural heritage as a non-material cultural heritage. The author will analyze the problems encountered in the inheritance of the horizontal dissonance, the survival of the horizontal dissonance in the development of change and the positive role of local policies on the transversal, in which the problems existing in the inheritance of the horizontal dissonance will be from the language and the repertoire. Talent and propaganda are discussed in four aspects; The horizontal dissonance of survival in the course of change and development is discussed from three aspects: the expansion of the traditional repertoire, the exploration of the new repertoire and the management of the troupe. Finally, the article will be summarized in an all-round way.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.5

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本文編號：1416173