本文關(guān)鍵詞：詠嘆調(diào)《楊柳之歌》的悲劇性分析　出處：《河北師范大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 歌劇 《楊柳之歌》 悲劇性 演唱

【摘要】：悲劇情節(jié)與悲劇性唱段是中外歌劇中構(gòu)成情節(jié)推動(dòng)情節(jié)發(fā)展的必要性元素。在數(shù)百年的歷史鉤沉中,諸多歌劇創(chuàng)作家都對(duì)悲劇性寫作情有獨(dú)鐘。強(qiáng)烈的情緒感召力與舞臺(tái)呈現(xiàn)效果,是悲劇性選段被多次采用的重要原因之一。對(duì)于歌劇演唱者而言,針對(duì)歌劇的悲劇性唱段進(jìn)行細(xì)致分析與深刻挖掘,具有重要作用。能夠讓演唱者更加深刻的了解歌劇故事背景與情節(jié),以作曲家的初衷為立足點(diǎn),以高超演唱技能呈現(xiàn)的舞臺(tái)效果為出發(fā)點(diǎn),更好的演繹以悲劇為基調(diào)的歌劇作品。本文分為四個(gè)部分,緒論部分針對(duì)國內(nèi)外的悲劇性歌劇演唱進(jìn)行了初步的梳理與歸納,從而能夠立足于國內(nèi)外學(xué)者的已有研究成果,為本文的研究提供理論可靠依據(jù)；第二部分為詠嘆調(diào)《楊柳之歌》的基本狀況簡介,主要包括作曲家威爾第的介紹以及《楊柳之歌》的主要內(nèi)容介紹；第三部分為詠嘆調(diào)《楊柳之歌》的音樂本身形態(tài)具體分析,從作品曲式、曲調(diào)、速度和力度等維度進(jìn)行綜合分析；第四部分為《楊柳之歌》悲劇性唱段的演唱狀態(tài)分析,以聲音、氣息、動(dòng)作、表情的控制來詮釋對(duì)悲劇性唱段的演繹。
[Abstract]:The tragic plot and the tragic choir are the necessary elements of the plot to promote the development of the plot in Chinese and foreign operas, in the history of hundreds of years. Many opera writers have a special love for tragic writing. The strong emotional appeal and stage effect is one of the important reasons why the tragic selected passages have been used many times. For opera singers. The careful analysis and deep excavation of the tragic choreography of the opera plays an important role. It can make the singer understand the background and plot of the opera story more deeply and take the original intention of the composer as the foothold. With the stage effect presented by superb singing skills as the starting point, a better interpretation of the tragedy as the tone of the opera works. This article is divided into four parts. Introduction to the tragic opera singing at home and abroad for the preliminary combing and induction, so as to be based on the existing research results of domestic and foreign scholars, to provide a theoretical and reliable basis for this study; The second part is a brief introduction to the basic situation of aria "songs of willow", mainly including the introduction of composer Verdi and the main content of "songs of willow"; The third part is the specific analysis of the music form of arias "songs of willow", from the aspects of music form, tune, speed and intensity. The 4th part is the analysis of the singing state of the tragic choreography in the song of willow, which interprets the interpretation of the tragic choir with the control of sound, breath, action and expression.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J617.2

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1 路雨;詠嘆調(diào)《楊柳之歌》的悲劇性分析[D];河北師范大學(xué);2016年

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