本文關(guān)鍵詞：戲曲舞臺人物的個性化呈現(xiàn)——我與閩劇《長安燕歌》　出處：《藝�！�2016年07期 　論文類型：期刊論文

  更多相關(guān)文章： 閩劇 表演 唱腔

【摘要】：阿史那燕這個人物角色是文武并用,既有花旦的清純可愛,又有青衣的穩(wěn)重端莊,還要具備武旦刀馬旦的干脆利落。在表演的分寸把握上,要充分理解人物內(nèi)心微妙的變化后,再根據(jù)劇情的發(fā)展需要做調(diào)整,前邊要有武旦的沖和狠,后邊卻要有武旦的嫵媚和抒情。
[Abstract]:Ashna Yan this character role is the use of civil and military, both the pure and lovely flowers, but also the stable and dignified Tsing Yi, but also have a Wudan knife Ma Dan's crisp. In the performance of the proper grasp. To fully understand the subtle changes in the heart of the characters, and then according to the development of the plot needs to make adjustments, in front of the impact and ruthless Wu Dan, but behind the charm of Wu Dan and lyricism.
【作者單位】： 閩侯縣閩劇藝術(shù)傳承發(fā)展中心;
【分類號】：J825
【正文快照】： 閩劇《長安燕歌》,是我們團(tuán)長執(zhí)筆的一部新編古裝歷史傳奇閩劇。劇中講述了唐太宗李世民剛登基,突厥犯鏡,李世民御駕親征,在沙場上與突厥公主阿史那燕相遇,二人都為對方英姿所打動,在李世民中毒箭關(guān)鍵檔口,作為敵軍將領(lǐng)的阿史那燕,卻主動為李吸毒治傷,令這個年輕帝王感動并心，

本文編號：1413776