本文關(guān)鍵詞：情感是點(diǎn)燃戲劇人生的火花——我飾演《楊門女將》佘太君的感想　出處：《當(dāng)代戲劇》2016年06期 　論文類型：期刊論文

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【摘要】：正1984年,我進(jìn)了周至劇校。老師覺得我是個(gè)正旦苗子,就對(duì)我專心培養(yǎng)。由于我進(jìn)步很快,不到一年時(shí)間,就掌握了不少戲曲知識(shí)。為了培養(yǎng)我對(duì)藝術(shù)的認(rèn)知和感悟,老師為我排了《楊門女將》這出戲,使我深刻理解了佘太君這個(gè)藝術(shù)人物形象。"情感"二字,說起來容易,但要做到,就不那么容易了。我認(rèn)為同樣一個(gè)戲,從表演形式上大同小異,但
[Abstract]:On 1984, I entered the Zhouzhi Opera School. The teacher thought I was a young man, so I was trained with all my heart. Because I made rapid progress, it took less than a year. In order to cultivate my understanding and understanding of art, the teacher arranged the play "Yang Men Women General" for me, which made me deeply understand the artistic figure she Taijun. The word "emotion" is two words. It's easy to say, but it's not that easy to do. I think the same play is much the same in form, but
【分類號(hào)】：J825
【正文快照】： 1984年,我進(jìn)了周至劇校。老師覺得我是個(gè)正旦苗子,就對(duì)我專心培養(yǎng)。由于我進(jìn)步很快,不到一年時(shí)間,就掌握了不少戲曲知識(shí)。為了培養(yǎng)我對(duì)藝術(shù)的認(rèn)知和感悟,老師為我排了《楊門女將》這出戲,使我深刻理解了佘太君這個(gè)藝術(shù)人物形象。 “情感”二字,說起來容易,但要做到,就不那么，

本文編號(hào)：1364885