從表演藝術家牛桂英看晉劇
發(fā)布時間:2018-01-12 07:06
本文關鍵詞:從表演藝術家牛桂英看晉劇 出處:《戲劇之家》2016年04期 論文類型:期刊論文
【摘要】:在晉劇旦角藝術方面,著名藝術家牛桂英取得了很大的成就,她自成一派,對晉劇旦角藝術進行了改革和創(chuàng)新,改變了高亢粗獷的傳統(tǒng)晉劇,形成婉轉(zhuǎn)纏綿的新唱腔,并將多種潤腔音用于拖腔音,使得晉劇進一步規(guī)范化。本文將著重介紹牛桂英代表劇目、藝術風格及其成因和牛桂英對晉劇的傳承,以紀念這位偉大的藝術家、教育家。
[Abstract]:In the aspect of Shanxi opera , the famous artist Ningui has made great achievements , and she has made great achievements in the reform and innovation of the arts of the Shanxi Opera . It has changed the traditional Chinese opera with rough and rugged tradition , formed a new singing cavity with graceful grace and made further standardization of the Shanxi opera . This paper will focus on the drama , art style and the cause of the opera , and the inheritance of the Jin drama to commemorate the great artist and educator .
【作者單位】: 綏德縣晉劇團;
【分類號】:J825
【正文快照】: 中國戲曲是一門綜合性藝術,是漢民族傳統(tǒng)文化的瑰寶,帶有明顯的地域特征。牛桂英從觀眾的角度出發(fā),深入劇情表現(xiàn)人物性格,準確把握劇中人物的內(nèi)心世界,將人物的喜怒哀樂表現(xiàn)得淋漓盡致,同時堅持藝術來源于生活,在表現(xiàn)人物時尺度精準,不虛假。一、牛桂英及其代表劇目牛桂英有“,
本文編號:1413183
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