【摘要】：浪漫主義時(shí)期是美國(guó)十八世紀(jì)末、十九世紀(jì)初開(kāi)始城市化進(jìn)程在文學(xué)方面的首期。城市化進(jìn)程給紐約這座城市帶來(lái)了諸如人口膨脹、貧富懸殊、種族文化沖突等社會(huì)問(wèn)題。生活在這一時(shí)期的美國(guó)作家們對(duì)紐約城市寄予了深切的關(guān)注,他們針對(duì)紐約的不同側(cè)面,創(chuàng)作了大量反映城市生活方方面面的文學(xué)作品,塑造了一個(gè)個(gè)清晰可感的紐約城市形象。 本論文從五個(gè)方面對(duì)這一時(shí)期的紐約城市書(shū)寫(xiě)予以深刻的分析,力圖還原浪漫主義時(shí)期一個(gè)完整的“紐約”形象。緒論部分綜述國(guó)內(nèi)外紐約城市文學(xué)的研究概況,總結(jié)國(guó)內(nèi)外學(xué)者在所關(guān)注的問(wèn)題、研究的方法以及文學(xué)觀念等方面所表現(xiàn)出的差異；提出本論題的研究意義、對(duì)象和方法論問(wèn)題。第一章梳理紐約城崛起與變遷的歷史,以及作家的紐約城市書(shū)寫(xiě)從無(wú)意識(shí)、萌芽、發(fā)展到成熟的軌跡,感知紐約城市與文學(xué)創(chuàng)作的整體關(guān)系。第二章詳細(xì)分析了華盛頓·歐文作品中再現(xiàn)的充滿安寧、和諧的田園風(fēng)情的紐約“美夢(mèng)”,以及拒斥紐約現(xiàn)代物質(zhì)文明的現(xiàn)實(shí)思想對(duì)這一“美夢(mèng)”所造成的沖擊。第三章從赫爾曼‘麥爾維爾的視角,展示了紐約喧鬧、放縱、腐朽、充滿欲望的城市形象,以及這一形象給紐約下層人民所帶來(lái)的“噩夢(mèng)”般的罪惡與黑暗。第四章探討沃爾特·惠特曼的文本中所提及的巴門(mén)諾克、布魯克林和曼哈頓的區(qū)域形象之于他的對(duì)現(xiàn)實(shí)紐約社會(huì)的思考,傳達(dá)了惠特曼或開(kāi)心、或期冀、或引發(fā)靈感的紐約“白日夢(mèng)”。結(jié)論部分是在以上文本分析的基礎(chǔ)之上,通過(guò)展示三位作家在同一時(shí)期創(chuàng)造出的不同側(cè)面的紐約形象,結(jié)合作家們所夾雜的城市經(jīng)驗(yàn)與想象,總結(jié)“文本中的城市”的研究意義。
[Abstract]:Romanticism was the first period of urbanization in literature in the United States at the end of the 18th century and the beginning of the nineteenth century. Urbanization has created social problems for the city, such as population inflation, disparity between the rich and the poor, and ethnic and cultural conflicts. American writers living in this period have attached great concern to the city of New York, and they have created a large number of literary works reflecting all aspects of urban life in response to different aspects of New York. Has created a clear and perceptible image of the city of New York. This paper makes a deep analysis of the New York city writing in this period from five aspects, and tries to restore a complete image of New York in the Romantic period. The introduction part reviews the research situation of New York City Literature at home and abroad, and summarizes the differences of scholars' attention, research methods and literary concepts. The research significance, object and methodology of this topic are put forward. The first chapter combs the history of the rise and change of New York City, and the writer's writing of New York City from unconscious, budding, developing to mature, and perceiving the overall relationship between New York City and literary creation. The second chapter analyzes in detail the peaceful and harmonious idyllic New York Dream in Irving's works of Washington, and the impact of the realistic thought of rejecting the modern material civilization of New York on this "beautiful dream". The second chapter gives a detailed analysis of the "beautiful dream" which is full of tranquillity and harmony in Washington Irving's works. The third chapter, from the perspective of Herman Melville, shows the image of New York's noisy, indulgent, decadent, lust-filled city, as well as the "nightmarish" evils and darkness that this image brings to the lower class of New York. The fourth chapter discusses the regional images of Barmennok, Brooklyn and Manhattan, mentioned in Walter Whitman's text, to his thoughts of real New York society, conveying Whitman's happiness, or expectations, Or the inspiration of New York's daydream. The conclusion part is based on the above text analysis, through showing the three writers in the same period created in different aspects of the New York image, combined with the writers mixed with the city experience and imagination, Summarize the research significance of "cities in the text".
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I712.06

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 石璞;;民主詩(shī)人瓦爾特·惠特曼[J];四川大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1956年01期

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本文編號(hào)：2466617