【摘要】：欽基茲·艾特瑪托夫是前蘇聯(lián)吉爾吉斯斯坦共和國(guó)作家。作為換語(yǔ)作家，，他的個(gè)人素養(yǎng)及作品藝術(shù)風(fēng)格均獨(dú)具魅力。本文旨在通過(guò)對(duì)艾特瑪托夫部分作品中動(dòng)物形象的梳理，淺析其寓言式創(chuàng)作。 艾特瑪托夫自幼生長(zhǎng)的吉爾吉斯大草原獨(dú)特的人文地理環(huán)境和游牧生活經(jīng)歷賦予他的作品浪漫抒情氣息。自幼接受的俄語(yǔ)文化教育及其后的俄羅斯生活經(jīng)歷，使他熟練掌握俄語(yǔ)的同時(shí)繼承了俄羅斯東正教文學(xué)傳統(tǒng)。吉爾吉斯與俄羅斯兩種異質(zhì)文明的沖突使其作品兼具浪漫抒情性與末世悲劇性，形成獨(dú)特的藝術(shù)張力。 艾特瑪托夫?qū)⒔?jīng)典文學(xué)作品和神話傳說(shuō)進(jìn)行藝術(shù)加工。與傳統(tǒng)寓言相比，他筆下的動(dòng)物形象脫去了道具性，具有鮮活的個(gè)性特征。動(dòng)物作為文學(xué)載體，承載了多重文學(xué)功能，體現(xiàn)了他對(duì)一系列社會(huì)問(wèn)題的深思與療救的努力。
[Abstract]:Chinkez Atmatov is a writer in the Kyrgyz Republic of the former Soviet Union. As an exchange of words writer, his personal accomplishment and artistic style of his works are unique charm. The purpose of this paper is to analyze the allegorical creation by combing the animal images in some of Atmatov's works. The unique human geographical environment and nomadic life experience of the Kyrgyz prairie, which Atmatov grew up from an early age, gave him a romantic and lyrical atmosphere. The Russian culture and education received from an early age and his subsequent Russian life experience enabled him to master Russian skillfully and inherit the tradition of Russian Orthodox literature at the same time. The conflict between Kyrgyzstan and Russia makes his works both romantic lyric and eschatological tragedy, forming a unique artistic tension. Atmatov processes classical literary works and myths and legends. Compared with the traditional fable, his animal image takes off the formality and has the fresh personality characteristics. Animal, as a literary carrier, carries multiple literary functions and embodies his deep thinking and healing efforts to a series of social problems.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I512.074

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 梁婧姝;艾特瑪托夫創(chuàng)作中的生態(tài)意識(shí)[D];內(nèi)蒙古師范大學(xué);2013年

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