【摘要】：20世紀(jì)以來，文學(xué)研究逐漸走向文化研究，“身份認(rèn)同”作為文化研究領(lǐng)域中的一個(gè)重要主題，既指涉?zhèn)�體間的差異，也強(qiáng)調(diào)群體間的同一。迅猛發(fā)展的資本主義經(jīng)濟(jì)與日益加快的全球化進(jìn)程，不僅強(qiáng)化了個(gè)體與族裔的漂泊經(jīng)歷，而且加劇了他們疏離感與異化感的體驗(yàn)，個(gè)體與族裔如何在這一過程中尋求身份認(rèn)同成為一個(gè)值得探討的問題。 本文以《土生子》、《看不見的人》、《所羅門之歌》三部黑人作家的作品為研究文本，試圖探討背負(fù)著奴隸身世與面臨巨大文化阻力的非裔美國人在美國社會(huì)中建構(gòu)自身身份認(rèn)同的嘗試與探索。這三部作品呈現(xiàn)了各個(gè)時(shí)期的黑人從希望成為美國人到希望被認(rèn)同為“人”的自我認(rèn)同歷程�！锻辽印分械膭e格作為生活在最底層的黑人，對(duì)高高在上的白人世界懷有深深的恐懼，，這種恐懼與自我否定使得別格認(rèn)為自己就是天生的壞黑鬼，理應(yīng)處處遭受非人的待遇，雖然他證實(shí)自身存在的暴力手段過于極端，但是他只是希望能夠被認(rèn)同為一個(gè)土生土長的美國人；《看不見的人》中的無名主人公向來偽裝自己以迎合白人的需求，但是盡管他按照白人給定的身份唯唯諾諾的過活，但是白人世界依然對(duì)他視而不見，他也因此喪失了人的意識(shí)，在不慎跌入地洞之后，他才頓悟，燒掉了白人給定的身份證明，重獲人的自我意識(shí)。《所羅門之歌》中的奶娃出身于中產(chǎn)階級(jí)，優(yōu)越的物質(zhì)生活助其養(yǎng)成了一套白人的價(jià)值觀念，其在南下尋求家族寶藏的過程中，接受了黑人文化的洗禮，漸漸摒棄了白人的價(jià)值觀念，實(shí)現(xiàn)了精神上的重生。 非裔美國人在美國社會(huì)的處境較其他少數(shù)族裔更為復(fù)雜，他們?nèi)绾尾拍軐?shí)現(xiàn)自身的身份認(rèn)同，需要黑白兩個(gè)陣營的共同努力。白人摒棄種族主義的觀念以及兌現(xiàn)民主的承諾，是解決這一問題的外部推動(dòng)力，而黑人方面則需要完成自身政治、經(jīng)濟(jì)、文化與靈魂的重塑，從根本上實(shí)現(xiàn)自身的身份認(rèn)同。
[Abstract]:Since the 20th century, literary studies have gradually moved towards cultural studies. "identity", as an important theme in the field of cultural studies, not only refers to the differences between individuals, but also emphasizes the identity of groups. The rapid development of the capitalist economy and the accelerating process of globalization have not only strengthened the experience of individual and ethnic drift, but also increased their sense of alienation and alienation. How individuals and ethnic groups seek identity in this process has become a question worthy of discussion. This paper studies the works of three black writers, "Native son", "Invisible Man" and "Song of Solomon". This paper attempts to probe into the attempt and exploration of African-Americans who bear the life of slaves and face great cultural resistance to construct their own identity in American society. These three works present the process of self-identification of blacks in various periods, from wanting to be American to being identified as "people." Berger in Native Children as the lowest black living. Deep fear of the high-flying white world, fear and self-denial, led Bug to think he was a born bad black man and deserved inhuman treatment everywhere, even though he had demonstrated that the violence he had existed was too extreme. But he just wants to be recognized as a native American; The unknown hero in Invisible has always camouflaged himself to cater to the needs of whites, but the white world continues to turn a blind eye to him, despite the fact that he lives on the promise of a white man's given identity. As a result, he also lost consciousness, and after he accidentally fell into the hole, he realized, burned down the white man's given identity certificate, and regained his self-consciousness. The Milk Baby in Song of Solomon was born in the middle class. The superior material life helped him develop a set of white values. In the process of seeking the family treasure, he accepted the baptism of the black culture, gradually abandoned the white values and realized the spiritual rebirth. The situation of African-Americans in American society is more complex than that of other minorities, and how they can achieve their identity requires the joint efforts of both black and white camps. White people's rejection of racist ideas and commitment to democracy are the external driving force to solve this problem, while the black side needs to complete the reconstruction of its own politics, economy, culture and soul, and fundamentally realize its own identity.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

【共引文獻(xiàn)】

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