概念合成理論對意象派詩歌中意象意義建構(gòu)的闡釋
發(fā)布時間：2019-04-10 17:57
【摘要】：作為詩歌的靈魂和生命,意象是感覺體驗的言語表述。意象在詩歌,尤其是意象派詩歌中起著舉足輕重的作用。意象派詩人在詩歌創(chuàng)作過程中著重強調(diào)了意象的重要性：他們常常會運用不同的意象來創(chuàng)作詩歌。所以,研究意象能夠使我們更好地了解和賞析意象派詩歌。當(dāng)前對于意象派詩歌的研究主要集中在詩學(xué),美學(xué)和修辭學(xué)角度,然而很少有人提起意象派詩歌中意象的意義建構(gòu)的問題。因此,本論文嘗試從認知的角度對意象派詩歌中的意象的意義建構(gòu)進行研究。換言之,使用概念合成理論來研究意象派詩歌中的意象的意義建構(gòu)。 為了便于闡釋意象的意義建構(gòu),作者根據(jù)意象派詩歌的特點和意象的分類,將意象分為單意象和復(fù)合意象(也稱意象組合)。在此意象分類的基礎(chǔ)上,本論文結(jié)合概念整合理論對不同類型的意象的意義建構(gòu)進行解析。首先討論了單意象,由于意象派詩歌常用隱喻串聯(lián)意象,所以把單意象分為單隱喻固化意象和單隱喻非固化意象。研究發(fā)現(xiàn)固化隱喻意象是非固化隱喻意象的基礎(chǔ),而非固化隱喻更新穎,更能體現(xiàn)詩歌語言的特質(zhì)。接著本論文又討論了復(fù)合意象。根據(jù)陳植鄂提出的四種主要的意象組合方式：疊加式,并置式,輻射式和跳躍式來對意象派詩歌中的每一種意象組合進行研究,揭示了意象組合形成的詩學(xué)效果的不同過程。研究發(fā)現(xiàn)不同的意象組合表現(xiàn)了不同心理空間的映射和概念的網(wǎng)絡(luò)合成,這進一步證實了概念合成理論可以更好的用來闡釋意象派詩歌意象的意義建構(gòu)。 Fauconnier的概念合成理論為意象派詩歌中意象的意義建構(gòu)提供了動態(tài)的意義建構(gòu)模型,并揭示了意義建構(gòu)中的認知機制。合成理論中的四維空間理論,層創(chuàng)結(jié)構(gòu)及復(fù)雜的整合過程能夠充分解釋意象意義生成的運演過程,尤其對于詩歌這種語言現(xiàn)象具有強大的闡釋力。總而言之,本論文旨在以概念合成理論為基礎(chǔ)分析意象派詩歌中意象的意義建構(gòu),從而展示出概念合成理論是普遍存在的認知機制并具有強大的解釋力。本論文不僅為欣賞意象派詩歌提供新的視角,同時也幫助人們更加深刻地理解概念合成理論。
[Abstract]:As the soul and life of poetry, image is the verbal expression of sensory experience. Imagery plays an important role in poetry, especially in imagist poetry. Imagist poets emphasize the importance of images in the process of poetry creation: they often use different images to create poetry. Therefore, the study of imagery can make us better understand and appreciate imagist poetry. At present, the research on imagist poetry mainly focuses on poetics, aesthetics and rhetoric. However, few people talk about the meaning construction of imagery in imagist poetry. Therefore, this thesis attempts to study the meaning construction of imagery in Imagist poetry from the perspective of cognition. In other words, the theory of conceptual composition is used to study the meaning construction of imagery in imagist poetry. In order to explain the meaning construction of images, according to the characteristics of imagist poetry and the classification of images, the author divides images into single image and compound image (also called image combination). On the basis of the classification of images, this paper analyzes the meaning construction of different types of images based on the theory of conceptual integration. In this paper, we first discuss the single image, which is divided into the single metaphor solidified image and the single metaphorical non-solidified image because the metaphorical concatenation image is commonly used in the imagist poetry. It is found that solidified metaphorical images are not the basis of solidified metaphorical images, but not solidified metaphors are more novel and can more embody the characteristics of poetic language. Then this paper discusses the compound image. According to Chen Zhi-E's four main ways of image combination: superposition, parallel, radiation and jump, this paper studies each image combination in the imagist poetry, and reveals the different process of the formation of the poetic effect of the image combination. It is found that different image combinations represent the mapping of different mental spaces and the network composition of concepts, which further proves that the conceptual composition theory can be better used to explain the meaning construction of imagery in imagist poetry. Fauconnier's theory of conceptual composition provides a dynamic model of meaning construction in imagery poetry and reveals the cognitive mechanism of meaning construction. The four-dimensional space theory in synthesis theory, layered creation structure and complex integration process can fully explain the operation process of image meaning generation, especially for the linguistic phenomenon of poetry. In a word, this thesis aims to analyze the meaning construction of imagery in imagery poetry based on the theory of conceptual composition, so as to show that the theory of conceptual composition is a universal cognitive mechanism and has a strong explanatory power. This paper not only provides a new perspective for appreciating Imagist poetry, but also helps people to understand the conceptual composition theory more deeply.
【學(xué)位授予單位】：長春理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I106.2
本文編號：2456006
[Abstract]:As the soul and life of poetry, image is the verbal expression of sensory experience. Imagery plays an important role in poetry, especially in imagist poetry. Imagist poets emphasize the importance of images in the process of poetry creation: they often use different images to create poetry. Therefore, the study of imagery can make us better understand and appreciate imagist poetry. At present, the research on imagist poetry mainly focuses on poetics, aesthetics and rhetoric. However, few people talk about the meaning construction of imagery in imagist poetry. Therefore, this thesis attempts to study the meaning construction of imagery in Imagist poetry from the perspective of cognition. In other words, the theory of conceptual composition is used to study the meaning construction of imagery in imagist poetry. In order to explain the meaning construction of images, according to the characteristics of imagist poetry and the classification of images, the author divides images into single image and compound image (also called image combination). On the basis of the classification of images, this paper analyzes the meaning construction of different types of images based on the theory of conceptual integration. In this paper, we first discuss the single image, which is divided into the single metaphor solidified image and the single metaphorical non-solidified image because the metaphorical concatenation image is commonly used in the imagist poetry. It is found that solidified metaphorical images are not the basis of solidified metaphorical images, but not solidified metaphors are more novel and can more embody the characteristics of poetic language. Then this paper discusses the compound image. According to Chen Zhi-E's four main ways of image combination: superposition, parallel, radiation and jump, this paper studies each image combination in the imagist poetry, and reveals the different process of the formation of the poetic effect of the image combination. It is found that different image combinations represent the mapping of different mental spaces and the network composition of concepts, which further proves that the conceptual composition theory can be better used to explain the meaning construction of imagery in imagist poetry. Fauconnier's theory of conceptual composition provides a dynamic model of meaning construction in imagery poetry and reveals the cognitive mechanism of meaning construction. The four-dimensional space theory in synthesis theory, layered creation structure and complex integration process can fully explain the operation process of image meaning generation, especially for the linguistic phenomenon of poetry. In a word, this thesis aims to analyze the meaning construction of imagery in imagery poetry based on the theory of conceptual composition, so as to show that the theory of conceptual composition is a universal cognitive mechanism and has a strong explanatory power. This paper not only provides a new perspective for appreciating Imagist poetry, but also helps people to understand the conceptual composition theory more deeply.
【學(xué)位授予單位】：長春理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I106.2
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