【摘要】：莎士比亞一生共創(chuàng)作了四部傳奇劇，包括《泰爾親王配力克里斯》、《冬天的故事》、《辛白林》和《暴風雨》。通過將現(xiàn)存完整的六部希臘傳奇的結構模式與莎士比亞傳奇劇作比較，不難發(fā)現(xiàn)莎士比亞傳奇劇幾乎包含了希臘傳奇的一切典型要素。本篇論文分別從情節(jié)結構模式和人物結構模式兩條主線入手，將對四個情節(jié)節(jié)點和五大類型人物在戲劇中相互影響的關系進行具體地分析。本篇論文分為“莎士比亞傳奇劇情節(jié)結構模式及其功能”和“莎士比亞傳奇劇人物結構模式及其功能”，同時還包括“莎士比亞傳奇劇與希臘傳奇、情節(jié)劇的關系”，一共三大部分。 緒論部分主要是對國外和國內(nèi)莎士比亞傳奇劇的研究現(xiàn)狀的綜述，以及本篇文章的研究方法和創(chuàng)新點的介紹。從研究的戲劇劇目方面來看，主要集中在《暴風雨》一劇當中；從研究的戲劇要素方面來看，主要集中在主題和情節(jié)的研究上。無論是國內(nèi)還是國外對傳奇劇的研究都是整個莎士比亞研究中的一個十分薄弱的環(huán)節(jié)。 第一章論述了莎士比亞傳奇劇中情節(jié)結構模式及其功能。此章節(jié)分為兩個小節(jié)，第一小節(jié)總結情節(jié)的基本結構模式，即：前史、沖突、高潮和結局，共四個情節(jié)節(jié)點，以及各部分情節(jié)節(jié)點的敘事特征。第二小節(jié)論述了情節(jié)結構模式在人物結構模式當中起到的特殊作用，即前史是為人物提供悲劇的背景，，沖突是為分散主要人物，高潮是為集中主要人物，結局是為人物提供喜劇的未來。實際上，情節(jié)模式是一個“原點—分離—集中—回歸原點”的過程。 第二章論述了莎士比亞傳奇劇的人物結構模式及其功能。分為兩個小節(jié)，第一小節(jié)總結人物的基本結構模式，即：主人公、忠心的仆人、反面角色、轉(zhuǎn)折性人物和超現(xiàn)實人物，共五大類型人物，以及這些典型人物的性格、背景特征。第二小節(jié)論述了人物結構模式在情節(jié)結構模式當中分別起到的特殊作用，即：主人公是悲劇的起因、忠心的仆人是主要人物的保護者、反面角色是情節(jié)的催化劑、轉(zhuǎn)折性人物是喜劇性結尾的引子和超現(xiàn)實人物是傳奇色彩的點綴。 第三章主要對比了莎士比亞傳奇劇在結構模式方面和希臘傳奇、情節(jié)劇的關系。分為兩個小節(jié)，第一小節(jié)論述了莎士比亞傳奇劇對希臘傳奇的繼承與發(fā)展。第二小節(jié)對比了莎士比亞傳奇劇與情節(jié)劇的異同之處。 結論部分總結了莎士比亞傳奇劇的情節(jié)和人物結構模式及其功能，并且指出莎士比亞傳奇劇在文學史上的價值和地位。
[Abstract]:Shakespeare wrote four legendary dramas in his life, including Prince Tyr Peregris, the Winter Story, Simbeline, and the Storm. By comparing the existing six Greek legends with Shakespeare's, it is not difficult to find that Shakespeare's legendary plays contain almost all the typical elements of Greek legends. Starting with the two main lines of plot structure mode and character structure mode, this paper analyzes the relationship between the four plot nodes and the five major types of characters in drama. This thesis is divided into three parts: "the structure and function of Shakespeare's legendary drama", "the structure and function of Shakespeare's legendary characters", and "the relationship between Shakespeare's legendary drama and Greek legend and plot play". There are three major parts. The introduction part is a summary of the current research situation of Shakespeare's legendary dramas abroad and at home, as well as the introduction of the research methods and innovations of this article. From the point of view of the drama and play, it is mainly concentrated in the drama of the Storm, and in the aspect of the drama elements of the study, it is mainly focused on the study of the theme and the plot. The study of legendary plays both at home and abroad is a very weak link in the whole study of Shakespeare. The first chapter discusses the plot structure model and its function in Shakespeare's legendary plays. This chapter is divided into two sections, the first section summarizes the basic structure of the plot, namely: prehistory, conflict, climax and ending, a total of four plot nodes, as well as the narrative characteristics of each part of the plot node. The second section discusses the special role of the plot structure pattern in the character structure model, that is, the prehistory is the background of the tragedy for the characters, the conflict is to disperse the main characters, and the climax is to concentrate the main characters. The ending is the future of comedy for the characters. In fact, the plot pattern is a process of origin-separation-centralization-regression-origin. The second chapter discusses the character structure and function of Shakespeare's legendary play. It is divided into two sections. The first section summarizes the basic structural patterns of the characters, that is, the protagonist, the faithful servant, the villain, the turning and surreal characters, the five types of characters, and the characters and background characteristics of these typical characters. The second section discusses the special functions of the character structure pattern in the plot structure model, that is, the protagonist is the cause of the tragedy, the faithful servant is the protector of the main character, and the villain is the catalyst of the plot. The turning-off character is the introduction of the comedy ending and the surreal character is the legend embellishment. The third chapter mainly compares the relationship between Shakespeare's legendary drama and Greek legend and plot play. It is divided into two sections. The first section discusses the inheritance and development of Shakespeare's legendary drama to the Greek legend. The second section compares the similarities and differences between Shakespeare's legendary drama and plot play. The conclusion summarizes the plot, character structure and function of Shakespeare's legendary drama, and points out the value and status of Shakespeare's legendary play in the history of literature.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I561.073

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